| Foreword |
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xvii | |
| About the Author |
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xx | |
| Acknowledgments |
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xxi | |
| Part I The Certified Technology Specialist-Design |
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Chapter 1 What Is a Certified Technology Specialist-Design? |
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3 | (6) |
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Introducing InfoComm International |
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3 | (1) |
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Why Earn Your CTS-D Credential? |
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4 | (1) |
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5 | (2) |
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Are You Eligible for the CTS-D Exam? |
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7 | (1) |
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7 | (2) |
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9 | (24) |
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The Scope of the CTS-D Exam |
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9 | (2) |
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Exam Preparation Strategies |
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11 | (2) |
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13 | (10) |
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14 | (1) |
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Ohm's Law and Electrical Circuits |
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15 | (8) |
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23 | (5) |
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Getting to the Testing Center |
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23 | (1) |
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Identification Requirements |
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24 | (1) |
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Items Restricted from the Exam Room |
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24 | (1) |
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25 | (1) |
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25 | (1) |
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Dismissal or Removal from the Exam |
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26 | (1) |
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Hazardous Weather or Local Emergencies |
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27 | (1) |
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Special Accommodations for Exams |
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27 | (1) |
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27 | (1) |
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27 | (1) |
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CTS-D Exam Practice Questions |
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28 | (2) |
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Answers to CTS-D Practice Questions |
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29 | (1) |
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30 | (3) |
| Part II Environment |
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Chapter 3 Communicating Design Intent |
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33 | (42) |
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The Phases of an AV Design Project |
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34 | (5) |
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36 | (1) |
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36 | (1) |
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37 | (1) |
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38 | (1) |
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Reading Construction Drawings |
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39 | (12) |
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39 | (3) |
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42 | (6) |
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Architectural Drawing Symbols |
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48 | (2) |
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Common Architectural Drawing Abbreviations |
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50 | (1) |
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51 | (6) |
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52 | (1) |
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Architectural and Infrastructure Drawings |
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53 | (3) |
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AV System Drawings: Facility Drawings |
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56 | (1) |
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AV System Drawings: System Diagrams |
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56 | (1) |
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57 | (1) |
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The Basics of AV-Enabled Rooms |
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57 | (3) |
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Audience and Presenter Areas |
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58 | (1) |
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Control and Projection Areas |
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59 | (1) |
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60 | (1) |
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60 | (4) |
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61 | (1) |
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62 | (2) |
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Conducting the Needs Analysis |
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64 | (4) |
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64 | (1) |
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Step 2: Review Existing Documentation |
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65 | (1) |
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Step 3: Evaluate the Site Environment/Benchmarking |
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65 | (1) |
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Step 4: Conduct Program Meetings |
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66 | (1) |
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Step 5: Write the Program Report |
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67 | (1) |
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A Closer Look at the Program Report |
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68 | (2) |
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69 | (1) |
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Distribution and Approval |
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70 | (1) |
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70 | (5) |
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71 | (2) |
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73 | (2) |
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Chapter 4 Ergonomics in AV Design |
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75 | (16) |
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Human Dimensions and Visual Field |
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76 | (3) |
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The Horizontal Visual Field |
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77 | (1) |
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The Vertical Visual Field |
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78 | (1) |
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79 | (1) |
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79 | (1) |
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80 | (1) |
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81 | (1) |
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82 | (1) |
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83 | (1) |
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84 | (3) |
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84 | (2) |
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86 | (1) |
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87 | (1) |
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87 | (4) |
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88 | (1) |
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89 | (2) |
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Chapter 5 Visual Principles of Design |
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91 | (40) |
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Determining Image Specifications |
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92 | (1) |
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92 | (3) |
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Visual Acuity and the Snellen Eye Chart |
