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Critical Companion to Steven Spielberg [Kõva köide]

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This book offers a comprehensive, detailed study of the works of Steven Spielberg, whose numerous and heterogeneous films include extremely successful productions such as Jaws (1975), Close Encounters of the Third Kind (1977), E.T. the Extraterrestrial (1982), the Indiana Jones saga (19812008), Jurassic Park (1993), Schindlers List (1993), and Saving Private Ryan (1999), as well as less-known films such as 1941 (1979), Always (1989), War Horse (2011), and The Adventures of Tintin (2011). Spielbergs early productions stand as landmarks in contemporary cinema and his involvement with film has been spanning all cinematic genres. Today Spielberg enjoys an immense and enduring popularity around the globe and his productions have attracted (and continue to attract) both public and critical attention. This volume investigates several distinct areas of Spielbergs works and addresses the different approaches and the range of topics invited by the multidimensionality of his oeuvre. The eighteen chapters use different methodologies, offering a variegated and compelling picture of Spielbergs films, from his earliest works, such as Duel (1971) and The Sugarland Express (1974), to his most recent productions, such as The BFG (2016), The Post (2017), and Ready Player One (2018).

Arvustused

No serious scholar of film should be without this important book dealing with such a significant film maker and cultural icon as Steven Spielberg. The book provides comprehensive and in-depth treatment of the man and his workboth in relation to his person and historyas well as his actual films. A must have. -- Bill Anderson, Professor of Religious Studies at Concordia University of Edmonton

Introduction 1(36)
1 The Artist and Philosopher
37(88)
1 "One of the Most Phenomenal Debut Films in the History of Movies": The Sugarland Express as Expression of Spielberg's "Movie Sense" and as Contribution to a Genre Cycle
39(12)
David LaRocca
2 Adapting Objects: Spielberg and the Art of Making Strange
51(16)
Paul Johnson
3 Fear and Wonder: The Lived-Body Experience of Spielberg's Cinema
67(18)
Adam Daniel
4 Galloping into the Jaws of Death: The Psychology of Animal Symbolism in Jaws and War Horse
85(18)
Jennifer L. McMahon
5 A Million Light-Years from Home: Spielberg's Extraterrestrials, Transhumanism, and Constructions of Alterity
103(10)
Elizabeth Lowry
6 Of Children and Redrums: The Influence of Stanley Kubrick on A.I. and Minority Report
113(12)
Elsa Colombani
2 The Dreamer
125(70)
7 Poiesis and Miracles: From Something Evil to "The Mission"
127(12)
Fernando Gabriel Pagnoni Berns
Mariana Soledad Zarate
Eduardo Veteri
8 Deus ex Machina: Spielberg's Fantastic Visions of Tragedy and Grace
139(14)
Joshua Sikora
9 A Modern Pythia: The Oracle in Minority Report
153(6)
Sabine Planka
10 The Politics of Nostalgia: Reconstructing Epic Heroism in Spielberg's Amblin' and Always
159(12)
Christian Jimenez
11 Piracy, Boy Heroes, and the Importance of Playing the Game in Spielberg's Hook and The Adventures of Tintin
171(14)
Sue Matheson
12 Categorizing E.T.
185(10)
Christopher H. Ketcham
3 The Historian
195(82)
13 "I Thought You Were an American": Spielberg, 1941, and Saving Private Ryan 19
7(204)
Sean O'Reilly
14 Testimonies of the Past: Spielberg's Moral Exploration of Racial Discrimination
211(14)
Michael Versteeg
15 Writing Postmodern Histories in Hollywood: The Portrayal of the Male Lead Characters in Catch Me If You Can, Bridge of Spies, and The Post
225(12)
Orsolya Karacsony
16 Dignified Professor and Intrepid Adventurer: Two Facets of Indiana Jones
237(12)
Carl Sobocinski
17 "We Spared No Expense": Practical Utopias in Jurassic Park, The Terminal, and Ready Player One
249(12)
Carl Sweeney
18 Trivialization, Displacement, and Historical Amnesia: The Work of Innocence and Embrace in Empire of the Sun and War of the Worlds
261(16)
Naaman K. Wood
David J. Strickler
Index 277(4)
About the Contributors 281
Adam Barkman is professor of philosophy and chair of the Philosophy Department at Redeemer University College.

Antonio Sanna teaches English language and literature at the Instituto Pitagora.