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Companion to Roman Art [Pehme köide]

Edited by (University of Exeter)
  • Formaat: Paperback / softback, 672 pages, kõrgus x laius x paksus: 244x170x36 mm, kaal: 1134 g
  • Sari: Blackwell Companions to the Ancient World
  • Ilmumisaeg: 15-Nov-2019
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119077893
  • ISBN-13: 9781119077893
Teised raamatud teemal:
  • Formaat: Paperback / softback, 672 pages, kõrgus x laius x paksus: 244x170x36 mm, kaal: 1134 g
  • Sari: Blackwell Companions to the Ancient World
  • Ilmumisaeg: 15-Nov-2019
  • Kirjastus: Wiley-Blackwell
  • ISBN-10: 1119077893
  • ISBN-13: 9781119077893
Teised raamatud teemal:
Roman art has become a valuable object of study, not only for its aesthetic qualities, but as a historical source in its own right. It provides us with insights into Roman self-perceptions, value systems, and ways of perceiving the world that complement information taken from written sources. In this Companion, the reader is introduced through Roman art to the daily Roman world, its preoccupations, and cultural characteristics.

These socio-historical aspects of Roman art require a contextualized approach, which addresses questions such as its physical and topographical contexts (houses and villas, tombs and public spaces, etc.), patronage and intentions, and the reception of art by various groups of viewers and users under various circumstances and conditions. The book includes sections focusing on methodology and approaches, genres, contexts of display and usage of art, and its modern reception and utilization. The authors are a global group of scholars, and their contributions reflect a diverse set of national academic traditions and approaches to our understanding of Roman art.

Barbara E. Borg is Professor of Classical Archaeology at the University of Exeter and Extraordinary Professor at Stellenbosch University. She has published widely on Greek and Roman art and archaeology. She is the recipient of a number of awards and prizes, including a Getty Research Fellowship, a Senior Onassis Fellowship, the Hugh Last Fellowship at the British School at Rome, and a Leverhulme Major Research Fellowship.

A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art.

A Companion to Roman Art encompasses various artistic genres, ancient contexts, and modern approaches for a comprehensive guide to Roman art.
  • Offers comprehensive and original essays on the study of Roman art
  • Contributions from distinguished scholars with unrivalled expertise covering a broad range of international approaches
  • Focuses on the socio-historical aspects of Roman art, covering several topics that have not been presented in any detail in English
  • Includes both close readings of individual art works and general discussions
  • Provides an overview of main aspects of the subject and an introduction to current debates in the field
Notes on Contributors x
List of Abbreviations xvi
List of Illustrations xvii
Introduction 1(8)
Barbara E. Borg
Part I Methods and Approaches 9(84)
1 Defining Roman Art
11(23)
Christopher H. Hallett
2 Roman Historical Representations
34(18)
Tonio Holscher
3 Methodological Approaches to the Dating and Identification of Roman Portraits
52(19)
Klaus Fittschen
4 Roman Art and Gender Studies
71(22)
Natalie Kampen
Part II The Beginnings and End of Roman Art 93(58)
5 Republican Rome and Italic Art
95(19)
Massimiliano Papini
6 Adapting Greek Art
114(16)
Rachel Kousser
7 The Art of Late Antiquity: A Contextual Approach
130(21)
Alessandra Bravi
Part III Producing and Commissioning Roman Art 151(80)
8 Technique and Message in Roman Art
153(19)
Mont Allen
9 Roman Art and the Artist
172(23)
Michael Squire
10 Roman Art and the State
195(19)
Peter J. Holliday
11 "Arte Plebea" and Non-elite Roman Art
214(17)
Lauren Hackworth Petersen
Part IV Genres 231(134)
12 Roman Portraits
233(19)
Jane Fejfer
13 Wall Painting
252(16)
Katharina Lorenz
14 Mosaics
268(18)
Roger Ling
15 Roman Sarcophagi
286(15)
Michael Koortbojian
16 Decorative Art
301(20)
Friederike Sinn
17 Luxury Arts
321(23)
Kenneth Lapatin
18 Roman Architecture as Art?
344(21)
Edmund Thomas
Part V Contexts 365(166)
Section
1. Roman Art and "Private Space"
367(62)
19 Art in Roman Town Houses
369(19)
Simon Ellis
20 Art in the Roman Villa
388(18)
Richard Neudecker
21 The Decoration of Private Space in the Later Roman Empire
406(23)
Susanne Muth
Section
2. Roman Art and Death
429(42)
22 The Decoration of Roman Tombs
431(21)
Francisca Feraudi-Gruenais
23 Catacombs and the Beginnings of Christian Tomb Decoration
452(19)
Norbert Zimmermann
Section
3. Roman Art and the Empire
471(60)
24 The Greek East under Rome
473(23)
Roland R.R. Smith
25 The Western Roman Provinces
496(37)
Roger J.A. Wilson
Part VI Themes 531(54)
26 Contextualizing Roman Art and Nature
533(19)
Maureen Carroll
27 Roman Art and Spectacle
552(17)
Zahra Newby
28 Roman Art and Myth
569(16)
Francesco de Angelis
Part VII Reception of Roman Art in the Modern World 585(35)
29 The Myth of Pompeii: Fragments, Frescos, and the Visual Imagination
587(15)
Rosemary J. Barrow
30 Roman Architecture through the Ages
602(18)
Stefan Altekamp
Index 620
Barbara E. Borg is Professor of Classical Archaeology at the University of Exeter and Extraordinary Professor at Stellenbosch University. She has published widely on Greek and Roman art and archaeology. Her books include Mumienporträts: Chronologie und Kontext (1999), Der Logos des Mythos – Allegorien und Personifikationen in der frühen griechischen Kunst (2002), Crisis and ambition: tombs and burial customs in third-century CE Rome (2013), Roman tombs and the art of commemoration: contextual approaches to funerary customs in the second century CE (2019), and the edited volume Paideia: The World of the Second Sophistic (2004). She is the recipient of a number of awards and prizes, including a Getty Research Fellowship, a Senior Onassis Fellowship, the Hugh Last Fellowship at the British School at Rome, and a Leverhulme Major Research Fellowship.