Muutke küpsiste eelistusi

Contemporary Iranian Art: New Perspectives New edition [Pehme köide]

  • Formaat: Paperback / softback, 368 pages, kõrgus x laius x paksus: 270x220x30 mm, kaal: 480 g, 382 colour illustrations; 382 Illustrations
  • Ilmumisaeg: 29-Apr-2025
  • Kirjastus: Saqi Books
  • ISBN-10: 086356979X
  • ISBN-13: 9780863569791
  • Formaat: Paperback / softback, 368 pages, kõrgus x laius x paksus: 270x220x30 mm, kaal: 480 g, 382 colour illustrations; 382 Illustrations
  • Ilmumisaeg: 29-Apr-2025
  • Kirjastus: Saqi Books
  • ISBN-10: 086356979X
  • ISBN-13: 9780863569791

Iranian artists have been producing some of the world’s mostthought-provoking and intellectually grounded artworks. 

In this landmark compendium, renowned art historian HamidKeshmirshekan provides a thorough review of contemporary art in Iran and showsthat the twentieth century was a crucial period in the country’s art andculture, when the legacies of tradition and modernism where criticallyreassessed.

Contemporary Iranian Art is an unprecedentedintroduction to Iran’s vibrant art history over the past one hundred years.This fully revised and updated edition features more than 370 colourillustrations by the country’s leading artists, including Mahmoud Bakhshi,Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, ShirinNeshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles HosseinZenderoudi.

Arvustused

'This masterful work is the product of deep research, which eloquently demonstrates the extraordinary richness of the art of modern and contemporary Iran. Keshmirshekan methodically builds a fascinating narrative, charting the development of the art schools, highlighting the key artists, the movements and debates and bringing us to the highly engaged art of today.' Venetia Porter, Curator, Islamic and contemporary Middle East, The British Museum 'Hamid Keshmirshekan has produced a fascinating, informative and stimulating book, allowing us, for the first time, to trace the history of Iranian art during the last 150 years and to appreciate what is happening to art in Iran today.' James Allan, Professor of Eastern Art, University of Oxford 'Contemporary Iranian Art: New Perspectives is revelatory, scarcely matched and surpassed by none. A master connoisseur with an encyclopaedic knowledge of his subject, Dr Keshmirshekan has emerged as the towering historian of contemporary Iranian art.' Hamid Dabashi, Hagop Kevorkian Professor of Iranian Studies and Comparative Literature, Columbia University Hamid Keshmirshekan has produced a fascinating, informative and stimulating book, allowing us, for the first time, to trace the history of Iranian art during the last 150 years and to appreciate what is happening to art in Iran today. James Allan, University of Oxford

PREFACE NOTE ON TRANSLITERATION INTRODUCTION
1. MODERN CULTURE AND ITS
AFFINITY WITH POLITICAL AND CULTURAL CHARACTERISTICS OF IRAN
2. NATIONALISM
AND ITS PLACE IN IRANIAN POLITICAL CULTURE
3. RELIGIOUS MOVEMENTS AND THEIR
RELATION TO IRANIAN SOCIO-POLITICAL CULTURE CHAPTER 1: HISTORICAL BACKGROUND
1. A TRANSFORMATION IN QAJAR ART
2. THE DAR AL-FUNUN
3. THE ESTABLISHMENT OF
THE MADRASA-I SANAYI'-I MUSTAZRAFA (SCHOOL OF FINE ART) IN 1911
4. MADRASA
SANAYI'-I QADIMA (SCHOOL OF TRADITIONAL ARTS) AND THE FORMATION OF THE
SO-CALLED SCHOOL OF TEHRAN CHAPTER 2: DECADES OF HESITANCY AND CONFRONTATION:
MODERNISM VERSUS THE STATUS QUO
1. THE BEGINNING OF THE MODERN ART MOVEMENT
IN IRAN: THE 1940S
2. THE DEVELOPMENT OF MODERNISM DURING THE 1940S AND 1950S
CHAPTER 3 QUESTIONS OF IDENTITY, NATIVISM AND NATIONALISM ALONGSIDE MODERNISM
IN ART AND SOCIO-POLITICAL CULTURE: NEO-TRADITIONALIST MOVEMENTS
1. THE
NATIONAL SCHOOL OF ART AND THE OBSESSION WITH IDENTITY AND CULTURAL CONCERNS:
SAQQA-KHANEH; A NEO-TRADITIONALIST MOVEMENT
2. POST-SAQQA-KHANEH AND OTHER
TRENDS 2.1. THE GENRE OF 'NEO-CALLIGRAPHY' 2.2. DEVELOPMENT OF MODERNISM IN
THE 1970S CHAPTER 4 POST-REVOLUTIONARY ART
1. THE ESTABLISHMENT OF THE
ARTISTIC CENTRE OF ISLAMIC PROPAGANDA ORGANISATION (HOWZEH-I HUNARI-I
SAZMAN-I TABLIGHAT-I ISLAMI): REVOLUTIONARY ART AND ARTISTS
2. THE
DEVELOPMENT OF TRADITIONALIST TRENDS: CALLIGRAPHIC TENDENCIES AND MINIATURE
PAINTING
3. POST-REVOLUTIONARY MODERNISM AND DISCOURSES POST-REVOLUTIONARY
NATIONAL ART BIENNIALS, THE STATE AND CULTURAL POLICY: CULTURAL IDENTITY IN
QUESTION CHAPTER 5: DEVELOPMENT OF POST-REVOLUTIONARY CONTEMPORARY
DISCOURSES: THE MID-1990S ONWARD
1. THE EMERGENCE OF CONTEMPORARY ART AND NEW
ARTISTIC DISCOURSES
2. PARADIGMS OF CONTEMPORARY IRANIAN ART
3.
CONTEMPORANEITY VERSUS QUESTIONS OF CULTURAL SPECIFICITY CHAPTER 6: IRANIAN
DIASPORIC ART BIBLIOGRAPHY ACKNOWLEDGMENTS LIST OF COLLECTIONS INDEX
Hamid Keshmirshekan is Senior Teaching Fellow at the Department of History of Art and Archaeology at SOAS, University of London, and Senior Research Fellow at the Khalili Research Centre (KRC), Oxford University. He was previously a senior lecturer at the Advanced Research Institute of Art, Iranian Academy of Arts, an associate fellow at the KRC at Oxford University, and Editor-in-Chief of the bilingual (English Persian) quarterly, Art Tomorrow.