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Cubase 5 Power!: The Comprehensive Guide [Pehme köide]

(Uuem väljaanne: 9781435460225)
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  • Formaat: Paperback / softback, 576 pages, kõrgus x laius x paksus: 228x188x35 mm, kaal: 1134 g, black & white illustrations, black & white tables, figures
  • Sari: Power!
  • Ilmumisaeg: 09-Dec-2009
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1435455118
  • ISBN-13: 9781435455115 (Uuem väljaanne: 9781435460225)
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Cubase 5 Power!: The Comprehensive GuideSuurem pilt
  • Formaat: Paperback / softback, 576 pages, kõrgus x laius x paksus: 228x188x35 mm, kaal: 1134 g, black & white illustrations, black & white tables, figures
  • Sari: Power!
  • Ilmumisaeg: 09-Dec-2009
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1435455118
  • ISBN-13: 9781435455115 (Uuem väljaanne: 9781435460225)
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781435455115.html
Get ready to dive into Cubase 5! This book provides a thorough look at the most common as well as lesser-known features of this impressive digital audio production software. Beyond describing the features of the program and how they work, Cubase 5 Power! tells why to use certain features and when they are most beneficial to your recording project. You ll gain a better understanding of Cubase while learning how to use all the exciting new tools in version 5, including its new vocal editing and pitch correction effects, LoopMash and Beat Designer features, and virtual MIDI keyboard. Packed with useful tips and detailed explanations, this book is your guide to taking advantage of all that Cubase has to offer and making a powerful difference in your music creation.
Introduction xxi
PART I Setup
1(78)
Basic Concepts
3(14)
What Is Cubase?
3(3)
A Brief History of Cubase
3(1)
The Cubase Toolset
4(1)
Different Versions of Cubase
5(1)
What Is MIDI?
6(4)
Data, Not Notes: How MIDI Works
6(1)
Anatomy of a MIDI Message
6(1)
MIDI Connectors
7(3)
A Brief Overview of Digital Audio
10(4)
What Is Analog Sound?
11(1)
What Is Digital Audio?
12(1)
How Sampling Works
13(1)
About 32-Bit Recording
14(3)
Cubase Terminology
17(18)
Audio Connections
17(4)
Input Busses
19(1)
Output Busses
20(1)
Audio Track
20(1)
Audio Channels
20(1)
MIDI Connections
21(4)
MIDI Ports
21(2)
MIDI Channel
23(1)
MIDI Track
24(1)
MIDI Channels in the Mixer
24(1)
Cubase Environment
25(1)
About Cubase Audio Terminology
26(2)
Audio Clips and Audio Events
26(1)
Audio Regions
26(1)
Audio Slices
26(1)
Audio Parts
27(1)
Nondestructive Editing
28(1)
Working with Events, Regions, and Parts
29(1)
The Browser Window
30(3)
Browser Window Areas
31(1)
Understanding the Information
32(1)
Linear and Musical Timebases
33(2)
Setting Up Peripherals
35(18)
Connecting an Audio Interface
36(2)
MIDI Interface Devices
36(1)
Audio Interface Devices
37(1)
Control Surfaces
37(1)
Working with Audio Drivers
38(2)
ASIO Drivers and Latency
39(1)
ASIO DirectX Full Duplex Drivers
39(1)
MIDI Interfaces and Drivers
40(2)
Setting Up Devices in Cubase
42(6)
Setting Up MIDI Ports
43(1)
Setting a Remote Device
44(1)
Setting Up Audio Ports
45(3)
Running Other Applications Simultaneously
48(5)
Background Processes
48(2)
Other Audio Applications
50(3)
Monitoring Audio
53(14)
Monitoring Methods
54(3)
Monitoring Through Cubase
54(2)
Monitoring Externally
56(1)
Direct Monitoring
57(1)
Setting Up VST Connections
57(8)
Input Connections
57(2)
Output Connections
59(1)
Group/FX Connections
60(1)
External FX Connections
61(1)
External Instrument Connections
62(2)
Studio Connections
64(1)
Saving Connections
65(2)
Creating a New Project
67(12)
Create a New Project
67(4)
Project Setup
69(2)
Creating Audio Tracks
71(2)
Creating an Audio Track with a Preset Configuration
73(1)
Setting Up an Audio Track
73(2)
Creating an Instrument Track
75(1)
Creating a MIDI Track
76(1)
