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Coleridge's Poetry and Prose: A Norton Critical Edition Critical edition [Pehme köide]

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, Edited by (University of Washington), Edited by (University of Oxford), Edited by (late of New York University)
  • Formaat: Paperback / softback, 832 pages, kõrgus x laius x paksus: 236x142x25 mm, kaal: 623 g
  • Sari: Norton Critical Editions
  • Ilmumisaeg: 09-Feb-2003
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393979040
  • ISBN-13: 9780393979046
  • Formaat: Paperback / softback, 832 pages, kõrgus x laius x paksus: 236x142x25 mm, kaal: 623 g
  • Sari: Norton Critical Editions
  • Ilmumisaeg: 09-Feb-2003
  • Kirjastus: WW Norton & Co
  • ISBN-10: 0393979040
  • ISBN-13: 9780393979046
Coleridge combined the genius of a poet with the mind of a philosophical critic.

Coleridge combined the genius of a poet with the mind of aphilosophical critic. His writings are wide-ranging in form andcontent, and vast in number. Norton's long-awaited edition is the mostcomprehensive and user-friendly student edition available. Supportingapparatus includes detailed headnotes, footnotes (both Coleridge's andthe editors'), biographical register, glossary, and an index of poemsand first lines.

"Criticism" includes twenty assessments of Coleridge's poetry and proseby British and American authors.

