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Craft in the Real World: Rethinking Fiction Writing and Workshopping [Pehme köide]

4.52/5 (3133 hinnangut Goodreads-ist)
  • Formaat: Paperback / softback, 256 pages, kõrgus x laius: 210x140 mm
  • Ilmumisaeg: 19-Jan-2021
  • Kirjastus: Catapult
  • ISBN-10: 1948226804
  • ISBN-13: 9781948226806
Teised raamatud teemal:
  • Formaat: Paperback / softback, 256 pages, kõrgus x laius: 210x140 mm
  • Ilmumisaeg: 19-Jan-2021
  • Kirjastus: Catapult
  • ISBN-10: 1948226804
  • ISBN-13: 9781948226806
Teised raamatud teemal:
A groundbreaking resource for fiction writers, teachers, and students, this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling.

The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing--including plot, character, conflict, structure, and believability--and aspects of workshop--including the silenced writer and the imagined reader-- Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?

Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."
Preface xiii
PART 1 FICTION IN THE REAL WORLD
"Pure Craft" Is a Lie
3(13)
What Is Craft? 25 Thoughts
16(24)
Audience, Theme, and Purpose
40(9)
Redefining Craft Terms
49(50)
... Tone
50(5)
... Plot
55(4)
... Conflict
59(4)
... Character Arc and Story Arc
63(6)
... Characterization
69(5)
... Relatability
74(5)
... Believability
79(5)
... Vulnerability
84(3)
... Setting
87(3)
... Pacing
90(4)
... Structure
94(5)
An Example from East Asian and Asian American Literature
99(14)
PART 2 WORKSHOP IN THE REAL WORLD
"The Reader" vs. POC
113(8)
Who Is at the Center of Workshop and Who Should Be?
121(9)
Alternative Workshops
130(14)
Syllabus Example
144(24)
Workshopping Incomplete Drafts
168(4)
Against Page Limits
172(4)
Four Things to Grade
176(7)
APPENDIX: EXERCISES
Purpose-Oriented Writing Exercises
183(7)
34 Revision Exercises
190(27)
Works of Fiction Referenced 217(2)
Further Bibliography 219(8)
Acknowledgments 227