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Classical Storytelling and Contemporary Screenwriting: Aristotle and the Modern Scriptwriter [Pehme köide]

(University of California, Los Angeles, USA)
  • Formaat: Paperback / softback, 244 pages, kõrgus x laius: 234x156 mm, kaal: 420 g
  • Ilmumisaeg: 08-Jan-2018
  • Kirjastus: Routledge
  • ISBN-10: 1138553409
  • ISBN-13: 9781138553408
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  • Formaat: Paperback / softback, 244 pages, kõrgus x laius: 234x156 mm, kaal: 420 g
  • Ilmumisaeg: 08-Jan-2018
  • Kirjastus: Routledge
  • ISBN-10: 1138553409
  • ISBN-13: 9781138553408

Since we first arrived on the planet, we’ve been telling each other stories, whether of that morning’s great saber-tooth tiger hunt or the latest installment of the Star Wars saga. And throughout our history, despite differences of geography or culture, we’ve been telling those stories in essentially the same way. Why?

Because there is a RIGHT way to tell a story, one built into our very DNA.

In his seminal work Poetics, Aristotle identified the patterns and recurring elements that existed in the successful dramas of his time as he explored precisely why we tell stories, what makes a good one, and how to best tell them.

In Classical Storytelling and Contemporary Screenwriting, Brian Price examines Aristotle’s conclusions in an entertaining and accessible way and then applies those guiding principles to the most modern of storytelling mediums, going from idea to story to structure to outline to final pages and beyond, covering every relevant screenwriting topic along the way.

The result is a fresh new approach to the craft of screenwriting—one that’s only been around a scant 2,500 years or so—ideal for students and aspiring screenwriters who want a comprehensive step-by-step guide to writing a successful screenplay the way the pros do it.

Arvustused

"The insights in this volume could be provided only by an author like Brian Price, himself an experienced creator of narratives and a respected writing educator. In accessible language he explains why, millennia after his death, for contemporary dramatic writers Aristotle is more relevant than ever. Here is no pie-in-the-sky philosophical preaching but a hands-on guide to buttress storytelling craft for writers both new and experienced."

Professor Richard Walter, Associate Dean; Screenwriting Area Head, UCLA School of Theater, Film and Television "The insights in this volume could be provided only by an author like Brian Price, himself an experienced creator of narratives and a respected writing educator. In accessible language he explains why, millennia after his death, for contemporary dramatic writers Aristotle is more relevant than ever. Here is no pie-in-the-sky philosophical preaching but a hands-on guide to buttress storytelling craft for writers both new and experienced."

Professor Richard Walter, Associate Dean; Screenwriting Area Head, UCLA School of Theater, Film and Television

"Brian Price delivers a masterful book on the essential precepts of classical storytelling, and their importance in crafting a successful screenplaya wonderfully fresh take on the craft that both aspiring screenwriters and professionals alike will prosper from."

Cornelius Uliano, Writer/Producer, The Peanuts Movie (2015)

"When inspiration, craft, and chocolate have done all they can, one returns to first principles as Brian Price masterfully lays them out. I've watched Brian guide new voices for decades, and there's nobody better at identifying the heart of your story and what it needs from you next."

Brian Nelson, Screenwriter, Hard Candy (2005), 30 Days of Night (2007), Devil (2010)

"He examines everything from building the scene to developing the characterization. Like Aristotle, he says everything must further the story. The book's strong point is the profusion of examples from modern English language movies from "Airplane!" to "Working Girl". Price sets forth 20 "Guiding Precepts" of Aristotle that the modern screenwriter can apply (and one of his own as well)."

Conrad J. Obregon

Acknowledgments xi
Preface: Some Obligatory Backstory xiii
SECTION I A Prologue
1(16)
Chapter 1 Introduction: What You Hold in Your Hand
3(2)
Chapter 2 Aristotle's Poetics: It's All Greek to Me
5(2)
Chapter 3 Motivating Factors: Why We Tell Stories
7(6)
Chapter 4 Starting the Journey: Defining the Road Ahead
13(4)
SECTION II A Beginning
17(28)
Chapter 5 Story: And I'm Sticking to It
19(4)
Chapter 6 Ideas: Liar, Liar, Pants on Fire
23(6)
Chapter 7 Conflict: People Who Write Should Throw Stones
29(4)
Chapter 8 Wholeness: We Need Some Closure
33(2)
Chapter 9 Magnitude: It All Boils Down to One Thing
35(6)
Chapter 10 Loglines: Putting It All Together (Part 1)
41(4)
SECTION III A Middle
45(106)
Chapter 11 Plot: Let's Stay Connected
47(4)
Chapter 12 Reversals and Recognitions: Pieces of the Action
51(4)
Chapter 13 Change of Fortune: Covenant of the Arc
55(4)
Chapter 14 Fatal Flaw: And the Plot Thickens
59(6)
Chapter 15 Structure: The Shape of Things to Come
65(4)
Chapter 16 The Three Acts: Let's Break It Down
69(4)
Chapter 17 Anchor Points: A Pattern of Design
73(10)
Chapter 18 Character: The Agents of the Action
83(4)
Chapter 19 Defining Traits: What's Good and Appropriate
87(4)
Chapter 20 The 5 Ps: They Help Build Character
91(8)
Chapter 21 Motivating Behavior: Goooooaaal!!
99(6)
Chapter 22 Structure Revisited: Filling in the Gaps
105(4)
Chapter 23 Set-Up: Stepping Stones of Act One
109(6)
Chapter 24 Complications: Stepping Stones of Act Two
115(8)
Chapter 25 Resolution: Stepping Stones of Act Three
123(6)
Chapter 26 Stepping Stones: Building the Great Pyramids
129(8)
Chapter 27 Beat Sheets: Putting It All Together (Part 2)
137(14)
SECTION IV An End
151(52)
Chapter 28 Scenes: The Building Blocks
153(6)
Chapter 29 Description: What You See Is What You Get
159(16)
Chapter 30 Dialogue: What You Say Is What You Get
175(8)
Chapter 31 Dialogue Continued: Still More Left to Say
183(4)
Chapter 32 Formatting: Ah, the Lovely White Space
187(6)
Chapter 33 Pages: Putting It All Together (Part 3)
193(6)
Chapter 34 First Draft: And You're Finally Done
199(4)
SECTION V A Resolution
203(20)
Chapter 35 Rewriting: Ha! You Thought You Were Done
205(8)
Chapter 36 Theme: What's It All About, Ari?
213(4)
Chapter 37 Conclusion: Bringing It All Back Home
217(6)
APPENDICES
223(15)
Aristotle's Guiding Precepts
225(2)
Assignments
227(6)
Recommended Reading
233(1)
Recommended Movies
234(2)
Attributions
236(2)
About the Author 238(1)
Index 239
Brian Price is an award-winning screenwriter who has worked with major studios, television networks, and independent film producers from around the world. As an instructor, he has taught screenwriting at Yale University, Johns Hopkins University, and the Brooks Institute, among others, and is a proud member of the prestigious UCLA School of Theater, Film and Television screenwriting faculty.