Acknowledgments |
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xv | |
Introduction |
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xvii | |
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1 | (12) |
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1 | (3) |
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1 | (1) |
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2 | (1) |
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2 | (1) |
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3 | (1) |
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3 | (1) |
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4 | (1) |
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4 | (4) |
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4 | (1) |
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5 | (1) |
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5 | (1) |
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5 | (1) |
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5 | (1) |
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6 | (1) |
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On-Screen Virtual Instruments |
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6 | (1) |
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7 | (1) |
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7 | (1) |
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8 | (1) |
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Live Performance (NTempo) Mode |
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8 | (1) |
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8 | (3) |
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9 | (1) |
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9 | (1) |
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10 | (1) |
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Instrument Technique Shortcuts |
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10 | (1) |
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Standard Computer Shortcuts |
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11 | (1) |
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11 | (1) |
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11 | (2) |
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Chapter 2 Getting Started |
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13 | (8) |
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14 | (1) |
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14 | (1) |
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14 | (6) |
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14 | (1) |
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15 | (1) |
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15 | (1) |
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16 | (1) |
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16 | (1) |
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16 | (1) |
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17 | (1) |
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Copying and Pasting Music, Duplicating, and Transposing |
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17 | (1) |
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18 | (1) |
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19 | (1) |
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Hiding the Courtesy Key Signature |
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19 | (1) |
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19 | (1) |
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19 | (1) |
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20 | (1) |
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20 | (1) |
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20 | (1) |
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Chapter 3 Developing Your Workflow |
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21 | (10) |
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22 | (5) |
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22 | (1) |
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23 | (2) |
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25 | (2) |
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27 | (1) |
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27 | (1) |
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27 | (1) |
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27 | (2) |
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28 | (1) |
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28 | (1) |
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Articulations, Dynamics, Techniques, Phrases |
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28 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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29 | (1) |
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30 | (1) |
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30 | (1) |
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30 | (1) |
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31 | (8) |
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31 | (1) |
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32 | (1) |
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32 | (4) |
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32 | (1) |
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33 | (1) |
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34 | (1) |
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34 | (1) |
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35 | (1) |
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35 | (1) |
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36 | (1) |
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Next Steps: Personal Groove Libraries |
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36 | (1) |
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37 | (2) |
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39 | (10) |
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39 | (1) |
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40 | (1) |
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40 | (6) |
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40 | (1) |
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Create the Pickup Measure |
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40 | (1) |
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40 | (1) |
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40 | (1) |
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40 | (1) |
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41 | (1) |
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42 | (1) |
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Form: Repeats, Endings, Barlines, and Measure Numbers |
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42 | (1) |
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43 | (1) |
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43 | (1) |
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44 | (1) |
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45 | (1) |
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Proofreading and Listening |
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46 | (1) |
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46 | (1) |
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47 | (1) |
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47 | (2) |
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Chapter 6 Guitar Techniques |
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49 | (22) |
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49 | (1) |
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50 | (1) |
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50 | (19) |
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50 | (1) |
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51 | (2) |
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53 | (1) |
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54 | (1) |
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55 | (1) |
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56 | (1) |
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Copy/Paste and Duplicate the Rhythm Guitar and Bass |
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56 | (1) |
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57 | (4) |
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Text Repeats: Signs and Codas |
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61 | (1) |
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62 | (1) |
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Playback: More Swing Control, Ritards, and Fermatas |
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63 | (1) |
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64 | (1) |
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65 | (1) |
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66 | (3) |
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Next Steps: TAB and Notation |
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69 | (1) |
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70 | (1) |
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Chapter 7 Part Writing and Analysis |
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71 | (8) |
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71 | (1) |
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72 | (1) |
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72 | (4) |
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72 | (1) |
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72 | (1) |
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Copying and Pasting Voices |
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72 | (1) |
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73 | (1) |
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73 | (1) |
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74 | (2) |
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76 | (1) |
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76 | (1) |
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76 | (1) |
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Next Steps: Assignments and Worksheet Templates |