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93 | (1) |
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94 | (1) |
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Determining the Farthest Viewing Distance |
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95 | (3) |
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The Simple Image Height Formula Wheel |
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97 | (1) |
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Determining the Nearest Viewing Distance |
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98 | (1) |
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Determining the Viewing Range |
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99 | (1) |
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100 | (3) |
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101 | (1) |
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101 | (1) |
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102 | (1) |
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Calculating Screen Diagonal |
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102 | (1) |
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103 | (1) |
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103 | (3) |
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104 | (1) |
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Specifying Front-Screen Projection |
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105 | (1) |
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106 | (3) |
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107 | (2) |
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Rear-Projection Design Considerations |
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109 | (1) |
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109 | (3) |
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Common Videowall Applications |
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110 | (1) |
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110 | (2) |
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112 | (4) |
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112 | (3) |
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115 | (1) |
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115 | (1) |
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116 | (2) |
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116 | (1) |
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116 | (2) |
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118 | (1) |
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118 | (2) |
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119 | (1) |
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119 | (1) |
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Predicting Projector Brightness |
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120 | (4) |
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121 | (1) |
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121 | (1) |
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121 | (1) |
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122 | (1) |
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122 | (1) |
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Calculating Required Projector Brightness |
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123 | (1) |
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Measuring OFE Projector Brightness |
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124 | (1) |
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125 | (2) |
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Calculating Task-Light Levels |
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126 | (1) |
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127 | (4) |
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127 | (2) |
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129 | (2) |
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Chapter 6 Audio Principles of Design |
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131 | (54) |
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Introduction to the Decibel |
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132 | (3) |
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133 | (1) |
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Calculating Decibel Changes |
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133 | (2) |
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135 | (2) |
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137 | (2) |
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139 | (4) |
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139 | (1) |
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140 | (1) |
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SPL Meter Weighting Curves |
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141 | (1) |
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141 | (1) |
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SPL Meter Weighting: Spectrum Analysis |
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142 | (1) |
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143 | (1) |
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Calculating Loudspeaker Coverage |
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144 | (2) |
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Distributed Layout Options |
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146 | (2) |
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146 | (1) |
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147 | (1) |
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147 | (1) |
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148 | (1) |
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148 | (1) |
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149 | (3) |
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Loudspeakers Wired in a Series |
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149 | (1) |
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Loudspeakers Wired in Parallel, Same Impedance |
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150 | (1) |
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Loudspeakers Wired in Parallel, Different Impedances |
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151 | (1) |
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Loudspeakers Wired in a Series and Parallel Combination |
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151 | (1) |
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152 | (1) |
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152 | (2) |
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Specifying a Power Amplifier |
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154 | (2) |
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155 | (1) |
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155 | (1) |
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156 | (1) |
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Specifying a Power Amplifier for Direct-Connection Audio |
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156 | (1) |
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Specifying a Power Amplifier for Distributed Audio |
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156 | (1) |
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157 | (3) |
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157 | (1) |
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Instrument, Lavalier, and Head Microphones |
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157 | (1) |
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Boundary and Gooseneck Microphones |
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158 | (1) |
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159 | (1) |
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160 | (1) |
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Microphone Polar Response |
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161 | (1) |
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161 | (2) |
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Microphone Frequency Response |
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163 | (1) |
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163 | (1) |
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164 | (1) |
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165 | (1) |
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Microphone Mixing and Routing |
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166 | (1) |
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Microphone Placement: A Conference Table |
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167 | (1) |
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Microphone Placement: The 3:1 Rule |
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168 | (1) |
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169 | (2) |
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170 | (1) |
