PREFACE |
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9 | (1) |
1 THE CRAFT AND ART OF CLAY |
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10 | (12) |
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20 | (2) |
2 FABRICATION METHODS |
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22 | (80) |
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23 | (3) |
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26 | (24) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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Handbuilding with porcelain |
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35 | (1) |
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36 | (1) |
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TRAILBLAZER: Juan Quezada |
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37 | (1) |
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38 | (2) |
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Handbuilding in or over forms |
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40 | (1) |
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41 | (3) |
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Mechanical methods of forming |
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44 | (1) |
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45 | (2) |
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47 | (1) |
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John Mason's handbuilt sculpture |
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48 | (2) |
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50 | (41) |
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53 | (1) |
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Throwing faults and remedies |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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Shinsaku Hamada's large bowl |
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59 | (1) |
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Toshiko Takaezu's balloon-form |
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60 | (1) |
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61 | (1) |
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62 | (1) |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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Pulling and attaching handles |
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66 | (1) |
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67 | (1) |
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Flat lids for flanged pots |
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68 | (1) |
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Dome lids for flanged pots |
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69 | (1) |
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Flanged lids: domed and flat |
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70 | (1) |
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71 | (1) |
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Casserole dish with inside flange |
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72 | (1) |
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Casserole trimming and lid making |
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73 | (1) |
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74 | (1) |
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75 | (1) |
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Platter and plate trimming |
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76 | (1) |
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77 | (1) |
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78 | (1) |
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Teapot throwing, lid and spout |
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79 | (2) |
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Susan Peterson's wheel-thrown forms |
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81 | (1) |
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Donut throwing and trimming |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (3) |
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TRAILBLAZER: Peter Voulkos |
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88 | (2) |
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Thrown and hand construction |
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90 | (1) |
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91 | (11) |
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93 | (1) |
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94 | (1) |
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95 | (1) |
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Two-piece mold with handle |
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96 | (1) |
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Slip casting and press molding |
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97 | (1) |
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98 | (1) |
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Wheelheads and complicated molds |
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99 | (1) |
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100 | (1) |
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101 | (1) |
3 DESIGN, DECORATION, AND GLAZING |
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102 | (26) |
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103 | (7) |
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An exercise in how to see |
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106 | (1) |
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Experimenting with design |
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107 | (1) |
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108 | (2) |
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110 | (6) |
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111 | (1) |
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112 | (1) |
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Creating line in three dimensions |
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113 | (1) |
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114 | (1) |
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115 | (1) |
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116 | (12) |
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Weighing and mixing a glaze |
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118 | (1) |
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119 | (1) |
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Decorating over and under glaze |
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120 | (1) |
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121 | (1) |
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122 | (2) |
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Decorative techniques with glazes |
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124 | (1) |
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125 | (1) |
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126 | (1) |
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Photo-emulsion and decals |
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127 | (1) |
4 CLAYS |
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128 | (30) |
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129 | (2) |
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Geological types of natural clays |
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131 | (3) |
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Commercial clays after firing |
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134 | (1) |
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Test results of commercial clays |
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135 | (1) |
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Classifying fired clay wares |
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136 | (3) |
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139 | (1) |
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140 | (2) |
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Composing a good clay body |
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142 | (2) |
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144 | (2) |
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146 | (1) |
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TRAILBLAZER: Luo Xiao-Ping |
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147 | (1) |
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Additions to the clay-body batch |
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148 | (2) |
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Preparing the clay for work |
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150 | (1) |
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151 | (1) |
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152 | (4) |
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156 | (2) |
5 GLAZES |
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158 | (54) |
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158 | (2) |
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Feldspars: clay and glaze fluxes |
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160 | (1) |
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161 | (1) |
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162 | (2) |
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Visual samples: 34 glaze materials, alone and in 50/50 blends |
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164 | (4) |
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Reading the test photographs |
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168 | (2) |
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50/50 blends of 34 glaze materials, cone 5 oxidation |
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170 | (2) |
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50/50 blends of 34 glaze materials, cone 10 reduction |
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172 | (2) |
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Compounding a complete glaze |
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174 | (1) |
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174 | (2) |
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Organic materials for glazes |
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176 | (1) |
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177 | (2) |
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179 | (1) |
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180 | (4) |
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Ceramic coloring implements |
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184 | (1) |
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Stains for coloring implements |
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185 | (1) |
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186 | (6) |
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Ferro frits-plus-stains - low-fire |
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192 | (2) |
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Frits-plus-stains - high-fire |
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194 | (2) |
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Simple ways of changing glazes |
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196 | (2) |
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198 | (2) |
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MayCo "one-strokes" (stains) |
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200 | (1) |
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MayCo "underglazes" (engobes) |
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201 | (1) |
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202 | (1) |
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203 | (1) |
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TRAILBLAZER: Toshiko Takaezu |
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204 | (1) |
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Lusters for reduction firing |
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205 | (1) |
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205 | (1) |
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Making your own lusters for oxidation firing |
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206 | (2) |
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208 | (2) |
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210 | (1) |
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211 | (1) |
6 FIRING THE WARE |
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212 | (36) |
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248 | |
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214 | (4) |
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218 | (1) |
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219 | (8) |
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223 | (1) |
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223 | (2) |
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225 | (2) |
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227 | (21) |
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Principles of kiln firing |
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228 | (2) |
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230 | (1) |
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Special firing techniques |
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231 | (2) |
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233 | (10) |
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243 | (1) |
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Patinas developed in firing |
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244 | (1) |
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TRAILBLAZER: Huey Beckham |
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245 | (1) |
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Potters who also work in glass |
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246 | (2) |
7 MARKETING AND COMPUTERS |
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248 | (14) |
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249 | (4) |
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253 | (1) |
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254 | (2) |
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256 | (3) |
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259 | (3) |
8 HIGHPOINTS IN CERAMIC HISTORY |
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262 | (44) |
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265 | (33) |
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279 | (5) |
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Site-specific installations |
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284 | (5) |
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289 | (1) |
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290 | (5) |
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295 | (2) |
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297 | (1) |
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298 | (54) |
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303 | (1) |
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304 | (1) |
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TRAILBLAZER: Janet Mansfield |
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305 | (1) |
9 PORTFOLIO |
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306 | (46) |
10 COMPENDIUM |
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352 | (5) |
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357 | (9) |
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Calculating glaze, batch to formula and formula to batch |
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359 | (5) |
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More charts for use in glaze calculations |
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364 | (2) |
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366 | (52) |
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Feldspars, frits, and clays |
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366 | (1) |
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366 | (1) |
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367 | (1) |
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368 | (1) |
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369 | (1) |
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369 | (5) |
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374 | (5) |
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379 | (1) |
ARTISTS' TECHNIQUES |
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380 | (11) |
LIST OF ARTISTS |
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391 | (5) |
MUSEUM COLLECTIONS |
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396 | (16) |
GLOSSARY |
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412 | (6) |
ANNOTATED BIBLIOGRAPHY |
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418 | (6) |
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General books on ceramics |
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418 | (2) |
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420 | (3) |
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423 | (1) |
CERAMICS MAGAZINES |
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424 | (1) |
RESIDENCIES |
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425 | (1) |
ACKNOWLEDGEMENTS |
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426 | (1) |
INDEX |
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427 | |