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Cubase 6 Power!: The Comprehensive Guide International Edition [Pehme köide]

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  • Formaat: Paperback / softback, 496 pages, kõrgus x laius x paksus: 275x215x30 mm, kaal: 1370 g, black & white illustrations, black & white line drawings, black & white tables, figures
  • Ilmumisaeg: 28-Jul-2011
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1435460227
  • ISBN-13: 9781435460225
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Cubase 6 Power!: The Comprehensive Guide International EditionSuurem pilt
  • Formaat: Paperback / softback, 496 pages, kõrgus x laius x paksus: 275x215x30 mm, kaal: 1370 g, black & white illustrations, black & white line drawings, black & white tables, figures
  • Ilmumisaeg: 28-Jul-2011
  • Kirjastus: Cengage Learning, Inc
  • ISBN-10: 1435460227
  • ISBN-13: 9781435460225
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781435460225.html
Märksõnad:
Get ready to dive into Cubase 6! This book provides a thorough look at the most common as well as lesser-known features of this impressive digital audio production software. Beyond describing the features of the program and how they work, CUBASE 6 POWER! tells why to use certain features and when they are most beneficial to your recording project. You'll gain a better understanding of Cubase while learning how to use all the exciting new tools in version 6, including its improved audio editing, redesigned user interface, Lane Tracks and Track Edit Groups, and new VST instruments. Packed with useful tips and detailed explanations, this book is your guide to taking advantage of all that Cubase has to offer and making a powerful difference in your music creation.

Arvustused

Part I: SETUP. 1. Introducing Basic Concepts. 2. Understanding Cubase Terminology. 3. Setting Up Peripherals. 4. Monitoring Audio. 5. Creating a New Project. Part II: RECORDING. 6. Using the Control Room Mixer. 7. Using VST Sound. 8. Recording Audio. 9. Overdubbing. 10. Using VST and MIDI Instruments. 11. Recording MIDI. 12. Using ReWire. 13. Using Insert Effects. 14. Using the Pool. Part III: NAVIGATION. 15. Navigating Project Window. 16. Mastering Project Navigation. 17. Navigating MIDI Tracks. 18. Navigating Audio Tracks. Part IV: EDITING. 19. Using the Sample Editor. 20. Using Audio Processing Options. 21. Editing Vocals. 22. Editing MIDI Events. 23. Using the Key Editor. 24. Editing and Replacing Drum Tracks. 25. Understanding MIDI Menu Options. Part V: ARRANGING. 26. Quantizing Events. 27. Adding MIDI Track Effects. 28. Mastering Edit Menu Options. 29. Using the Arranger Track. 30. Using the Tempo Track. 31. Working with Beats and Loops. 32. Working in Sync. Part VI: MIXING AND MASTERING. 33. Understanding the Mixer. 34. Working with FX Channel Tracks. 35. Adding Equalization. 36. Working with Group Channel Tracks. 37. Writing Automation. 38. Using MIDI SysEx. 39. Mixing for Surround Sound. 40. Exporting the Final Mix. Part VII: MANAGING. 41. Customizing Your Project. 42. Optimizing Your Project.

Introduction xix
PART I SETUP
1(72)
Chapter 1 Introducing Cubase
3(6)
What Is Cubase?
3(1)
A Brief History of Cubase
4(1)
Understanding the Cubase Toolset
5(1)
What's New in Cubase 6
6(1)
Understanding the Different Versions of Cubase 6
6(3)
Chapter 2 Understanding Cubase Recording Technology
9(22)
A Brief Overview of Digital Audio
9(4)
What Is Analog Sound?
10(1)
What Is Digital Audio?
11(1)
How Sampling Works
11(1)
About 32-Bit and Floating-Point Recording
12(1)
What Is MIDI?