Setting Up a MIDI or Instrument Track
77(2)
PART II Recording
79(108)
Control Room Mixer
81(10)
Understanding the Control Room
82(1)
Monitoring with the Control Room
83(5)
External Inputs
85(1)
Monitoring Options
85(1)
Listen Enable Bus
86(1)
Talkback Options
87(1)
Dim and Reference Levels
88(1)
CRM Extended View
88(1)
Studio Sends
88(3)
Using VST Sound
91(14)
Accessing Cubase's Media Browsers
92(1)
MediaBay
92(8)
Browser
92(1)
Viewer
93(2)
Scope
95(1)
Tag Editor
96(1)
Manage Tags
97(3)
Customizing the MediaBay
100(1)
VST Instrument Presets
100(2)
Applying Instrument Presets
100(1)
Using Other VST Presets
101(1)
Saving Your Own Presets
101(1)
Track Presets
102(3)
Recording Audio
105(14)
Recording an Audio Track
105(3)
Understanding the Click Track, Tempo, and Time Signature
108(3)
Click Settings
108(2)
Tempo and Time Signature
110(1)
Recording Audio in Cycle Mode
111(3)
Create Events
112(1)
Create Regions
113(1)
Create Events and Regions
113(1)
Stacked Cycle Record Modes
113(1)
Importing Content
114(5)
Importing Audio Files
114(1)
Importing Audio CD Tracks
115(2)
Importing MIDI Files
117(1)
Importing Audio from Video Files
118(1)
Importing Video Files
118(1)
Overdubbing
119(8)
Adding a New Track
119(1)
Punch-In/Punch-Out Recording
120(1)
Pre-Roll/Post-Roll
121(2)
Punching In New Tracks
123(1)
Recording Multiple Takes
124(3)
Using VST and MIDI Instruments
127(18)
Using VST Instruments
127(9)
Setting Up an Instrument Track
128(2)
Setting Up a VSTi
130(5)
Saving Presets
135(1)
VSTi and Latency
135(1)
The Device Manager
136(9)
Adding a MIDI Device
137(2)
Managing a MIDI Device
139(3)
Using Devices in the Inspector
142(3)
Recording MIDI
145(10)
Record Modes
145(3)
Linear Record Mode
145(1)
Cycle Record Mode
146(1)
Auto-Quantize
147(1)
Left and Right Locators
148(1)
MIDI and Audio Activity Indicators
149(1)
Recording MIDI
150(2)
Virtual MIDI Keyboard
152(3)
Using ReWire
155(6)
ReWire Setup
155(3)
VSTi and ReWire Channels
158(1)
Exporting VSTi and ReWire Channels
158(3)
Insert Effects
161(14)
How Plug-In Effects Work
161(3)
Applying Effects
162(1)
Inserts versus Sends
162(2)
Cubase's Audio Plug-In Effects
164(3)
Audio Track Inserts
167(5)
How Track Inserts Work
167(1)
Insert Effect Controls
168(1)
Applying Insert Effects
169(2)
Processing Power
171(1)
Inserts on Control Room Connections
172(3)
Understanding and Using the Pool
175(12)
Understanding the Pool
175(4)
Understanding the Information
179(2)
Using the Pool Functions
181(4)
Dealing with Missing Files
181(1)
Optimizing the Pool
182(2)
Archiving and Exporting a Pool
184(1)
Pool Interaction
185(1)
Applying Offline Processes in the Pool
186(1)
PART III Navigation
187(48)
The Project Window
189(16)
Project Window Areas
189(12)
Constrain Delay Compensation
192(1)
View Switches
192(1)
Automation Modes
192(1)
Transport
193(1)
Tools
194(2)
Project Root Key
196(1)
Autoscroll
196(1)
Snap/Quantize
196(2)
Context Menus in the Project Window
198(1)
The Inspector
198(2)
The Track List
200(1)
The Event Display
201(1)
Track Classes
201(2)
Adding Tracks
203(2)
Project Navigation
205(8)
Changing Your Focus
205(4)
Using the Project Overview
206(1)
Using the Zoom Tools
207(2)
The Transport Panel
209(4)
Main Transport
209(1)
Shuttle, Jog, and Nudge
210(3)
MIDI Tracks
213(14)
MIDI Events in Cubase
213(1)
Setting Up a MIDI Track
214(5)
Notepad
218(1)
Quick Controls
218(1)
MIDI Fader
219(2)
MIDI Channel Settings
221(2)
Converting MIDI to Audio Track
223(4)
Audio Tracks
227(8)
Setting Up an Audio Track
227(4)
Controls and Parameters
227(3)
Inspector Sections
230(1)
The Channel Section
231(2)
Channel Controls
231(1)
Channel Settings Window
232(1)
Overlapping Audio Events
233(2)
PART IV Editing
235(86)
Sample Editor
237(16)
Sample Editor Areas
238(4)
Main Areas
238(2)
Toolbar
240(2)
Thumbnail and Waveform Displays
242(1)
Basic Editing Functions
242(2)
Cutting and Pasting
242(1)
Inserting Silence
242(1)
Erasing Individual Notes
243(1)
Musical Mode
244(1)
