Muutke küpsiste eelistusi

Craft and Design Practice from an Embodied Perspective [Pehme köide]

Edited by (University of South-Eastern Norway), Edited by (OCAD University, Canada)
  • Formaat: Paperback / softback, 222 pages, kõrgus x laius: 246x174 mm, 4 Line drawings, black and white; 48 Halftones, black and white; 52 Illustrations, black and white
  • Sari: Routledge Advances in Art and Visual Studies
  • Ilmumisaeg: 22-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032356839
  • ISBN-13: 9781032356839
Teised raamatud teemal:
  • Pehme köide
  • Hind: 65,09 €
  • See raamat ei ole veel ilmunud. Raamatu kohalejõudmiseks kulub orienteeruvalt 3-4 nädalat peale raamatu väljaandmist.
  • Kogus:
  • Lisa ostukorvi
  • Tasuta tarne
  • Tellimisaeg 2-4 nädalat
  • Lisa soovinimekirja
Craft and Design Practice from an Embodied PerspectiveSuurem pilt
  • Formaat: Paperback / softback, 222 pages, kõrgus x laius: 246x174 mm, 4 Line drawings, black and white; 48 Halftones, black and white; 52 Illustrations, black and white
  • Sari: Routledge Advances in Art and Visual Studies
  • Ilmumisaeg: 22-May-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032356839
  • ISBN-13: 9781032356839
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781032356839.html
Märksõnad:
This book brings together contributors from multiple disciplines, such as crafts, design, art education, cognitive philosophy, and sociology, to discuss craft and design practice from an embodied perspective.

Through theoretical overviews of embodied cognition and research-based cases that involve the researchers making experiences, different phenomena of humanmaterial interaction are presented, analysed, and discussed. The practical cases exemplify ways in which embodied notions show up in action. Contributors examine topics such as the embodied basis of craft activities and material manipulation, experiential knowledge and skill learning, reflection in and on action, and material dialogues. Several chapters specifically discuss the hybrid forms of analogue and digital crafting that increasingly takes place in the field of crafts and design, and the changed notions of material engagement that this entails.

The book will appeal to scholars of crafts, design, art education, anthropology, and sociology.

The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

Arvustused

This splendid collection advances our understanding of embodied cognition and experiential knowledge in craftwork and sets the pace for future theory. Its multidisciplinary cast of authors deliver unique insights into humanmaterial interactions, skilled situated practice and the dynamics of thinking through making both in traditional crafts and the emerging digital and virtual realms.

Trevor H. J. Marchand, SOAS, University of London

This book shines a light on the nature and value of embodied experiences within the spheres of making and materiality. The various chapters bring ideas around becoming, feeling, well-being, interconnection and relationality to the fore, which are all critical aspects of craft and design practices that seek to counter dominate modes of production and affect positive change. I would recommend this book to those who wish to establish, understand, and champion such practice.

Faith Kane, Toi Rauwhrangi College of Creative Arts, Massey University

Preface Introduction SECTION I: CRAFT AS EMBODIED MAKING AND LEARNING
1.
Dynamic affordances in human-material dialogues
2. Craft Thinking: A
relational approach to making and design
3. Becoming with glass: Medium and
materiality in embodied knowledge
4. Feeling how: MET and embodied cognition
in the learning of pottery skills
5. Embodied craft practices: Mindful flow,
creativity, and collaboration as drivers for wellbeing SECTION II:
MATERIALITY OF MATERIALS AND NON-MATERIALS IN CRAFT
6. Embodied knowledge
integrated into robotic wire cutting of clay
7. Making, playing, crafting
Connecting embodied practices in play, game design, and hybrid making
8. Hand
thought: Hybrid practices and a digital craft ethos
9. Grasping materiality
Digitalization in light of educational arts and crafts practice SECTION III:
ARTEFACTS AS MATERIAL EXTENSIONS OF CRAFT EXPERIENCE
10. Traces of craft
experience in artefacts
11. Scaffolding visualization and mental rotation in
designing and crafting
12. Making bumps and jumping hurdles: Understanding
resistance in the processes of raising aluminium from a novices perspective
13. Making sense with things in participatory design
14. Interactive
connected smart (ICS) materials experience: Collaborative embodied knowledge
through material tinkering Afterword
Nithikul Nimkulrat is Associate Professor at OCAD University, Canada.

Camilla Groth is Associate Professor at University of South-Eastern Norway, Norway.