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Computer Music Tutorial, second edition [Kõva köide]

  • Formaat: Hardback, 1288 pages, kõrgus x laius x paksus: 262x210x46 mm, kaal: 2488 g, 616 B&W ILLUS.
  • Ilmumisaeg: 06-Jun-2023
  • Kirjastus: MIT Press
  • ISBN-10: 0262044919
  • ISBN-13: 9780262044912
Teised raamatud teemal:
  • Formaat: Hardback, 1288 pages, kõrgus x laius x paksus: 262x210x46 mm, kaal: 2488 g, 616 B&W ILLUS.
  • Ilmumisaeg: 06-Jun-2023
  • Kirjastus: MIT Press
  • ISBN-10: 0262044919
  • ISBN-13: 9780262044912
Teised raamatud teemal:
Expanded, updated, and fully revised—the definitive introduction to electronic music is ready for new generations of students.

Essential and state-of-the-art, The Computer Music Tutorial, second edition is a singular text that introduces computer and electronic music, explains its motivations, and puts topics into context. Curtis Roads’s step-by-step presentation orients musicians, engineers, scientists, and anyone else new to computer and electronic music.

The new edition continues to be the definitive tutorial on all aspects of computer music, including digital audio, signal processing, musical input devices, performance software, editing systems, algorithmic composition, MIDI, and psychoacoustics, but the second edition also reflects the enormous growth of the field since the book’s original publication in 1996. New chapters cover up-to-date topics like virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, and instrument and patch editors. Exhaustively referenced and cross-referenced, the second edition adds hundreds of new figures and references to the original charts, diagrams, screen images, and photographs in order to explain basic concepts and terms.

Features
  • New chapters: virtual analog, pulsar synthesis, concatenative synthesis, spectrum analysis by atomic decomposition, Open Sound Control, spectrum editors, instrument and patch editors, and an appendix on machine learning
  • Two thousand references support the book’s descriptions and point readers to further study
  • Mathematical notation and program code examples used only when necessary
  • Twenty-five years of classroom, seminar, and workshop use inform the pace and level of the material
Foreword: New Music and Science xi
John Chowning
Preface to the Second Edition xv
Acknowledgments xxi
Preface to the Original Edition xxiii
I Digital Audio
1(54)
1 History of Digital Audio
3(10)
2 Basics of Sound Signals
13(10)
3 Theory of Sampling
23(16)
Curtis Roads
John M. Strawn
4 Sample Quantization, Conversion, and Audio Formats
39(16)
II Introduction to Sound Synthesis
55(38)
5 History of Digital Sound Synthesis
57(8)
6 Wavetable Lookup Synthesis
65(8)
7 Time-Varying Waveform Synthesis
73(4)
8 Software Synthesis
77(16)
III Sound Synthesis
93(350)
9 Sampling
95(20)
10 Additive Synthesis
115(28)
11 Multiple Wavetable Synthesis
143(8)
12 Wave Terrain Synthesis
151(10)
13 Granular Synthesis
161(26)
14 Subtractive Synthesis
187(34)
15 Modulation I: RM, SSM, and AM
221(20)
16 Modulation II: FM, PM, PD, and GM
241(32)
17 Waveshaping Synthesis
273(12)
18 Physical Modeling Synthesis
285(42)
19 Virtual Analog
327(18)
20 Formant Synthesis
345(20)
21 Pulsar Synthesis
365(24)
22 Waveform Segment Synthesis
389(12)
23 Concatenative Synthesis
401(12)
Bob L. T. Sturm
Curtis Roads
24 Graphic Sound Synthesis
413(14)
25 Noise, Chaotic, and Stochastic Synthesis
427(16)
IV Mixing and Signal Processing
443(188)
26 Sound Mixing
445(24)
27 Dynamic Range Processing
469(14)
28 Digital Filtering
483(28)
Bob L. T. Sturm
Curtis Roads
29 Convolution
511(20)
Curtis Roads
Bob L. T. Sturm
30 Time Delay Effects
531(12)
31 Pitch-Time Changing
543(16)
32 Sound Spatialization
559(44)
33 Reverberation
603(28)
V Sound Analysis
631(152)
34 Pitch Estimation
633(28)
35 Rhythm Recognition and Automatic Transcription
661(20)
36 Introduction to Spectrum Analysis
681(20)
37 Spectrum Analysis by Fourier Methods
701(38)
38 Spectrum Analysis by Alternative Methods
739(30)
39 Spectrum Analysis by Atomic Decomposition
769(14)
Bob L. T. Sturm
VI The Musician's Interface
783(246)
40 Musical Input Devices
785(40)
41 Interactive Performance Software
825(32)
42 Sequence Editors
857(16)
43 Sound Editors, DAWs, and Audio Middleware
873(16)
44 Spectrum Editors
889(18)
45 Common Music Notation Editors
907(22)
46 Unconventional Score Editors
929(18)
47 Instrument and Patch Editors
947(16)
48 Languages for Sound Synthesis
963(20)
49 Languages for Composition
983(12)
50 Algorithmic Composition
995(34)
VII Interconnections
1029(58)
51 MIDI
1031(46)
52 Open Sound Control
1077(10)
Curtis Roads
Matthew J. Wright
Appendix A Machine Learning 1087(12)
Bob L. T. Sturm
Curtis Roads
References 1099(134)
Index 1233