Working with Regions
244(2)
Snap Point
246(1)
Hitpoints
247(6)
Creating Hitpoints
248(2)
Other Hitpoint Functions
250(3)
Audio Processing Options
253(18)
Audio Time Stretching
253(6)
Musical Mode
253(3)
Warp Audio
256(2)
Editing Warp Tabs
258(1)
Creating Warp Tabs from Hitpoints
258(1)
Audio Processing Options
259(10)
Online versus Offline Processing
259(1)
Using Audio Processes and Effects
260(1)
Cubase 5 Offline Processes
261(8)
Offline Process History
269(2)
Vocal Editing
271(14)
Recording Vocals
271(2)
The Recording Space
271(1)
Vocal Microphones
272(1)
Microphone Placement
272(1)
Equalization
272(1)
Using Popular Plug-Ins
273(7)
Compressor
273(3)
DeEsser
276(1)
Gate
277(1)
Reverb
278(1)
Pitch Correct
279(1)
Editing Vocals with VariAudio
280(5)
Changing Pitch
281(1)
Changing Timing
282(1)
Editing Notes
283(2)
Editing MIDI Events
285(10)
In-Place Editor
285(8)
Moving MIDI Events
286(1)
Muting Events
287(1)
Splitting and Resizing Note Events
288(1)
Merging Note Events
289(1)
Using the Draw Tool
289(1)
Using the Line Tool
290(3)
Zooming
293(1)
MIDI Controllers
293(2)
Using the Key Editor
295(12)
Using the Key Editor
296(7)
Solo Editor and Acoustic Feedback
296(1)
Show Info
297(1)
Tool Buttons
297(1)
Autoscroll
298(1)
Auto Select Controllers
298(1)
Part Editing Options
299(1)
Indicate Transpositions
299(1)
Insert Velocity
299(1)
Snap and Quantize
299(1)
Step Input of MIDI Events
300(1)
Mouse Time Value
301(1)
Independent Track Loop
302(1)
Color Scheme Selector
302(1)
Other Toolbar Items
302(1)
Key Editor Display Areas
303(2)
Using Step Input
305(1)
Editing Multiple Tracks
306(1)
Using the Drum Editor
307(8)
Understanding the Drum Editor
307(3)
Editing Drum Parts
310(1)
Working with Drum Maps
310(3)
Understanding Drum Maps
311(1)
Remapping Drum Maps
312(1)
Quantizing Drum Parts
313(2)
MIDI Menu Options
315(6)
Using the MIDI Transpose Command
315(2)
Merge MIDI in Loop
317(1)
Using the Dissolve Parts Function
318(1)
Using the O-Note Conversion Tool
319(1)
Using MIDI Functions
320(1)
PART V Arranging
321(80)
Quantizing Your Events
323(10)
Understanding the Quantize Methods
324(3)
Setting Up a Quantize Grid
327(1)
Quantize Parameters
327(2)
Applying Quantize
329(2)
Creating Groove Quantize Presets
331(2)
MIDI Track Effects
333(6)
Cubase 5's MIDI Effects
333(2)
MIDI Inserts
335(2)
MIDI Sends
337(2)
Edit Menu Options
339(14)
Splitting Events
340(1)
Split at Cursor
340(1)
Split Loop
340(1)
Split Range
341(1)
Range Crop
341(1)
Inserting Silence
341(1)
Pasting Functions
342(1)
Copying Events
342(4)
Duplicate Command
343(2)
Repeat Command
345(1)
Fill Loop Function
345(1)
Resizing Objects
346(3)
Normal Sizing
346(1)
Sizing Moves Contents Mode
347(1)
Sizing Applies Time Stretch Mode
348(1)
Shifting Events Inside an Object
349(1)
Muting Objects
350(1)
Locking Events
350(1)
Undoing Steps Using the Edit History
351(2)
Creating an Arranger Track
353(10)
Creating an Arranger Project
353(2)
Creating an Arranger Track
354(1)
Working with Arranger Controls
354(1)
Creating Arranger Events
355(2)
Arranger Track Inspector
357(1)
Using the Arranger Editor
357(3)
Populating a Chain
358(1)
Navigating the Arranger Chain
359(1)
Changing the Order of Events
360(1)
Managing Arranger Chains
360(1)
Flattening a Chain
360(3)
Tempo Track
363(8)
Using the Tempo Track Editor
363(4)
Time Warping
367(4)
Beats and Loops
371(14)
Working with Loops
372(4)
Obtaining Samples and Loops
372(1)
Matching Tempo
373(1)
Matching Pitch
374(1)
Extending Loops
374(2)
Creating and Manipulating Drum Tracks
376(6)
Enhancing Drum Loops
377(1)
Using Groove Agent One
377(2)
Using Beat Designer
379(3)
Using LoopMash
382(3)
Working in Sync
385(16)
About Word Clock, SMPTE, and MIDI Clock
386(7)
Timecode
386(3)
MIDI Clock
389(2)
MIDI Machine Control
391(1)
Digital Clock
391(2)
Resolving Differences
393(8)
Internal and External References
393(3)
Setting Up Synchronizations
396(2)
Synchronizing Cubase
398(3)
PART VI Mixing and Mastering
