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Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austin's Progressive Country Music Scene [Kõva köide]

(Assistant Professor, West Virginia University School of Music)
  • Formaat: Hardback, 192 pages, kõrgus x laius x paksus: 168x239x20 mm, kaal: 422 g, 4 b/w photos, 2 music examples, 2 tables
  • Ilmumisaeg: 09-Jun-2011
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199747474
  • ISBN-13: 9780199747474
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    • Oxford Scholarship Online e-raamatud
  • Formaat: Hardback, 192 pages, kõrgus x laius x paksus: 168x239x20 mm, kaal: 422 g, 4 b/w photos, 2 music examples, 2 tables
  • Ilmumisaeg: 09-Jun-2011
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199747474
  • ISBN-13: 9780199747474
Country music of late 1960s and early 1970s was a powerful symbol of staunch conservative resistance to the flowering hippie counterculture. But in 1972, the city of Austin, Texas became host to a growing community of musicians, entrepreneurs, journalists, and fans who saw country music as a part of their collective heritage and sought to reclaim it for their own progressive scene. These children of the Cold War, post-World War II suburban migration, and the Baby Boom escaped the socially conservative world their parents had created, to instead create for themselves an idyllic rural Texan utopia. Progressive country music--a hybrid of country music and rock--played out the contradictions at work among the residents of the growing Austin community: at once firmly grounded in the conservative Texan culture in which they had been raised and profoundly affected by the current hippie counterculture.In Cosmic Cowboys and New Hicks: The Countercultural Sounds of Austins Progressive Country Music Scene, Travis Stimeling connects the local Austin culture and the progressive music that became its trademark. He presents a colorful range of evidence, from behavior and dress, to newspaper articles, to personal interviews of musicians as diverse as Willie Nelson, Jerry Jeff Walker, and Doug Sahm. Along the way, Stimeling uncovers parodies of the cosmic cowboy image that reinforce the longing for a more peaceful way of life, but that also recognize an awareness of the muddled, conflicted nature of this counterculture identity. Cosmic Cowboys and New Hicks brings new insight into the inner workings of Austins progressive country music scene -- by bringing the music and musicians brilliantly to life.This book will appeal to students and scholars of popular music studies, musicology and ethnomusicology, sociology, cultural studies, folklore, American studies, and cultural geography; the lucid prose and interviews will also make the book attractive to fans of the genre and artists discussed within. Austin residents past and present, as well as anyone with an interest in the development of progressive music or todays alt.country movement will find Cosmic Cowboys and New Hicks an informative, engaging resource.

Arvustused

This is the most engaging and informative examination of progressive country music to date. Stimeling has done an outstanding job of exploring the social, cultural, and political implications of this important yet often misunderstood musical phenomenon. This book is essential reading for anyone interested in the rich, complex, and colorful history of American music. * Dr. Gary Hartman, Director, Center for Texas Music History, Texas State University-San Marcos *

Introduction Making Country Music "Progressive" 3(12)
1 Progressive Country Music as Local Music
15(26)
2 "I Just Wanna Be a Cosmic Cowboy": Pastoral Imagery and Progressive Country Music
41(22)
3 "Up against the Wall, Redneck Mother": Cosmic Cowboys and Cultural Conflict in Rural Texas
63(14)
4 ¡Viva Terlingua!: Live Recordings and the Authenticity of Progressive Country Music
77(16)
5 "Bob Wills is Still the King": Progressive Country and the Revival of Western Swing
93(24)
Conclusion "A Gathering of the Tribes": Music Festivals and Confluence in Austin 117(16)
Notes 133(18)
Works Cited 151(14)
Discography 165(2)
Filmography 167(2)
Index 169
Travis D. Stimeling is assistant professor of music at Millikin University in Decatur, Illinois, where he teaches courses in music history and ethnomusicology.