13(5)
Data, Not Notes---How MIDI Works
13(1)
Anatomy of a MIDI Message
14(1)
MIDI Connectors
15(3)
Understanding Audio Connections
18(4)
Input Busses
20(1)
Output Busses
20(1)
Audio Track
20(1)
Audio Channels
21(1)
Understanding MIDI Connections
22(3)
MIDI Ports
22(1)
MIDI Channel
23(1)
MIDI Track
24(1)
Understanding the Cubase Environment
25(1)
Understanding Cubase Audio Terminology
25(3)
Audio Clips and Audio Events
25(1)
Audio Regions
26(1)
Audio Slices
26(1)
Audio Parts
26(2)
Understanding Nondestructive Editing
28(3)
Chapter 3 Setting Up Peripherals
31(16)
Connecting an Audio Interface
32(2)
Audio Interface Devices
32(1)
MIDI Interface Devices
33(1)
Control Surfaces
33(1)
Working with Audio Drivers
34(2)
ASIO Drivers and Latency
35(1)
ASIO DirectX Full Duplex Drivers
35(1)
MIDI Interfaces and Drivers
36(2)
Setting Up Devices in Cubase
38(6)
Setting Up MIDI Ports
39(1)
Setting Up a Remote Device
40(1)
Setting Up Audio Ports
41(3)
Running Other Applications Simultaneously
44(1)
Background Processes
44(1)
Other Audio Applications
44(1)
Getting It All Working
45(2)
Chapter 4 Monitoring and Connecting Audio
47(14)
Monitoring Methods
48(3)
Monitoring Through Cubase
48(2)
Monitoring Externally
50(1)
Direct Monitoring
50(1)
Setting Up VST Connections
51(7)
Input Connections
51(2)
Output Connections
53(1)
Group/FX Connections
54(1)
External FX Connections
54(2)
External Instrument Connections
56(1)
Studio Connections
57(1)
Saving Connections
58(3)
Saving Connections in a Template
59(1)
Saving Connection Presets
60(1)
Chapter 5 Creating a New Project
61(12)
Understanding Cubase Projects
61(5)
Creating a Project
62(1)
Configuring Project Settings
63(3)
Creating Audio Tracks
66(1)
Creating an Audio Track with a Preset Configuration
67(3)
Setting Up an Audio Track
69(1)
Creating an Instrument Track
70(1)
Creating a MIDI Track
71(1)
Setting Up a MIDI or Instrument Track
72(1)
PART II RECORDING
73(96)
Chapter 6 Using the Control Room Mixer
75(10)
Understanding the Control Room
76(1)
Monitoring with the Control Room
77(8)
External Inputs
79(1)
Monitoring Options
79(1)
Listen Mode
80(1)
Talkback Options
81(1)
Dim and Reference Levels
81(1)
CRM Extended View
82(1)
Studio Sends
83(2)
Chapter 7 Managing Your Media
85(10)
Using the MediaBay
85(2)
Define Locations
85(1)
Locations
86(1)
Filters
86(1)
Results
87(1)
Previewer
87(1)
VST Instrument Presets
87(3)
Applying Instrument Presets
87(1)
Using Other VST Presets
87(2)
Saving Your Own Presets
89(1)
Importing Audio Content
90(5)
Importing Audio Files
90(1)
Importing Audio CD Tracks
91(1)
Importing MIDI Files
92(1)
Importing Audio from Video Files
93(1)
Importing Video Files
93(2)
Chapter 8 Recording Audio
95(8)
Recording an Audio Track
95(3)
Click Track, Tempo, and Time Signature
98(5)
Click Settings
98(2)
Tempo and Time Signature
100(3)
Chapter 9 Overdubbing
103(8)
Adding a New Track
103(1)
Punch-In/Punch-Out Recording
104(2)
Pre-Roll/Post-Roll
106(1)
Punching In New Tracks
107(1)
Recording Multiple Takes
108(3)
Recording in Cycle Mode
108(1)
Working with Lanes
109(1)
Assembling a Master Take
109(2)
Chapter 10 Using VST and MIDI Instruments
111(16)
Using VST Instruments
111(8)
Setting Up an Instrument Track
112(2)
Setting Up a VSTi
114(4)
Saving Presets
118(1)
VSTi and Latency
118(1)
Adding MIDI Devices with the Device Manager
119(8)
Adding a MIDI Device
120(1)
Managing a MIDI Device
121(3)
Using Devices in the Inspector
124(3)
Chapter 11 Recording MIDI
127(10)
Record Modes
127(2)
Linear Record Mode
127(1)
Cycle Record Mode
128(1)
Auto-Quantize
129(1)
Left and Right Locators
