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Composing our Future: Preparing Music Educators to Teach Composition [Kõva köide]

Edited by (Associate Professor of Music Education, University of Southern Maine, Portland, ME, USA), Edited by (Assistant Professor of Music Education, Queens College, City University of New York, Queens, NY, USA)
  • Formaat: Hardback, 392 pages, kõrgus x laius x paksus: 163x236x25 mm, kaal: 780 g, 32 illustrations
  • Ilmumisaeg: 14-Feb-2013
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199832285
  • ISBN-13: 9780199832286
  • Formaat: Hardback, 392 pages, kõrgus x laius x paksus: 163x236x25 mm, kaal: 780 g, 32 illustrations
  • Ilmumisaeg: 14-Feb-2013
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199832285
  • ISBN-13: 9780199832286
Composing Our Future is the ideal book for music teacher-educators seeking to learn more about composition education. While much has been written on the value of composition, both pre-service and practicing teachers still report a degree of trepidation when asked to engage in composition or in leading students to compose. In order to prepare pre-service teachers and meet the needs of practitioners already in the field, music teacher educators need resources to guide the development of undergraduate and graduate curriculum, specific courses, professional development workshops, and environments where composition education can begin, grow and flourish.

This volume offers insight to current practices written by authors engaged in this work. Each chapter provides information, solid theory, and examples of successful practices that teacher educators can draw upon in the creation and implementation of engaging and invigorating practices in music education. This information includes:

· A charge to teacher educators to embrace composition as a critical component in teacher preparation · An examination of the philosophical issues surrounding composition's inclusion in, and exclusion from, music teacher education · An overview of what is known about child composers and the work they create and how to help teachers draw vital information from that body of literature

· An examination of the relationship between creativity and composition · Examples of successful practices ranging from working with individual special learners to teaching in a variety of school-based teaching contexts · Models of university and school-based partnerships to facilitate pre-service teachers' transition from collegiate study to school-based work with children · An exploration into new tools, partnerships and opportunities available through technology · A vision for creating and sustaining meaningful composition programs both in colleges and in PK-12 schools

Arvustused

Composing Our Future provides pre-service and practicing teachers, music education faculty, and school administrators with a variety of perspectives that ground the practice of teaching composition and provide opportunities for children to compose as a centerpiece of a holistic music education ... Recommended. * J. A. Helfer, CHOICE *

SECTION I Introduction
1 Embracing Composition in Music Teacher Education
3(16)
Michele Kaschub
Janice P. Smith
SECTION II Foundations and Futures
2 Music Composition Intelligence and Creative Thinking in Music
19(14)
Peter R. Webster
3 What Pre-Service Teachers Can Learn from Composition Research
33(24)
Maud Hickey
4 The Compositional Turn in Music Education: From Closed Forms to Open Texts
57(18)
Randall Everett Allsup
SECTION III Model Practices in Teaching Composition
5 Preparing to Engage Children in Musical Creating
75(34)
Sandra L. Stauffer
6 Scaffolding Student Composers
109(18)
Jackie Wiggins
Michael Medvinsky
7 Teaching Gifted Learners in Composition
127(22)
Daniel Deutsch
8 Facilitating Composition in Instrumental Settings
149(18)
Alexander P. Koops
9 Guiding Composition in Choral Settings
167(18)
Katherine Strand
10 Composition and Students with Special Needs
185(16)
Alice M. Hammel
SECTION IV Composition and Technology
11 Capitalizing on Emerging Technologies in Composition Education
201(10)
Richard Dammers
12 The Vermont MIDI Project: Fostering Mentorships in Multiple Environments
211(14)
Sandi Macleod
13 Digital Natives and Composition in the Middle School Band: From Imagination to Music
225(18)
Bruce Carter
SECTION V Composition in University Courses
14 Composition in International Settings: Broadening Pre-Service Perceptions
243(14)
Patricia Riley
15 Pre-Service Teachers in Urban Settings: Composing Connections
257(10)
Janice Smith
16 Preparing Music Educators to Facilitate Songwriting
267(22)
John Kratus
SECTION VI Strategic Administrative Practices for Including Composition in Music Education
17 "All In" for Composition Education: Opportunities and Challenges for Pre-Service Music Teacher Curricula
289(16)
John W. Richmond
18 Creating School-University Partnerships to Enhance Learning
305(14)
Gena R. Greher
19 Advancing Composition in Music Education through Strategic Professional Development
319(22)
Michele Kaschub
SECTION VII Moving Forward
20 Enacting the Vision: Creating and Sustaining Meaningful Composition Programs
341(18)
Betty Anne Younker
Contributors 359(6)
Index 365
Michele Kashub is Professor of Music Education at the University of Southern Maine. She is a frequent workshop presenter on the topic of music composition in the classroom and she has published in such journals as Research Studies in Music Education, Choral Journal, Music Educators Journal, and Quarterly Journal of Music Teaching and Learning. Janice Smith is Associate Professor of Music Education at Queens College, City University of New York. Like Kaschub, she is a frequent workshop presenter and also auther of articles which have appeared in several music education journals. Together they are authors of Minds on Music: Composition for Creative and Critical Thinking (2009).