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Polar Plots for Reinforcing a Presenter |
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170 | (1) |
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171 | (3) |
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172 | (1) |
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173 | (1) |
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174 | (1) |
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174 | (3) |
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More Variables: NOM and FSM |
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177 | (1) |
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177 | (1) |
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178 | (7) |
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179 | (2) |
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181 | (4) |
| Part III Infrastructure |
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Chapter 7 Communicating with Allied Trades |
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185 | (10) |
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Communicating with Stakeholders |
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186 | (1) |
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187 | (3) |
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187 | (1) |
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188 | (1) |
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189 | (1) |
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Industry Standards as Common Language |
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190 | (1) |
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Hierarchy of Design Consultation |
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190 | (1) |
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191 | (1) |
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192 | (3) |
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192 | (1) |
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193 | (2) |
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Chapter 8 Lighting Specifications |
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195 | (24) |
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196 | (4) |
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196 | (1) |
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197 | (3) |
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200 | (1) |
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200 | (6) |
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201 | (1) |
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Shades and Blackout Drapes |
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201 | (1) |
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202 | (1) |
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202 | (1) |
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203 | (2) |
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205 | (1) |
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206 | (4) |
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206 | (4) |
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210 | (2) |
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210 | (1) |
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211 | (1) |
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Lighting a Videoconference |
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212 | (3) |
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212 | (1) |
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213 | (1) |
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214 | (1) |
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214 | (1) |
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215 | (1) |
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216 | (3) |
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216 | (1) |
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217 | (2) |
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Chapter 9 Structural and Mechanical Considerations |
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219 | (28) |
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220 | (3) |
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Designing for Equal Access |
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221 | (1) |
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Electric and Building Codes |
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222 | (1) |
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223 | (6) |
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223 | (2) |
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225 | (2) |
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227 | (2) |
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229 | (8) |
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229 | (2) |
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231 | (1) |
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231 | (2) |
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233 | (1) |
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233 | (1) |
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234 | (1) |
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Calculating Heat Load from Power Amplifiers |
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235 | (1) |
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236 | (1) |
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237 | (3) |
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HVAC Issues that Impact Design |
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237 | (1) |
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238 | (2) |
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Fire and Life Safety Protection |
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240 | (1) |
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240 | (1) |
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241 | (2) |
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241 | (1) |
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242 | (1) |
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243 | (1) |
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243 | (4) |
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243 | (2) |
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245 | (2) |
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Chapter 10 Specifying Electrical Infrastructure |
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247 | (48) |
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248 | (5) |
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Ohm's Law and Power Formulas |
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249 | (2) |
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Series vs. Parallel Circuits |
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251 | (1) |
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251 | (1) |
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252 | (1) |
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Coils and Magnetic Induction |
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253 | (2) |
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Coils, Capacitors, and Resistors in a Series Circuit |
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253 | (1) |
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Coils, Capacitors, and Resistors in a Parallel Circuit |
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254 | (1) |
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Specifying Electrical Power |
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255 | (2) |
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255 | (1) |
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256 | (1) |
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Electrical Distribution Systems |
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257 | (4) |
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Power Distribution Systems |
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257 | (4) |
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Understanding Power Onsite |
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261 | (1) |
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The Master Technical Power Panel |
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262 | (1) |
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262 | (5) |
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263 | (1) |
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Calculating the Number of Circuits |
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264 | (3) |
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267 | (2) |
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269 | (6) |
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269 | (2) |
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271 | (2) |
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273 | (2) |