A Chronology and Selected Bibliography are also included.
List of Illustrations
xiii
General Introduction xv
Textual Introduction xxi
Acknowledgments xxiii
Permissions Acknowledgments xxiv
Abbreviations xxv
The Texts of Coleridge's Poetry and Prose
Poems on Various Subjects (1796)
3(31)
Preface
4(1)
Monody on the Death of Chatterton
5(5)
To a Young Lady with a Poem on the French Revolution
10(2)
Effusions
12(8)
Effusion I [ To Bowles]
12(1)
Effusion II [ To Burke]
13(1)
Effusion III [ To Pitt]
13(1)
Effusion IV [ To Priestley]
14(1)
Effusion V [ To Erskine]
14(1)
Effusion VI [ To Sheridan]
15(1)
Effusion XX. To the Author of the ``Robbers''
16(1)
Effusion XXII. To a Friend together with an Unfinished Poem
16(1)
Effusion XXXV. Composed August 20th, 1795, at Clevedon, Somersetshire [ The Eolian Harp]
17(3)
Religious Musings
20(14)
Ode on the Departing Year (1796)
34(9)
To Thomas Poole, of Stowey
35(2)
Ode on the Departing Year
37(6)
Poems (1797)
43(11)
To the Reverend George Coleridge, of Ottery St. Mary, Devon
44(2)
From Preface to the Second Edition
46(2)
Introduction to the Sonnets
48(2)
Sonnet IV. To the River Otter
50(1)
Sonnet IX. Composed on a journey homeward
51(1)
Sonnet X. To a Friend
52(1)
Reflections on Having Left a Place of Retirement
52(2)
Lyrical Ballads (1798, 1800)
54(54)
The Rime of the Ancyent Marinere, in Seven Parts (1798)
58(1)
The Rime of the Ancient Mariner (1834)
59(41)
The Foster-Mother's Tale, A Dramatic Fragment
100(2)
The Nightingale; A Conversational Poem, Written in April, 1798
102(3)
The Dungeon
105(1)
Love
106(2)
Fears in Solitude (1798)
108(15)
Fears in Solitude
110(6)
France. An Ode
116(4)
Frost at Midnight
120(3)
The Morning Post and the Annual Anthology (1800)
123(20)
The Visions of the Maid of Orleans
125(4)
Recantation, Illustrated in the Story of the Mad Ox
129(4)
Lines Written in the Album at Elbingerode, in the Hartz Forest
133(1)
To a Friend
134(2)
This Lime-Tree Bower My Prison
136(3)
Sonnet XII. To W. L. Esq.
139(1)
Fire, Famine, & Slaughter. A War Eclogue
140(3)
Dejection: An Ode (1802)
143(15)
A Letter to---[ Sara Hutchinson]
145(10)
Dejection: An Ode
155(3)
Christabel, Kubla Khan, and the Pains of Sleep (1816)
158(27)
Christabel
161(19)
Preface
161(1)
Christabel
162(18)
Kubla Khan: or A Vision in a Dream Of the Fragment of Kubla Khan
180(5)
Kubla Khan
182(2)
The Pains of Sleep
184(1)
Sibylline Leaves (1817)
185(18)
Preface
186(2)
Love-Poems
188(6)
The Picture, or The Lover's Resolution
188(4)
The Visionary Hope
192(1)
Recollections of Love
193(1)
Meditative Poems in Blank Verse
194(9)
Hymn Before Sun-rise, in the Vale of Chamouny
195(3)
Inscription for a Fountain on a Heath
198(1)
A Tombless Epitaph
198(2)
To a Gentleman [ William Wordsworth]
200(3)
Poetical Works (1828, 1829, 1834)
203(24)
Poetical Works (1828). Prose in Rhyme: or, Epigrams, Moralities, and Things Without a Name
206(12)
Phantom or Fact? A Dialogue in Verse
206(1)
Work Without Hope
207(1)
A Day Dream
208(1)
Lines Suggested by the Last Words of Berengarius
209(1)
Constancy to an Ideal Object
210(1)
Prefatory Note to the Wanderings of Cain
211(3)
The Wanderings of Cain
214(4)
Poetical Works (1829)
The Garden of Boccaccio
218(3)
Poetical Works (1834). Miscellaneous Poems Phantom
221(6)
Youth and Age
221(2)
Love's Apparition and Evanishment
223(1)
A Character
224(2)
--- E cœlo descendit γνωθι σεαυτoν.---Juvenal
226(1)
Epitaph
227(1)
Uncollected Poetry
227(9)
[ Apologia pro vita sua]
228(1)
The Day Dream
228(1)
[ Metrical Experiments, 1805]
229(1)
A Thought Suggested by a View of Saddleback
230(1)
[ Notebook Fragment, 1806]
231(1)
[ Notebook Fragment, 1807]
231(1)
[ Notebook Fragment, 1810]
232(1)
[ Notebook Fragments, 1811]
233(3)
From a Moral and Political Lecture (1795)
236(12)
Conciones and Populum. or Addresses to the People (1795)
248(10)
From On the Present War
250(8)
Lectures on Revealed Religion (1795)
258(16)
From Lecture 2
259(4)
From Lecture 5
263(6)
From Lecture 6
269(5)
From the Plot Discovered; Or an Address to the People, Against Ministerial Treason (1795)
274(6)
The Watchman (1796)
280(19)
Prospectus
282(2)
Modern Patriotism
284(3)
On the Slave Trade
287(12)
Once a Jacobin Always a Jacobin (1802)
299(7)
Lectures on Literature (1811--12, 1818)
306(32)
[ On Romeo and Juliet]
309(11)
[ On Ancient and Modern Drama and The Tempest]
320(12)
[ On Hamlet]
332(4)
[ On Dramatic Illusion]
336(2)
Essays on the Principles of Genial Criticism (1814)
338(13)
From Essay 2
340(4)
From Essay 3
344(7)
Lay Sermons (1816--17)
351(21)
From The Statesman's Manual; or The Bible the Best Guide to Political Skill and Foresight
354(8)
From Appendix C of the Statesman's Manual
362(7)
From A Lay Sermon (``Blessed are ye that sow beside all Waters!'')
369(3)
Biographia Literaria; Or Biographical Sketches of My Literary Life and Opinions (1817)