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76 | (1) |
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77 | (1) |
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77 | (2) |
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Chapter 8 The Ensemble Arrangement |
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79 | (16) |
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79 | (1) |
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80 | (1) |
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80 | (12) |
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80 | (1) |
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81 | (1) |
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81 | (1) |
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81 | (1) |
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82 | (2) |
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84 | (1) |
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84 | (1) |
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84 | (1) |
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85 | (1) |
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85 | (1) |
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Dynamics, Articulation, Phrasing |
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85 | (1) |
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86 | (1) |
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Formatting: Three-Page Layout |
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87 | (2) |
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Formatting: Two-Page Layout |
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89 | (2) |
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91 | (1) |
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Next Steps: Export Audio Files |
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92 | (2) |
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92 | (1) |
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92 | (1) |
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Exporting the Audio Files |
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93 | (1) |
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94 | (1) |
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Chapter 9 NTempo and Live Performance |
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95 | (14) |
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95 | (1) |
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96 | (1) |
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96 | (6) |
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96 | (1) |
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Clear Velocities and Recorded Tempo |
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96 | (1) |
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96 | (1) |
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Crescendos, Decrescendos, and Diminuendos |
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97 | (2) |
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99 | (1) |
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Randomizing Attacks and Velocities |
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99 | (1) |
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Other Performance-Based Edits |
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100 | (1) |
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101 | (1) |
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101 | (1) |
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102 | (5) |
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102 | (4) |
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106 | (1) |
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Next Steps: Ensemble Accompanist |
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107 | (1) |
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108 | (1) |
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109 | (10) |
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109 | (1) |
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110 | (1) |
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110 | (7) |
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110 | (1) |
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111 | (1) |
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Note Entry: Sections A and B |
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111 | (1) |
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112 | (3) |
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115 | (1) |
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Note Entry: Sections C and D |
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115 | (1) |
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115 | (1) |
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115 | (1) |
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116 | (1) |
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116 | (1) |
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116 | (1) |
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Next Steps: More Notation Challenges |
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117 | (1) |
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Specific Instrument Techniques |
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117 | (1) |
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117 | (1) |
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118 | (1) |
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118 | (1) |
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118 | (1) |
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Chapter 11 The Jazz Ensemble |
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119 | (22) |
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119 | (1) |
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120 | (1) |
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120 | (18) |
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120 | (2) |
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122 | (1) |
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Set the Tempo and Swing Feel |
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123 | (1) |
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124 | (1) |
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125 | (2) |
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127 | (3) |
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130 | (1) |
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131 | (3) |
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134 | (1) |
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135 | (1) |
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135 | (1) |
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135 | (2) |
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137 | (1) |
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137 | (1) |
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138 | (1) |
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Next Step: Rehearsal Scores |
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138 | (1) |
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139 | (2) |
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Chapter 12 Scoring to Video |
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141 | (12) |
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141 | (1) |
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142 | (1) |
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142 | (4) |
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142 | (1) |
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142 | (1) |
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142 | (1) |
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143 | (1) |
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144 | (2) |
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Next Step: VSTis and ReWire |
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146 | (4) |
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VST Instruments and Effects |
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146 | (4) |
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150 | (1) |
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150 | (3) |
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Chapter 13 Notion for iPad |
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153 | (10) |
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153 | (1) |
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153 | (1) |
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154 | (1) |
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154 | (1) |
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154 | (5) |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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159 | (1) |
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Articulations and Dynamics |
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159 | (1) |
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159 | (1) |
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159 | (1) |
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160 | (1) |
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160 | (1) |
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Importing a MusicXML File |
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160 | (1) |
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Importing a Guitar Pro TAB File |
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161 | (1) |
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Importing Files from Your Computer |
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161 | (1) |
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Saving and Exporting Files |
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161 | (1) |
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161 | (2) |
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Keys to Working in Notion for iPad |
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161 | (2) |
Afterword |
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163 | (2) |
Appendix: Online Content |
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165 | (2) |
Index |
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167 | |