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The Dangers of Three-to-Two-Prong Adapters |
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275 | (1) |
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275 | (3) |
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Isolated Ground Receptacles |
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276 | (2) |
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Interference Prevention and Noise Defense |
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278 | (4) |
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279 | (1) |
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279 | (1) |
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280 | (2) |
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282 | (1) |
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282 | (1) |
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Differential- and Common-Mode Signals |
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283 | (1) |
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283 | (1) |
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Twisted-Pair Cables and Common-Mode Rejection |
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284 | (1) |
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284 | (1) |
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285 | (1) |
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286 | (1) |
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287 | (6) |
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287 | (1) |
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288 | (1) |
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Allowable Fill Percentages |
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289 | (2) |
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291 | (1) |
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292 | (1) |
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293 | (2) |
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293 | (1) |
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294 | (1) |
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Chapter 11 Elements of Acoustics |
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295 | (30) |
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296 | (1) |
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296 | (1) |
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297 | (3) |
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298 | (1) |
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299 | (1) |
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300 | (1) |
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300 | (14) |
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301 | (7) |
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308 | (2) |
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310 | (4) |
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314 | (6) |
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314 | (3) |
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317 | (2) |
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Background Noise Recommendations |
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319 | (1) |
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320 | (5) |
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320 | (1) |
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321 | (4) |
| Part IV Applied Design |
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Chapter 12 Digital Signals |
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325 | (14) |
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326 | (1) |
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326 | (2) |
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328 | (1) |
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329 | (2) |
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330 | (1) |
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330 | (1) |
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330 | (1) |
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331 | (1) |
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Bandwidth: Determining Total Program Size |
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331 | (1) |
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Content Compression and Encoding |
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332 | (3) |
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332 | (1) |
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Digital Audio Compression: MP3 |
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333 | (1) |
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333 | (2) |
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335 | (4) |
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335 | (2) |
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337 | (2) |
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Chapter 13 Digital Video Design |
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339 | (26) |
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340 | (3) |
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High-Definition and Ultra High-Definition Video |
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341 | (1) |
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342 | (1) |
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343 | (1) |
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344 | (1) |
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Transition-Minimized Differential Signaling |
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344 | (1) |
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345 | (3) |
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346 | (2) |
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348 | (1) |
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348 | (1) |
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349 | (1) |
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Mobile High-Definition Link |
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350 | (1) |
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351 | (7) |
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Creating an EDID Strategy |
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354 | (1) |
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355 | (2) |
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357 | (1) |
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Digital Rights Management |
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358 | (4) |
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High-Bandwidth Digital Content Protection |
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358 | (1) |
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359 | (1) |
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360 | (1) |
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361 | (1) |
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362 | (3) |
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362 | (1) |
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363 | (2) |
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365 | (24) |
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366 | (3) |
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368 | (1) |
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369 | (2) |
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371 | (1) |
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Analog vs. Digital Signal Monitoring |
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372 | (1) |
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372 | (8) |
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373 | (3) |
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376 | (4) |
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Introduction to Equalization |
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380 | (5) |
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381 | (1) |
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381 | (1) |
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Feedback-Suppression Filters |
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382 | (1) |
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382 | (1) |
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383 | (1) |
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384 | (1) |
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385 | (4) |
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385 | (2) |
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387 | (2) |
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Chapter 15 Control Requirements |
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389 | (12) |
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390 | (1) |
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Control System Components |
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390 | (5) |
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390 | (1) |
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391 | (2) |