129(1)
MIDI and Audio Activity Indicators
130(2)
Recording MIDI
132(1)
Recording Multiple Takes
133(2)
Recording MIDI in Cycle Mode
133(1)
Working with MIDI Lanes
134(1)
Assembling a Master MIDI Take
134(1)
Virtual MIDI Keyboard
135(2)
Chapter 12 Using ReWire
137(6)
ReWire Setup
137(2)
VSTi and ReWire Channels
139(1)
Exporting VSTi and ReWire Channels
140(3)
Chapter 13 Using Insert Effects
143(14)
How Plug-In Effects Work
143(3)
Applying Effects
144(1)
Inserts versus Sends
144(2)
Cubase's Audio Plug-In Effects
146(3)
Audio Track Inserts
149(5)
How Track Inserts Work
149(1)
Insert Effect Controls
150(2)
Applying Insert Effects
152(2)
Processing Power
154(1)
Inserts on Control Room Connections
154(3)
Chapter 14 Using the Pool
157(12)
Understanding the Pool
157(3)
Understanding the Information
160(2)
Using the Pool Functions
162(4)
Dealing with Missing Files
163(1)
Optimizing the Pool
164(1)
Archiving and Exporting a Pool
165(1)
Pool Interaction
166(1)
Applying Offline Processes in the Pool
167(2)
PART III NAVIGATION
169(44)
Chapter 15 Navigating the Project Window
171(16)
Project Window Areas
171(13)
Toolbar
173(7)
The Inspector
180(2)
The Track List
182(1)
Transport Panel
183(1)
Track Classes
184(1)
Adding Tracks
185(2)
Chapter 16 Mastering Project Navigation
187(6)
Changing Your Focus
187(3)
Using the Overview Line
188(1)
Using the Zoom Tools
189(1)
The Transport Panel
190(3)
Main Transport
191(1)
Shuttle, Jog, and Nudge
191(2)
Chapter 17 Navigating MIDI Tracks
193(12)
MIDI Events in Cubase
193(1)
Setting Up a MIDI Track
194(5)
Notepad
198(1)
Quick Controls
198(1)
MIDI Fader
199(2)
MIDI Channel Settings
201(2)
Converting MIDI to Audio Track
203(2)
Chapter 18 Navigating Audio Tracks
205(8)
Setting Up an Audio Track
205(4)
Controls and Parameters
206(2)
Inspector Sections
208(1)
The Channel Section
209(2)
Channel Section Controls
210(1)
Channel Settings Panel
210(1)
Overlapping Audio Events
211(2)
PART IV EDITING
213(102)
Chapter 19 Using the Sample Editor
215(12)
Sample Editor Areas
215(5)
Main Areas
216(1)
Toolbar
217(3)
Thumbnail and Waveform Displays
220(1)
Basic Editing Functions
220(2)
Trimming Start and End Points
220(1)
Cutting and Pasting
221(1)
Inserting Silence
221(1)
Erasing Individual Notes
221(1)
Musical Mode
222(1)
Working with Regions
223(1)
Snap Point
224(3)
Chapter 20 Using Audio Processing Options
227(16)
Audio Processing Options
227(10)
Online vs. Offline Processing
227(1)
Using Audio Processes and Effects
228(2)
Cubase 6 Offline Processes
230(7)
Managing Offline Process History
237(2)
Changing Tempo and Pitch with AudioWarp
239(4)
Time-Stretching
239(1)
Pitch Shifting
240(3)
Chapter 21 Editing Vocals
243(12)
Recording Vocals
243(2)
The Recording Space
243(1)
Vocal Microphones
244(1)
Microphone Placement
244(1)
Equalization
245(1)
Using Popular Plug-Ins
245(6)
Compressor
245(2)
DeEsser
247(1)
Gate
248(1)
Reverb
249(1)
Pitch Correct
250(1)
Editing Vocals with VariAudio
251(4)
Changing Pitch
251(1)
Changing Timing
252(1)
Editing Notes
253(2)
Chapter 22 Editing MIDI Events with the In-Place Editor
255(10)
Using the In-Place Editor
255(1)
Zooming
256(1)
Moving MIDI Events
257(1)
Muting Events
258(1)
Splitting and Resizing Note Events
258(1)
Merging Note Events
259(1)
Using the Draw Tool
260(1)
Using the Line Tool
260(5)
Chapter 23 Using the Key Editor and Note Expression
265(14)
Using the Key Editor
265(6)
Solo Editor and Acoustic Feedback
266(1)
Tool Buttons
267(1)
Auto Select Controllers
268(1)
Note Expression Data
268(1)
Part Editing Options
268(1)
Indicate Transpositions and Insert Velocity
