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Craft and Art of Clay 4th Revised edition [Pehme köide]

  • Formaat: Paperback / softback, 432 pages, kaal: 1216 g
  • Ilmumisaeg: 08-Oct-2003
  • Kirjastus: Prentice-Hall
  • ISBN-10: 0131844261
  • ISBN-13: 9780131844261
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  • Formaat: Paperback / softback, 432 pages, kaal: 1216 g
  • Ilmumisaeg: 08-Oct-2003
  • Kirjastus: Prentice-Hall
  • ISBN-10: 0131844261
  • ISBN-13: 9780131844261
Teised raamatud teemal:

Written by a well-known ceramist, this best-selling, comprehensive introduction to ceramics adeptly combines the artist's perspective and spirit of creative inspiration with step-by-step, extensively illustrated instruction in the full range of ceramic procedures—i.e., hand, wheel, and plasterwork techniques. Ideal for self-study, it features exceptionally clear explanations; an abundance of black-and-white and full-color illustrations of process sequences, model examples, and ceramic projects; and a convenient-to-use layout—with one topic per page or per two-page spread. The volume examines the craft and art of clay, fabrication methods, design, decoration, and glazing, clays and glazes, firing the ware, marketing and computers, and ceramic history. For those at any level of expertise in ceramics.

PREFACE 9(1)
1 THE CRAFT AND ART OF CLAY 10(12)
SAFETY ISSUES
20(2)
2 FABRICATION METHODS 22(80)
INTRODUCTION
23(3)
HANDBUILDING
26(24)
Clayworking tools
30(1)
Spiral wedging
31(1)
Pinching a vessel
32(1)
Coil building
33(1)
Coil and pinch sculpture
34(1)
Handbuilding with porcelain
35(1)
Slab building
36(1)
TRAILBLAZER: Juan Quezada
37(1)
Large slab constructions
38(2)
Handbuilding in or over forms
40(1)
Figures
41(3)
Mechanical methods of forming
44(1)
Making walls
45(2)
Walls
47(1)
John Mason's handbuilt sculpture
48(2)
WHEEL-THROWING
50(41)
Throwing on the wheel
53(1)
Throwing faults and remedies
54(1)
Centering
55(1)
Opening the ball
56(1)
Pulling up
57(1)
Throwing a bowl
58(1)
Shinsaku Hamada's large bowl
59(1)
Toshiko Takaezu's balloon-form
60(1)
Throwing a pitcher
61(1)
Bowl forms
62(1)
Pitcher and bottle forms
63(1)
Throwing a bottle
64(1)
Methods of footing pots
65(1)
Pulling and attaching handles
66(1)
Thrown and cut handles
67(1)
Flat lids for flanged pots
68(1)
Dome lids for flanged pots
69(1)
Flanged lids: domed and flat
70(1)
Lidded pot forms
71(1)
Casserole dish with inside flange
72(1)
Casserole trimming and lid making
73(1)
Thrown casserole knob
74(1)
Platter throwing
75(1)
Platter and plate trimming
76(1)
Platter forms
77(1)
Teapot forms
78(1)
Teapot throwing, lid and spout
79(2)
Susan Peterson's wheel-thrown forms
81(1)
Donut throwing and trimming
82(1)
Off-the-hump throwing
83(1)
Pedestal vessels
84(1)
Large constructions
85(3)
TRAILBLAZER: Peter Voulkos
88(2)
Thrown and hand construction
90(1)
PLASTERWORK
91(11)
Preparing plaster
93(1)
Making a one-piece mold
94(1)
Making a two-piece mold
95(1)
Two-piece mold with handle
96(1)
Slip casting and press molding
97(1)
Multipiece molds
98(1)
Wheelheads and complicated molds
99(1)
Inventing with molds
100(1)
A ceramic installation
101(1)
3 DESIGN, DECORATION, AND GLAZING 102(26)
DESIGN: FROM IDEA TO ART
103(7)
An exercise in how to see
106(1)
Experimenting with design
107(1)
Design ideas from nature
108(2)
DECORATION
110(6)
Decorating with clay
111(1)
Pre-patterned decoration
112(1)
Creating line in three dimensions
113(1)
Texturing clay
114(1)
Prints from clay
115(1)
GLAZING
116(12)
Weighing and mixing a glaze
118(1)
How to glaze
119(1)
Decorating over and under glaze
120(1)
Decorating with glaze
121(1)
Glaze application
122(2)
Decorative techniques with glazes
124(1)
Surface details
125(1)
The Japanese way
126(1)
Photo-emulsion and decals
127(1)
4 CLAYS 128(30)
Science and ceramic art
129(2)
Geological types of natural clays
131(3)
Commercial clays after firing
134(1)
Test results of commercial clays
135(1)
Classifying fired clay wares
136(3)
What is a clay body?
139(1)
Testing materials