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393 | (2) |
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395 | (2) |
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395 | (1) |
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395 | (2) |
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397 | (1) |
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Establishing Control Points |
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397 | (1) |
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Verifying System Performance |
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397 | (1) |
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397 | (4) |
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398 | (1) |
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399 | (2) |
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Chapter 16 Networking for AV |
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401 | (60) |
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402 | (1) |
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403 | (8) |
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404 | (1) |
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405 | (1) |
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Switches, Routers, and Gateways |
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405 | (2) |
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407 | (4) |
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411 | (3) |
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412 | (2) |
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Network Types and Topologies |
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414 | (15) |
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416 | (9) |
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425 | (2) |
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427 | (2) |
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429 | (17) |
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429 | (7) |
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436 | (2) |
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438 | (8) |
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Transport Layer Protocols |
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|
446 | (4) |
|
Transmission Control Protocol Transport |
|
|
447 | (1) |
|
Universal Datagram Protocol Transport |
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448 | (1) |
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Transmission Control Protocol vs. Universal Datagram Protocol |
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|
449 | (1) |
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450 | (1) |
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Data Link Layer Protocols |
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|
450 | (7) |
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Why Professional AV Needs Its Own Protocols |
|
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450 | (1) |
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Audio Video Bridging/Time-Sensitive Networking |
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451 | (2) |
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453 | (1) |
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454 | (1) |
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455 | (1) |
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456 | (1) |
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456 | (1) |
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457 | (4) |
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458 | (1) |
|
|
|
459 | (2) |
|
Chapter 17 Streaming Design |
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|
461 | (26) |
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462 | (4) |
|
|
|
462 | (1) |
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|
|
463 | (1) |
|
|
|
464 | (1) |
|
|
|
464 | (1) |
|
Using Copyrighted Content |
|
|
465 | (1) |
|
Streaming Needs Analysis Questions |
|
|
466 | (1) |
|
Streaming Design and the Network Environment |
|
|
467 | (3) |
|
|
|
467 | (1) |
|
Bandwidth: Matching Content to the Network |
|
|
468 | (1) |
|
Image Quality vs. Available Bandwidth |
|
|
469 | (1) |
|
Streaming and Quality of Service |
|
|
470 | (4) |
|
|
|
471 | (1) |
|
Network Policies and Restrictions |
|
|
472 | (1) |
|
Cheat Sheet: Streaming Network Analysis Questions |
|
|
472 | (2) |
|
Designing the Streaming System |
|
|
474 | (2) |
|
Other Streaming Protocols |
|
|
474 | (1) |
|
High-Quality Streaming Video |
|
|
475 | (1) |
|
|
|
476 | (8) |
|
|
|
477 | (2) |
|
|
|
479 | (2) |
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|
|
481 | (2) |
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|
483 | (1) |
|
|
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484 | (3) |
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|
|
484 | (1) |
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|
|
485 | (2) |
|
Chapter 18 Security for Networked AV Applications |
|
|
487 | (12) |
|
|
|
488 | (1) |
|
Identifying Security Requirements |
|
|
489 | (4) |
|
Determining a Security Posture |
|
|
490 | (2) |
|
|
|
492 | (1) |
|
|
|
493 | (1) |
|
|
|
494 | (1) |
|
|
|
494 | (3) |
|
|
|
495 | (1) |
|
Create Multiple User Roles |
|
|
496 | (1) |
|
|
|
496 | (1) |
|
Disable Unnecessary Services |
|
|
496 | (1) |
|
Enable Encryption and Auditing |
|
|
497 | (1) |
|
|
|
497 | (2) |
|
|
|
497 | (1) |
|
|
|
498 | (1) |
|
Chapter 19 Conducting Project Implementation Activities |
|
|
499 | (36) |
|
Performance Verification Standard |
|
|
500 | (2) |
|
System Verification Process |
|
|
502 | (1) |
|
|
|
503 | (2) |
|
Resources for Regional Codes |
|
|
504 | (1) |
|
|
|
504 | (1) |
|
Audio System Verification |
|
|
505 | (6) |
|
|
|
505 | (6) |
|
Video System Verification |
|
|
511 | (2) |
|
Verifying the Video Signal Path |
|
|
511 | (2) |
|
|
|
513 | (8) |
|
|
|
513 | (3) |
|
|
|
516 | (3) |
|
|
|
519 | (2) |
|
|
|
521 | (2) |
|
Correcting Audio/Video Sync Errors |
|
|
523 | (1) |
|
Conducting System Closeout |
|
|
523 | (4) |
|
|
|
524 | (1) |
|
|
|
524 | (1) |
|
Operational Documentation |
|
|
524 | (2) |
|
|
|
526 | (1) |
|
|
|
527 | (1) |
|
|
|
527 | (1) |
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528 | (1) |
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|
|
529 | (6) |
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|
|
529 | (2) |
|
|
|
531 | (4) |
| Part V Appendixes |
|
|
Appendix A Math Formulas Used in AV Design |
|
|
535 | (14) |
|
Steps to Solving Word Problems |
|
|
535 | (3) |
|
Step 1: Understand the Problem |
|
|
536 | (1) |
|
|
|
536 | (1) |
|
Step 3: Execute Your Plan |
|
|
537 | (1) |
|
Step 4: Check Your Answer |
|
|
538 | (1) |
|
|
|
538 | (1) |
|
|
|
539 | (10) |
|
Estimated Projector Throw |
|
|
539 | (1) |
|
|
|
539 | (1) |
|
Image Height to Farthest Viewer Distance Ratio |
|
|
540 | (1) |
|
Decibel Formula for Distance |
|
|
540 | (1) |
|
Decibel Formula for Voltage |
|
|
540 | (1) |
|
Decibel Formula for Power |
|
|
541 | (1) |
|
Current Formula (Ohm's Law) |
|
|
541 | (1) |
|
|
|
541 | (1) |
|
Series Circuit Impedance Formula |
|
|
541 | (1) |
|
Parallel Circuit Impedance Formula: Loudspeakers with the Same Impedance |
|
|
542 | (1) |
|
Parallel Circuit Impedance Formula: Loudspeakers with Different Impedances |
|
|
542 | (1) |
|
Series/Parallel Circuit Impedance Formulas |
|
|
542 | (1) |
|
|
|
543 | (1) |
|
|
|
543 | (1) |
|
Audio System Stability (PAG/NAG) |
|
|
543 | (1) |
|
|
|
544 | (1) |
|
|
|
544 | (1) |
|
|
|
545 | (1) |
|
Power Amplifier Heat Load |
|
|
545 | (1) |
|
Power Amplifier Wattage (Constant Voltage) |
|
|
545 | (1) |
|
Wattage at the Loudspeaker |
|
|
545 | (1) |
|
Simplified Room Mode Calculation |
|
|
546 | (1) |
|
Loudspeaker Coverage Pattern (Ceiling Mounted) |
|
|
546 | (1) |
|
Loudspeaker Spacing (Ceiling Mounted) |
|
|
546 | (1) |
|
|
|
547 | (1) |
|
Analog Video Signal Bandwidth |
|
|
547 | (1) |
|
Minimum Video System Bandwidth |
|
|
547 | (2) |
|
Appendix B InfoComm Standards |
|
|
549 | (4) |
|
ANSI/INFOCOMM 1M-2009, Audio Coverage Uniformity in Enclosed Listener Areas |
|
|
549 | (1) |
|
ANSI/INFOCOMM 2M-2010, Standard Guide for Audiovisual Design and Coordination Processes |
|
|
550 | (1) |
|
ANSI/INFOCOMM 3M-2011, Projected Image System Contrast Ratio |
|
|
550 | (1) |
|
ANSI/INFOCOMM 4:2012, Audiovisual Systems Energy Management |
|
|
550 | (1) |
|
ANSI/INFOCOMM 10:2013, Audiovisual Systems Performance Verification |
|
|
551 | (1) |
|
CEA/CEDIA/INFOCOMM J-STD-710, Audio, Video and Control Architectural Drawing Symbols Standard |
|
|
551 | (1) |
|
INFOCOMM F501.01:2015, Cable Labeling for Audiovisual Systems |
|
|
551 | (2) |
|
Appendix C Video References |
|
|
553 | (2) |
|
|
|
553 | (1) |
|
|
|
554 | (1) |
|
Appendix D About the CD-ROM |
|
|
555 | (2) |
|
|
|
555 | (1) |
|
Installing and Running Total Tester |
|
|
555 | (1) |
|
|
|
555 | (1) |
|
Free PDF Copy of the Book |
|
|
556 | (1) |
|
|
|
556 | (1) |
|
|
|
556 | (1) |
| Glossary |
|
557 | (42) |
| Index |
|
599 | |
