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Costume Supervisors Toolkit: Supervising Theatre Costume Production from First Meeting to Final Performance [Kõva köide]

  • Formaat: Hardback, 170 pages, kõrgus x laius: 235x191 mm, kaal: 520 g, 1 Tables, color; 20 Tables, black and white; 3 Line drawings, color; 47 Halftones, color; 1 Halftones, black and white; 50 Illustrations, color; 1 Illustrations, black and white
  • Sari: The Focal Press Toolkit Series
  • Ilmumisaeg: 19-Jul-2018
  • Kirjastus: Routledge
  • ISBN-10: 1138182605
  • ISBN-13: 9781138182608
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Costume Supervisors Toolkit: Supervising Theatre Costume Production from First Meeting to Final PerformanceSuurem pilt
  • Formaat: Hardback, 170 pages, kõrgus x laius: 235x191 mm, kaal: 520 g, 1 Tables, color; 20 Tables, black and white; 3 Line drawings, color; 47 Halftones, color; 1 Halftones, black and white; 50 Illustrations, color; 1 Illustrations, black and white
  • Sari: The Focal Press Toolkit Series
  • Ilmumisaeg: 19-Jul-2018
  • Kirjastus: Routledge
  • ISBN-10: 1138182605
  • ISBN-13: 9781138182608
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781138182608.html
Märksõnad:

The Costume Supervisor’s Toolkit explores the responsibilities of a Costume Supervisor within a theatrical, opera or dance production company. Rebecca Pride provides an insight into all manner of processes, beginning with a definition of the role, and offers explanations of the timeline from the first design meetings, leading all the way up to managing fittings and final rehearsals. This how-to guide outlines best working practices, including building a team and creating a Costume Bible, whilst also providing helpful resources such as sizing guides, a list of useful addresses, and case studies from renowned theatrical organizations.

Arvustused

Prides research and development of the book is not only exceptionally thorough, but accurate and relevant to the role of costume supervisor. As a practical guide, the book takes a detailed, logical approach to exploring and clarifying the role of the costume supervisor in the theatrical costume production process. By using a methodology based on comprehensive interviews with working practitioners, Pride has ensured that the information presented is based on the experiences of working practitioners at the top of their profession.

-Corinne Heskett, Studies in Costume & Performance, Volume 5 Number 2, 2020

List of Illustrations
xi
Foreword xv
Carol Lingwood
Acknowledgments xvii
List of Contributors
xix
Introduction 1(6)
The Costume Supervisor as Facilitator
1(2)
Structure of the Book
3(4)
Chapter 1 What Does a Costume Supervisor Do?
7(10)
The Theatre Team Structure
8(2)
Defining the Role
10(7)
Chapter 2 Different Types and Genres of Production
17(10)
Large-scale Production of a Classic Twentieth-century Play
18(2)
Modern British Musical Pantomime in a Large Provincial Theatre
20(3)
Student Faculty Production of a Restoration Comedy in a Site-responsive Venue
23(4)
Chapter 3 Developing Good Communication Skills
27(8)
Getting Hired
27(1)
First Design Meeting with Director, Designer and Production Manager
28(3)
Listening
31(4)
Chapter 4 Setting up Your Team
35(8)
Leadership
36(1)
Costume Roles and Responsibilities
37(4)
Setting up the Finance and Cash Flow for Your Production
41(2)
Chapter 5 Budgeting
43(16)
Creating a Costing Sheet
44(5)
Estimating Fabric Quantities
49(6)
Accessing Cash for Shopping Expeditions
55(1)
Receipt Management
56(1)
Purchase Orders
57(2)
Chapter 6 First Rehearsal and Creating the Costume Bible
59(16)
First Rehearsal
60(1)
Taking Accurate Measurements, and Etiquette Rules to be Observed When Measuring Actors
61(7)
Recording Information in the Costume Bible
68(7)
Chapter 7 Sourcing: Construct, Hire or Buy?
75(10)
Costume Hire Stores
79(3)
Shopping
82(3)
Chapter 8 Managing the Rehearsal Process
85(10)
Fittings
85(1)
Creating a Calm Fitting Space
86(4)
Second Fittings
90(1)
Costume Parades
90(1)
Pre-tech Rehearsal and Meeting
91(4)
Chapter 9 Tech Week
95(10)
Working with the Running Wardrobe Team
100(3)
Fitting Understudies
103(2)
Epilogue
105(2)
Appendices
107(22)
1 Fabric Identification Guide
109(7)
2 The Costume Supervisor's Contract
116(2)
3 Male and Female Measurement Forms
118(3)
4 Standard Size Charts
121(3)
5 Creating a Document Using Excel
124(5)
Glossary 129(6)
Production Credits 135(2)
Useful Addresses 137(24)
Bibliography 161(2)
Author Biography 163(2)
Index 165
Rebecca Pride is Course Leader for the award-winning BA (Hons) Costume and Performance Design course at the Arts University Bournemouth. She spent 15 years prior to her career as an academic, working as a costume and set designer in the professional theatre. Her work at the Arts University has included producing numerous costume-led film projects, including Wimbledon Championships 1936-1937, Storytelling from an original point of view, Glass slippers, La Passarella, Reverie, Vampyr and Moulin Rouge.