Introduction |
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8 | (2) |
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10 | (2) |
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12 | (2) |
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Anatomy of an Acoustic Guitar |
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14 | (2) |
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Anatomy of an Electric Guitar |
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16 | (2) |
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18 | (2) |
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20 | (2) |
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22 | (4) |
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26 | (4) |
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30 | (4) |
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34 | (2) |
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36 | (2) |
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38 | (2) |
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Chapter Two Essential Theory |
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40 | (12) |
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42 | (2) |
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44 | (2) |
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46 | (2) |
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48 | (2) |
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50 | (2) |
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Chapter There The Sessions |
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52 | (4) |
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54 | (2) |
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Session 1 Getting Started |
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56 | (20) |
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58 | (1) |
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59 | (1) |
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60 | (1) |
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61 | (1) |
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62 | (4) |
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Gallery: Inspirational guitar songwriters |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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70 | (2) |
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72 | (2) |
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74 | (2) |
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76 | (22) |
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78 | (2) |
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80 | (6) |
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Gallery: Great riff players |
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84 | (2) |
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86 | (2) |
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88 | (2) |
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Getting the sound: Chuck Berry |
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89 | (1) |
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90 | (4) |
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94 | (2) |
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96 | (2) |
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Session 3 Navigating The Fretboard |
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98 | (24) |
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100 | (2) |
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102 | (2) |
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104 | (2) |
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106 | (4) |
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Gallery: Great chord players |
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108 | (2) |
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110 | (2) |
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112 | (2) |
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114 | (2) |
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116 | (2) |
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Getting the sound: Johnny Marr |
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117 | (1) |
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118 | (2) |
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120 | (2) |
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122 | (22) |
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124 | (2) |
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126 | (2) |
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128 | (2) |
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130 | (2) |
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132 | (2) |
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134 | (2) |
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136 | (2) |
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Getting the sound: Andy Summers |
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137 | (1) |
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138 | (4) |
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Gallery: Great capo chord players |
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140 | (2) |
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142 | (2) |
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Session 5 New Scales And Bends |
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144 | (24) |
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146 | (2) |
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5.2 Minor pentatonic scale |
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148 | (4) |
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5.3 Major pentatonic scale |
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152 | (6) |
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Gallery: Great pentatonic players |
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156 | (2) |
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158 | (4) |
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162 | (2) |
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164 | (2) |
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Getting the sound: jimmy Page |
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165 | (1) |
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166 | (2) |
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Session 6 Playing With Expression |
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168 | (22) |
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170 | (2) |
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172 | (2) |
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174 | (4) |
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Gallery: Great expressive players |
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176 | (2) |
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178 | (2) |
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180 | (2) |
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182 | (2) |
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184 | (2) |
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186 | (2) |
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Getting the sound: Eddie Van Halen |
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187 | (1) |
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188 | (2) |
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Session 7 Acoustic Fingerstyle |
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190 | (22) |
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192 | (2) |
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194 | (2) |
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7.3 Arpeggio fingerpicking |
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196 | (2) |
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7.4 Thumb and three fingers |
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198 | (2) |
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200 | (4) |
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Gallery: Great fingerstyle players |
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202 | (2) |
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204 | (2) |
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206 | (2) |
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7.8 Further hybrid picking |
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208 | (2) |
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Getting the sound: Joni Mitchell |
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209 | (1) |
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210 | (2) |
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Session 8 Blues-Rock Soloing And Improvisation |
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212 | (24) |
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8.1 Horizontal pentatonics |
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214 | (2) |
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8.2 Other pentatonic keys |
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216 | (4) |
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Gallery: Great lead players |
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218 | (2) |
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220 | (2) |
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222 | (2) |
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224 | (2) |
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226 | (2) |
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228 | (2) |
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229 | (1) |
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230 | (2) |
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232 | (2) |
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234 | (2) |
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Session 9 Advanced Soloing |
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236 | (22) |
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238 | (2) |
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9.2 Fast pentatonic licks |
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240 | (2) |
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9.3 3-note-per-string scales |
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242 | (4) |
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246 | (4) |
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Gallery: Jaw-dropping players |
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248 | (2) |
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250 | (2) |
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252 | (2) |
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254 | (2) |
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Getting the sound: Larry Carlton |
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255 | (1) |
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256 | (2) |
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Session 10 Musical Genres |
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258 | (22) |
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260 | (2) |
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262 | (2) |
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264 | (2) |
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266 | (2) |
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268 | (2) |
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270 | (2) |
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272 | (2) |
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274 | (2) |
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Getting the sound: The Edge |
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275 | (1) |
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276 | (2) |
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10.10 Jazz rock trademarks |
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278 | (2) |
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Chapter Four Becoming An Artist |
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280 | (12) |
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Covering Songs and Writing Original Material |
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282 | (2) |
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284 | (2) |
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286 | (2) |
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288 | (2) |
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Getting Your Music Out There |
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290 | (2) |
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Chapter Five Guitar Maintenance |
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292 | (14) |
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Choosing and Fitting Strings |
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294 | (4) |
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Cleaning and Storing Guitars |
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298 | (2) |
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300 | (4) |
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Customizing and Upgrading Your Guitar |
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304 | (2) |
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Chapter Six Useful Resources |
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306 | (36) |
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308 | (24) |
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332 | (8) |
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340 | (1) |
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341 | (1) |
Glossary |
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342 | (2) |
Index |
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344 | (7) |
Acknowledgments |
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351 | |