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Collective Threads: Anna Andreeva at the Red Rose Silk Factory [Kõva köide]

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  • Formaat: Hardback, 370 pages, kõrgus x laius x paksus: 275x220x35 mm, kaal: 450 g, 50 Illustrations, black and white; 200 Illustrations, color
  • Ilmumisaeg: 06-Jun-2025
  • Kirjastus: Scheidegger und Spiess AG, Verlag
  • ISBN-10: 3039422499
  • ISBN-13: 9783039422494
Teised raamatud teemal:
  • Formaat: Hardback, 370 pages, kõrgus x laius x paksus: 275x220x35 mm, kaal: 450 g, 50 Illustrations, black and white; 200 Illustrations, color
  • Ilmumisaeg: 06-Jun-2025
  • Kirjastus: Scheidegger und Spiess AG, Verlag
  • ISBN-10: 3039422499
  • ISBN-13: 9783039422494
Teised raamatud teemal:
Captures the influential work of Soviet textile designer and artist Anna Andreeva.

Anna Andreeva (1917–2008) was a Soviet textile designer and leading artist at the famous Red Rose Silk Factory in Moscow from 1944 to 1984. The former Giraud silk factory, nationalized in 1919 after the October Revolution and renamed to commemorate the murdered Polish-German socialist revolutionary Rosa Luxemburg, became a site of collective female design labor that shaped the fashion and material culture of late socialism. Andreeva’s spectacular patterns range from abstract and geometric to cosmic and space-age and to pictorial themes of the city of Moscow and Russian folk art. Her mass-produced designs were among the most popular textile prints distributed within the USSR in the 1960s and 1970s.

Collective Threads contributes to the recent intensive interest in textile art by continuing the feminist emphasis on woman makers but shifting the focus from handmade women’s craft to a different model of industrial-scale textile production deliberately organized along collective lines within the Communist system. It showcases Andreeva’s outstanding art through reproductions of her drawings, sketches, and historic fabric samples as well as documents from the Red Rose factory, Soviet fashion magazines, and images of local and international exhibition designs. Essays contributed by international scholars, curators, and critics place Andreeva’s work and career in a historical and artistic context.
6 Maria Tsantsanoglou
Avant-Garde Textiles in Russia and the Soviet Union:
An Introduction
12 Christina Kiaer
Red Threads: Womens Collective Textiles from
Constructivism to the Postwar Factory
30 Xenia Vytuleva-Herz with Gleb Vytulev
Thunderstorms, Cosmos, and Electricity
38 Anna Dumont
Gendering Modern Textiles: Women Between Design
and Production in European Modernism
48 Julia Tulovsky
Textile as a Territory of Freedom: Anna Andreevas
Fabric Designs and Twentieth-Century Geometric
Abstraction
58 Evangelos Kotsioris
Interwoven Meanings: Anna Andreevas
Commemorative Silk Scarf Designs
70 Dieter Roelstraete
In the Club of Energetics
76 Julia Bryan-Wilson
Tenses of Textiles
86 Aleksandra Selivanova
Anna Andreeva in the Club of Energy Workers
91 Plates
Christina Kiaer is a scholar of art history and a specialist in Soviet art. She is the Frances Hooper Professor in the Arts and Humanities and Chair of the Department of Art History at Northwestern University in Evanston, IL.