372(180)
From Volume 1
Chapter 1
377(16)
From
Chapter 2
393(5)
From
Chapter 3
398(9)
Chapter 4
407(14)
From
Chapter 5
421(2)
From
Chapter 6
423(4)
From
Chapter 7
427(6)
From
Chapter 8
433(6)
From
Chapter 9
439(10)
From
Chapter 10
449(12)
From
Chapter 11
461(2)
From
Chapter 12
463(18)
Chapter 13
481(8)
From Volume 2
Chapter 14
489(7)
From
Chapter 17
496(9)
From
Chapter 18
505(11)
From
Chapter 19
516(1)
From
Chapter 20
517(6)
From
Chapter 22
523(21)
From
Chapter 24
544(8)
The Friend (1818)
552(16)
[ Reason and Understanding]
555(5)
From Essays on the Principles of Method
560(8)
Aids to Reflection (1825)
568(8)
From Preface
570(3)
From Moral and Religious Aphorisms
573(2)
From Aphorisms on Spiritual Religion
575(1)
On the Constitution of the Church and State (1830)
576(34)
From
Chapter 2
579(3)
Chapter 5
582(5)
Miscellaneous Prose
Androgynous Minds
587(1)
The Bible
587(1)
Death
588(1)
Dreams and Sleep
589(2)
Education
591(1)
Evil
592(1)
Feelings
592(1)
The French Revolution
593(1)
John Keats
594(1)
Language
594(2)
Life
596(1)
Love, Lust, and Friendship
597(1)
Madness
598(1)
Nature
599(2)
Opium
601(1)
Pantheism
602(1)
Parliamentary Reform
603(1)
Philosophy
604(1)
Platonists and Aristotelians
605(1)
Poetry
605(1)
Prayer
605(1)
Religion
606(1)
Self-Analysis
607(1)
Symbol
608(1)
Women
609(1)
William Wordsworth
609(1)
The Letters (1796-1820)
610(159)
To John Thelwall (November 19, 1796)
611(2)
To Thomas Poole (February 6, 1797)
613(1)
To Thomas Poole (March 1797)
614(3)
To Joseph Cottle (April 1797)
617(1)
To Thomas Poole (October 9, 1797)
618(2)
To Thomas Poole (October 16, 1797)
620(4)
To Thomas Poole (February 19, 1798)
624(2)
To George Coleridge (c. March 10, 1798)
626(1)
To Thomas Poole (March 16, 1801)
627(1)
To Thomas Poole (March 23, 1801)
628(2)
To William Sotheby (September 10, 1802)
630(2)
To Sara Coleridge (November 23, 1802)
632(1)
To Thomas Wedgwood (September 16, 1803)
633(3)
To Thomas Poole (October 14, 1803)
636(1)
To J. J. Morgan (May 14, 1814)
637(2)
To J. J. Morgan (May 15, 1814)
639(1)
To Thomas Allsop (March 30, 1820)
640(5)
Criticism
Nineteenth Century: Britain
The Prelude (1805), book 6, lines 249-331
645(2)
William Wordsworth
From Christ's Hospital Five and Thirty Years Ago
647(1)
Charles Lamb
From Letters
648(1)
From [ The Album of a London Bookseller]
649(1)
From Lectures on the English Poets
649(1)
William Hazlitt
From The Spirit of the Age
650(3)
From The Life and Correspondence of Charles Mathews the Elder, Comedian
653(1)
Anne Jackson Matthews
From Samuel Taylor Coleridge
654(3)
Thomas De Quincey
From Autobiography
657(1)
Harriet Martineau
From The Life of John Sterling
658(4)
Thomas Carlyle
From Coleridge
662(3)
John Stuart Mill
Nineteenth Century: United States
From Letters
665(1)
Ralph Waldo Emerson
From Journals and Miscellaneous Notebooks
666(1)
From First Visit to England
666(2)
From Letter to B---
668(1)
Edgar Allan Poe
From a Review of Letters, Conversations and Recollections
668(1)
From Art, Literature and the Drama
669(2)
Margaret Fuller
Twentieth Century
From A Poem of Pure Imagination: An Experiment in Reading
671(11)
Robert Penn Warren
From Structure and Style in the Greater Romantic Lyric
682(14)
M. H. Abrams
Coleridge and the Deluded Reader: ``The Rime of the Ancient Mariner''
696(14)
Frances Ferguson
From ``Christabel'': The Wandering Mother and the Enigma of Form
710(12)
Karen Swann
From Wordsworth and Coleridge: The Radical Years
722(9)
Nicholas Roe
Coleridge on Shakespeare: Method Amid the Rhetoric
731(7)
Peter Hoheisel
From The Biographia Literaria and the Contentions of English Romanticism
738(12)
Jerome J. McGann
[ Coleridge's Theory of the Imagination]
750(5)
Thomas McFarland
From The Idea of the Clerisy: Samuel Taylor Coleridge
755(14)
Ben Knights
Biographical Register 769(6)
Glossary 775(4)
Coleridge: A Chronology 779(6)
Selected Bibliography 785(8)
Index of Poem Titles and First Lines 793


Nicholas Halmi is Professor of English and Comparative Literature at the University of Oxford and Margaret Candfield Fellow of University College, Oxford. He is the author of The Genealogy of the Romantic Symbol (2007) and numerous articles on British and German Romanticism, editor of Fearful Symmetry: A Study of William Blake in the Collected Works of Northrop Frye (2004), co-editor (with Paul Magnuson and Raimonda Modiano) of the Norton Critical Edition of Coleridges Poetry and Prose (2003), textual editor of the Opus Maximum in The Collected Works of Samuel Taylor Coleridge (2002), and an advisory editor of Oxford Scholarly Editions Online.



Paul Magnuson was Professor of English at New York University. Raimonda Modiano is Professor of English at the University of Washington. She is the author of Coleridge and the Concept of Nature, and co-editor of Volumes II-V of Coleridges Marginalia (Princeton).