401(88)
Using the Cubase Mixer
403(16)
Understanding the Mixer Areas
403(10)
Common Panel
405(3)
Channel Strips
408(1)
Extended Panel
409(4)
Routing Panel
413(1)
Working with Mixer Settings
413(2)
Editing the Input Bus Channels
415(1)
Editing the Output Bus Channels
415(1)
Using the ``Can Hide'' Function
416(3)
Creating FX Channel Tracks
419(8)
Understanding the FX Channels Options
419(1)
Using Audio Track Sends
420(4)
Understanding Send Effects
421(1)
Managing Audio Track Sends
421(3)
Managing FX Channels Through VST Connections
424(3)
Equalization
427(8)
Understanding Equalization
427(2)
Frequency
428(1)
Gain
428(1)
Q
428(1)
Adding EQ
429(3)
EQ in the Channel Settings Window
429(2)
EQ in the Track Inspector
431(1)
EQ in the Extended Mixer
432(1)
Applying Filter Types
432(1)
Using EQ Presets
433(1)
Carving EQ Holes
434(1)
Reversing the EQ
434(1)
Using Group Channel Tracks
435(4)
Anatomy of a Group Track
435(1)
Using Group Channels
435(4)
Writing Automation
439(16)
Using the Read and Write Buttons
440(1)
Writing Channel Track Automation
441(1)
Writing Parameter Automation
442(1)
About Automation Modes
443(1)
Drawing Automation
444(3)
Adding Additional Automation Events
445(1)
Drawing Shapes
446(1)
Hiding and Removing Automation Subtracks
447(1)
Editing Automation
448(3)
Using Write Automation
449(1)
Using Automation Subtracks
449(2)
Using a Remote Control Mixer
451(4)
Using MIDI SysEx Messages
455(8)
Using SysEx
455(1)
Recording SysEx
456(5)
Recording a Bulk Dump
456(3)
Recording Parameter Automation
459(2)
Transmitting Bulk Dumps
461(2)
Surround Mixing
463(12)
Multichannel Configurations
463(2)
Creating a Surround Bus
465(1)
Surround Routing Options
466(1)
SurroundPanner
466(4)
Routing Effects in Surround Outputs
470(3)
Exporting a Surround Mix
473(2)
Final Mix Export
475(14)
Audio Exporting Options
475(3)
Choosing an Audio Format
478(1)
Broadcast Wave Properties
479(1)
About Mastering
480(2)
About Dithering
482(3)
Backing Up Your Work
485(1)
OMF Export Options
486(3)
PART VII Managing
489(24)
Project Customization
491(12)
Creating and Organizing Workspaces
491(2)
Creating Templates
493(1)
Customizing Key Commands
494(2)
Using Cubase Macros
496(1)
Customizing Toolbars
497(2)
Customizing Your Transport Panel
499(1)
Customizing Track Controls
499(4)
Project Optimization
503(10)
Disabling Audio Tracks
503(1)
Processing VST Plug-Ins Offline
504(1)
About Freeze
505(2)
Freezing an Audio Channel
505(1)
Freezing Edits
506(1)
Freezing VSTi
506(1)
Working with Video Files
507(3)
Using Folder Tracks
510(3)
Index 513
A composer for the past 18 years and a music enthusiast since 1976, Robert Guerin has worked on different personal and professional projects, such as feature and short films, television themes, and educational and corporate videos. As a professor, Robert has put together several courses covering a wide range of topics, such as computer software for musicians, digital audio technologies, sound on the Web, sound in multimedia productions, hard disk recording, and many more. He has been program coordinator at Trebas Institute in Montreal and a part-time professor at Vanier College, also in Montreal. Robert has developed online courses on sound integration in Web pages and has written several articles, tutorials, and software reviews for audio and music related online magazines. Robert has authored five editions of CUBASE POWER! He has also written two editions of MIDI POWER! and co-wrote NUENDO POWER! Michael Miller has written more than 100 non-fiction books over the past two decades. Collectively, his books have sold more than one million copies. Many of his books build on his experience as a musician, which includes a stint at the Indiana University School of Music's prestigious Jazz Studies program, as well as many years as a working musician. Learn more about Michael and his books at www.molehillgroup.com. He can be contacted via email at cubase@molehillgroup.com.