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Craftwork as Problem Solving: Ethnographic Studies of Design and Making [Kõva köide]

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This volume brings together a cross-disciplinary group of anthropologists, researchers of craft, and designer-makers to enumerate and explore the diversity and complexity of problem-solving tactics and strategies employed by craftspeople, together with the key social, cultural, and environmental factors that give rise to particular ways of problem solving. Presenting rich, textured ethnographic studies of craftspeople at work around the world, Craftwork as Problem Solving examines the intelligent practices involved in solving a variety of problems and the ways in which these are perceived and evaluated both by makers and creators themselves, and by the societies in which they work. With attention to local factors such as training regimes and formal education, access to tools, socialisation and cultural understanding, budgetary constraints and market demands, changing technologies and materials, and political and economic regimes, this book sheds fresh light on the multifarious forms of intelligence involved in design and making, inventing and manufacturing, and cultivating and producing. As such, it will appeal to scholars of anthropology, sociology, and cultural geography, as well as to craftspeople with interests in creativity, skilful practice, perception and ethnography.

Arvustused

This important collection of writings on craft clearly establishes the value of foregrounding the artisan's perspective. Through close attention to the embodied dimension of skilled making, these essays succeed in that most difficult task of rendering tacit knowledge¯ explicit. The result is a volume of fascinating case studies, which also constitute a paradigm for future research to follow. Glenn Adamson, Museum of Arts and Design, New York, USA

List of Figures
vii
Notes on Contributors xi
Foreword xvii
Rosy Greenlees
Introduction: Craftwork as Problem Solving 1(32)
Trevor H.J. Marchand
PART I PRACTICAL PROBLEM SOLVING IN CRAFT
1 The Prototype: Problem Work in the Relationship between Designer, Artist, and Gaffer in Glassblowing
33(18)
Erin O'Connor
Suzanne Peck
2 Producing Suffolk Punch Horses: Craftsmanship with Sentient Media
51(20)
Kim Crowder
3 Making `Sense' in the Bike Mechanic's Workshop
71(16)
Tom Martin
4 Crafting Solutions on the Cutting Edge of Digital Videography
87(8)
Peter Durgerian
5 Mastering Mimicry: Strategies of Transference in Print-Based Art
95(20)
Jenn Law
6 From `In Our Houses' to `The Tool at Hand': Breaching Normal Procedural Conditions in Studio Furniture Making
115(18)
David Gates
7 Weaving Solutions to Woven Problems
133(20)
Stephanie Bunn
PART II SOCIAL, ECONOMIC, AND PHILOSOPHICAL DIMENSIONS IN THE PROBLEMS OF CRAFTWORK
8 Social Strategies and Material Fixes in Agotime Weaving
153(16)
Niamh Jane Clifford Collard
9 Feeling a Way Through: Affective Problem Solving in Dressmaking
169(14)
Rebecca Prentice
10 Thinking through Materials: Embodied Problem Solving and the Values of Work in Taiwanese Ceramics
183(14)
Geoffrey Gowlland
11 The Problem of the Unknown Craftsman
197(18)
Malcolm Martin
12 The Place of Craft in Building Conservation: The Craftsperson as Problem-Solver and Builder
215(20)
Giovanni Diodati
13 `Textile Thinking': A Flexible, Connective Strategy for Concept Generation and Problem Solving in Interdisciplinary Contexts
235(22)
Rachel Philpott
Faith Kane
Afterword 257(4)
Malcolm Ferris
Index 261
Trevor H.J. Marchand is Professor of Social Anthropology at the School of Oriental and African Studies, University of London, UK. He is the author of The Masons of Djenne and Minaret Building and Apprenticeship in Yemen, editor of Making Knowledge and co-editor of the Handbook of Social Anthropology.