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Color and Light: A Guide for the Realist Painter, Volume 2 [Pehme köide]

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  • Formaat: Paperback / softback, 224 pages, kõrgus x laius x paksus: 267x229x15 mm, kaal: 912 g
  • Sari: James Gurney Art
  • Ilmumisaeg: 09-Dec-2010
  • Kirjastus: Andrews McMeel Publishing
  • ISBN-10: 0740797719
  • ISBN-13: 9780740797712
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  • Formaat: Paperback / softback, 224 pages, kõrgus x laius x paksus: 267x229x15 mm, kaal: 912 g
  • Sari: James Gurney Art
  • Ilmumisaeg: 09-Dec-2010
  • Kirjastus: Andrews McMeel Publishing
  • ISBN-10: 0740797719
  • ISBN-13: 9780740797712
Teised raamatud teemal:
James Gurney, New York Times best-selling author and artist of the Dinotopia series, follows Imaginative Realism with his second art-instruction book, Color and Light: A Guide for the Realist Painter. A researched study on two of art's most fundamental themes, Color and Light bridges the gap between abstract theory and practical knowledge. Beginning with a survey of underappreciated masters who perfected the use of color and light, the book examines how light reveals form, the properties of color and pigments, and the wide variety of atmospheric effects. Gurney cuts though the confusing and contradictory dogma about color, testing it in the light of science and observation. A glossary, pigment index, and bibliography complete what will ultimately become an indispensible tool for any artist.

This book is the second in a series based on his blog, gurneyjourney.com. His first in the series, Imaginative Realism, was widely acclaimed in the fantastical art world, and was ranked the #1 Bestseller on the Amazon list for art instruction.

"James Gurney's new book, Color and Light, cleverly bridges the gap between artistic observation and scientific explanation. Not only does he eloquently describe all the effects of color and light an artist might encounter, but he thrills us with his striking paintings in the process." --Armand Cabrera, Artist

Arvustused

James Gurney's series of illustrated fantasy adventure stories, beginning with 1992's Dinotopia: A Land Apart from Time, produced a generation raised on Gurney's highly realistic paintings of an entirely unreal subject.... Still it was no surprise to the author-artist-blogger and his long-time publisher Andrews McMeel when his recently released second volume of art instruction, Color and Light: A Guide for the Realist Painter, became a bestseller for AMP immediately  upon its release in December 2010, selling out its 10,000-copy run in just two months.  (Mark Schulz, Publishers Weekly) Dinotopia author and plein-air painter Gurney offers a practical, well-organized, and informative handbook for artists of all levels.  (Chronogram Magazine) This is a terrific book, highly recommended not only for young artists but anyone with an interest in traditional art technique.  (Karen Haber, Locus)

Introduction
Chapter 1 Tradition
Old Masters' Color
12(2)
The Academic Tradition
14(2)
Open-Air Painting in Britain
16(2)
The Hudson River School
18(2)
Plein-Air Movements
20(2)
Symbolist Dreams
22(2)
Magazine Illustration
24(4)
Chapter 2 Sources of Light
Direct Sunlight
28(2)
Overcast Light
30(2)
Window Light
32(2)
Candlelight and Firelight
34(2)
Indoor Electric Light
36(2)
Streetlights and Night Conditions
38(2)
Luminescence
40(2)
Hidden Light Sources
42(4)
Chapter 3 Light and Form
The Form Principle
46(2)
Separation of Light and Shadow
48(2)
Cast Shadows
50(2)
Half Shadow
52(2)
Occlusion Shadows
54(2)
Three-Quarter Lighting
56(2)
Frontal Lighting
58(2)
Edge Lighting
60(2)
Contre Jour
62(2)
Light from Below
64(2)
Reflected Light
66(2)
Spotlighting
68(2)
Limitations of the Form Principle
70(4)
Chapter 4 Elements of Color
Rethinking the Color Wheel
74(2)
Chroma and Value
76(2)
Local Color
78(2)
Grays and Neutrals
80(2)
The Green Problem
82(2)
Gradation
84(2)
Tints
86(4)
Chapter 5 Paint and Pigments
The Search for Pigments
90(2)
Charting Pigments
92(2)
Lightfastness
94(2)
Warm Underpainting
96(2)
Sky Panels
98(2)
Transparency and Glazing
100(2)
Palette Arrangements
102(2)
Limited Palettes
104(2)
The Mud Debate
106(4)
Chapter 6 Color Relationships
Monochromatic Schemes
110(2)
Warm And Cool
112(2)
Colored Light Interactions
114(2)
Triads
116(2)
Color Accent
118(4)
Chapter 7 Premixing
Mixing Color Strings
122(2)
Gamut Mapping
124(2)
Creating Gamut Masks
126(2)
Shapes Of Color Schemes
128(2)
Mixing A Controlled Gamut
130(2)
Color Scripting
132(4)
Chapter 8 Visual Perception
A World without Color
136(2)
Is Moonlight Blue?
138(2)
Edges And Depth
140(2)
Color Oppositions
142(2)
Color Constancy
144(2)
Adaptation And Contrast
146(2)
Appetizing And Healing Colors
148(4)
Chapter 9 Surfaces And Effects
Transmitted Light
152(2)
Subsurface Scattering
154(2)
Color Zones Of The Face
156(2)
The Hair Secret
158(2)
Caustics
160(2)
Specular Reflections
162(2)
Highlights
164(2)
Color Corona
166(2)
Motion Blur
168(2)
Photos vs. Observation
170(4)
Chapter 10 Atmospheric Effects
Sky Blue
174(2)
Atmospheric Perspective
176(2)
Reverse Atmospheric Perspective
178(2)
Golden Hour Lighting
180(2)
Sunsets
182(2)
Fog, Mist, Smoke, Dust
184(2)
Rainbows
186(2)
Skyholes And Foliage
188(2)
Sunbeams And Shadowbeams
190(2)
Dappled Light
192(2)
Cloud Shadows
194(2)
Illuminated Foreground
196(2)
Snow And Ice
198(2)
Water: Reflection And Transparency
200(2)
Mountain Streams
202(2)
Color Underwater
204(4)
Chapter 11 Light's Changing Show
Serial Painting
208(2)
At the End of the Day
210(4)
Chapter 12 Resources
Glossary 214(4)
Pigment Information 218(2)
Recommended Reading 220(2)
Acknowledgments 222(1)
Index 222
James Gurney's unique blending of fact and fantasy has won Hugo, Chesley, Spectrum, and World Fantasy Awards. His work has been featured in one-man exhibitions at the Smithsonian Institution, the Norman Rockwell Museum, the Delaware Art Museum, and the U.S. embassies in Switzerland and Yemen. He lives with his wife, Jeanette, in the Hudson Valley of New York State.