140(2)
Composing a good clay body
142(2)
Talc body
144(2)
Paperclay
146(1)
TRAILBLAZER: Luo Xiao-Ping
147(1)
Additions to the clay-body batch
148(2)
Preparing the clay for work
150(1)
Making casting slip
151(1)
Historical clay bodies
152(4)
Unusual clay bodies
156(2)
5 GLAZES 158(54)
Origins of glazes
158(2)
Feldspars: clay and glaze fluxes
160(1)
Developing glazes
161(1)
Fine examples of glazes
162(2)
Visual samples: 34 glaze materials, alone and in 50/50 blends
164(4)
Reading the test photographs
168(2)
50/50 blends of 34 glaze materials, cone 5 oxidation
170(2)
50/50 blends of 34 glaze materials, cone 10 reduction
172(2)
Compounding a complete glaze
174(1)
Composite glaze fluxes
174(2)
Organic materials for glazes
176(1)
Fusion buttons of frits
177(2)
Garbage glazes
179(1)
Colors
180(4)
Ceramic coloring implements
184(1)
Stains for coloring implements
185(1)
Ways of blending colors
186(6)
Ferro frits-plus-stains - low-fire
192(2)
Frits-plus-stains - high-fire
194(2)
Simple ways of changing glazes
196(2)
Low-fire treatments
198(2)
MayCo "one-strokes" (stains)
200(1)
MayCo "underglazes" (engobes)
201(1)
MayCo "art glazes"
202(1)
MayCo "special glazes"
203(1)
TRAILBLAZER: Toshiko Takaezu
204(1)
Lusters for reduction firing
205(1)
China paint process
205(1)
Making your own lusters for oxidation firing
206(2)
Working with gold
208(2)
Drawing a grid pattern
210(1)
Glaze faults
211(1)
6 FIRING THE WARE 212(36)
MARKETING AND COMPUTERS
248
TEMPERATURE
214(4)
ATMOSPHERE
218(1)
KILNS
219(8)
Placing kilns
223(1)
Kiln materials
223(2)
Stacking kilns
225(2)
FIRING
227(21)
Principles of kiln firing
228(2)
"Rebirth through clay"
230(1)
Special firing techniques
231(2)
Firing faults
233(10)
Fired in place sculpture
243(1)
Patinas developed in firing
244(1)
TRAILBLAZER: Huey Beckham
245(1)
Potters who also work in glass
246(2)
7 MARKETING AND COMPUTERS 248(14)
Marketing
249(4)
TAILBLAZER: Otto Heino
253(1)
Computer programs
254(2)
Virtual ceramics
256(3)
Tableware
259(3)
8 HIGHPOINTS IN CERAMIC HISTORY 262(44)
HISTORICAL OVERVIEW
265(33)
Influences in our time
279(5)
Site-specific installations
284(5)
Tile
289(1)
Narrative
290(5)
Mixed media
295(2)
Kaneko's Fremont project
297(1)
ANCIENT TRADITIONS
298(54)
Bridging two worlds
303(1)
Golden Bridge Pottery
304(1)
TRAILBLAZER: Janet Mansfield
305(1)
9 PORTFOLIO 306(46)
10 COMPENDIUM
GLAZE OXIDES
352(5)
CHEMICAL COMPOSITIONS
357(9)
Calculating glaze, batch to formula and formula to batch
359(5)
More charts for use in glaze calculations
364(2)
DATA AND CONVERSIONS
366(52)
Feldspars, frits, and clays
366(1)
Frits
366(1)
Ferro lead-bearing frits
367(1)
Ferro leadless frits
368(1)
Pemco lead-bearing frits
369(1)
Pemco leadless frits
369(5)
Temperatures and cones
374(5)
Conversion charts
379(1)
ARTISTS' TECHNIQUES 380(11)
LIST OF ARTISTS 391(5)
MUSEUM COLLECTIONS 396(16)
GLOSSARY 412(6)
ANNOTATED BIBLIOGRAPHY 418(6)
General books on ceramics
418(2)
Ceramic history
420(3)
Technical books
423(1)
CERAMICS MAGAZINES 424(1)
RESIDENCIES 425(1)
ACKNOWLEDGEMENTS 426(1)
INDEX 427


Susan Peterson is Professor Emerita of Ceramics at Hunter College at the City University of New York, and is a practising ceramist whose work has been exhibited throughout the world. Her career spans more than fifty years and includes the founding of five ceramics departments at colleges throughout the United States. She has had her own studio since 1950 and exhibits and lectures in countries around the world, including China. She is also the author of Working with Clay, Contemporary Ceramics, and Jun Kaneko. A member of the International Ceramic Academy, Geneva, she is also a Fellow of the American Craft Council, a recipient of a National Endowment for the Arts grant, of the Lifetime Achievement Award from NCECA (the National Ceramic Education Council of America), and the prestigious Binns Medal from the American Ceramic Society and the New York State College of Ceramics. Jan Peterson is a high school and college ceramic teacher, ceramic artist, and jeweller.