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Constructing Race on the Borders of Europe: Ethnography, Anthropology, and Visual Culture, 1850-1930 [Kõva köide]

Edited by (Pratt Institute, USA), Edited by (University of West Florida, USA)
  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 236x160x24 mm, kaal: 780 g, 12 colour and 63 bw illus
  • Ilmumisaeg: 06-May-2021
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 135018232X
  • ISBN-13: 9781350182325
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  • Formaat: Hardback, 288 pages, kõrgus x laius x paksus: 236x160x24 mm, kaal: 780 g, 12 colour and 63 bw illus
  • Ilmumisaeg: 06-May-2021
  • Kirjastus: Bloomsbury Visual Arts
  • ISBN-10: 135018232X
  • ISBN-13: 9781350182325
Teised raamatud teemal:

Constructing Race on the Borders of Europe investigates the visual imagery of race construction in Scandinavia, Austro Hungary, Germany, and Russia. It covers a period when historic disciplines of ethnography and anthropology were expanding and theorists of race were debating competing conceptions of biological, geographic, linguistic, and cultural determinants. Beginning in 1850 and extending into the early 21st century, this book explores how paintings, photographs, prints, and other artistic media engaged with these discourses and shaped visual representations of subordinate ethnic populations and material cultures in countries associated with theorizations of white identity.

The chapters contribute to postcolonial research by documenting the colonial-style treatment of minority groups, by exploring the anomalies and complexities that emerge when binary systems are seen from the perspective of the fine and applied arts, and by representing the voices of those who produced images or objects that adopted, altered, or critiqued ethnographic and anthropological information. In doing so, Constructing Race on the Borders of Europe uncovers instances of unexpected connections, establishes the fabricated nature of ethnic identity, and challenges the certainties of racial categorization.

Arvustused

This volume describes the attitudes and cultural mores of those countries typically positioned on the geographical margins of the western European art scene building both a satisfyingly comprehensive and very specific picture of the social and cultural histories of countries at the Continental margins. * Visual Culture * [ T]his edited volume offers a number of very rich case studies from different geographies within Europe. The chapters merge primary and secondary sources and open up possibilities for a critical interpretation of visual materials through the history of ethnography and anthropology. As such, the edited volume should be of interest to an interdisciplinary readership interested in the construction of the other through visual depictions. * German Studies Review * The marriage of intellectual historical writing to the analysis of art is a fresh approach to postcolonial studies ... [ a] clever book. * Mosse Program Blog * Focusing our attention on the often contested and frequently porous "borders of Europe", this essential collection of essays complicates our understanding of how race, ethnicity, and national identity have been constructed and operationalized through art, design, and visual culture. * Allison Morehead, Associate Professor of Art History, Queens University, Canada * A compelling and timely collection of essays based on immaculate research that will alter the readers critical understanding of the complex cultural-political engagement with subordinate ethnic groups in parts of Europe that have too long been marginalised by postcolonial discourse. * Sabine Wieber, Lecturer in History of Art, University of Glasgow, UK *

Muu info

Presents case studies examining the construction of racial identity of minority ethnic groups in the visual culture of Eastern and Northern European countries and Russia.
List of Illustrations
vii
Introduction 1(24)
Marsha Morton
Chapter 1 From Folk To A Folk Race: Carl Arbo And National Romantic Anthropology In Norway
25(26)
Patricia G. Berman
Chapter 2 From "Northern Dweller" To "Distinguished Among His Race": The Transformation Of The Nordic Colonial Subject, 1900-1935
51(18)
Bart Pushaw
Chapter 3 Decolonizing The Archive: Pia Arke And Stories From Scoresbysund
69(16)
Alison W. Chang
Chapter 4 Brigands And Virtuous Musicians: Representations Of Roma ("Gypsies") As Oriental Other In The Eastern Part Of The Habsburg Monarchy During The Eighteenth And Nineteenth Centuries
85(22)
Robert Born
Dirk Suckow
Chapter 5 Leopold Carl Muller's Scenes From Egyptian Life: Ethnography, Race, And Orientalism In Habsburg Vienna
107(42)
Marsha Morton
Chapter 6 A Hungarian Treasure Chest: The Art Colony At Godg-Llo In Critical Perspective
149(18)
Rebecca Houze
Chapter 7 The Journey West: Gauguin, Philology, And The Celts Of Brittany
167(20)
Barbara Larson
Chapter 8 In The Beginning Was The Image: Russian Ethnography And Colonial Photography In Turkestan, 1860s TO 1870s
187(20)
Margaret Dikovitskaya
Chapter 9 Children Of The Narod: Early Soviet Children's Books' Racialization Of Childhood
207(20)
Marie Gasper-Hulvat
Chapter 10 From Sideshow To Portrait: The Ethnographic Vision Of Christian Schad
227(16)
Kristin Schroeder
Chapter 11 Anthropological Histories And Techniques In Philip Scheffner's Films
243(16)
Priyanka Basu
List of Contributors 259(3)
Index 262
Marsha Morton is Professor of Art History at Pratt Institute, USA. A specialist in German and Austrian cultural history with a focus on interdisciplinary topics of art, anthropology, science, and music, her books include Max Klinger and Wilhelmine Culture (2014) and the co-edited anthology The Arts Entwined (2000). She is also a co-editor and contributing author to Visual Culture and Pandemic Disease Since 1750: Capturing Contagion (2023).

Barbara Larson is Professor of Modern European Art History at the University of West Florida, USA. She is lead editor of Darwin and Theories of Aesthetics and Cultural History (2013) and The Art of Evolution (2009) and author of The Dark Side of Nature (2005). She is also Series Editor of Science and the Arts since 1750 and Nineteenth-Century Science and Visual Culture in Great Britain.