269(1)
Snap and Quantize
269(1)
Step Input and MIDI Edit Buttons
270(1)
Key Editor Display Areas
271(2)
Using Step Input
273(1)
Editing Multiple Tracks
274(1)
Editing Controller Data with Note Expression
275(4)
Activating Note Expression
275(1)
Mapping Controllers for Note Expression
276(1)
Recording Note Expression Data
277(1)
Editing Note Expression Data
278(1)
Chapter 24 Editing MIDI Drum Tracks
279(8)
Understanding the Drum Editor
279(3)
Editing Drum Parts
282(1)
Working with Drum Maps
282(3)
Understanding Drum Maps
282(2)
Remapping Drum Maps
284(1)
Quantizing MIDI Drum Parts
285(2)
Chapter 25 Understanding MIDI Menu Options
287(8)
Using the MIDI Transpose Command
287(2)
Merge MIDI in Loop
289(1)
Using the Dissolve Parts Function
290(1)
Using the O-Note Conversion Tool
291(1)
Using MIDI Functions
292(3)
Chapter 26 Quantizing Events
295(14)
Understanding and Configuring Quantize Methods
295(3)
Setting Up a Quantize Grid
298(1)
Setting Quantize Parameters
299(1)
Applying MIDI Quantization
300(2)
Creating MIDI Groove Quantize Presets
302(1)
Quantizing Audio Events
303(6)
Understanding Hitpoints
303(1)
Creating Hitpoints
304(1)
Other Hitpoint Functions
305(1)
Applying Quantization
306(1)
Applying Quantization to Multiple Audio Tracks
307(2)
Chapter 27 Adding MIDI Track Effects
309(6)
Cubase 6's MIDI Effects
309(1)
MIDI Inserts
310(2)
MIDI Sends
312(3)
PART V ARRANGING
315(50)
Chapter 28 Arranging in the Project Window
317(14)
Splitting Events
318(2)
Split at Cursor
318(1)
Split Loop
319(1)
Split Range
319(1)
Range Crop
319(1)
Inserting Silence
320(1)
Pasting Functions
320(2)
Copying Events
322(3)
Duplicate Command
322(1)
Repeat Command
322(2)
Fill Loop Function
324(1)
Resizing Objects
325(3)
Normal Sizing
325(1)
Sizing Moves Contents Mode
326(1)
Sizing Applies Time Stretch Mode
327(1)
Shifting Events Inside an Object
328(1)
Muting Objects
329(1)
Locking Events
329(1)
Undoing Steps Using the Edit History
329(2)
Chapter 29 Using the Arranger Track
331(10)
Creating an Arranger Project
331(2)
Creating an Arranger Track
332(1)
Working with Arranger Controls
332(1)
Creating Arranger Events
333(2)
Arranger Track Inspector
335(1)
Using the Arranger Editor
336(2)
Populating a Chain
337(1)
Navigating the Arranger Chain
337(1)
Changing the Order of Events
337(1)
Managing Arranger Chains
338(1)
Flattening a Chain
338(3)
Chapter 30 Working with Tempo
341(10)
Using the Tempo Track Editor
341(4)
Time Warping
345(3)
Changing Tempo with Time Warp
346(1)
Locking Tempo with Warp Tabs
347(1)
Automatic Tempo Detection
348(3)
Chapter 31 Working with Beats and Loops
351(14)
Working with Loops
352(4)
Obtaining Samples and Loops
352(1)
Matching Tempo
353(1)
Matching Pitch
353(1)
Extending Loops
354(2)
Creating and Manipulating Drum Tracks
356(6)
Enhancing Drum Loops
356(1)
Replacing Drum Hits in an Audio Track
357(1)
Using Groove Agent ONE
358(2)
Using Beat Designer
360(2)
Using LoopMash2
362(3)
PART VI MIXING AND MASTERING
365(70)
Chapter 32 Using the Mixer
367(14)
Understanding the Mixer Areas
368(7)
Common Panel
369(3)
Channel Strips
372(1)
Extended Mixer Panel
373(2)
Routing Panel
375(1)
Working with Mixer Settings
375(1)
Editing the Input Bus Channels
376(1)
Editing the Output Bus Channels
377(1)
Using the Can Hide Function
378(1)
What Makes a Great Mix?
379(2)
Chapter 33 Working with FX Channel Tracks
381(8)
Understanding the FX Channel Options
381(1)
Using Audio Track Sends
382(4)
Understanding Send Effects
383(1)
Managing Audio Track Sends
383(3)
Managing FX Channels Through VST Connections
386(3)
Chapter 34 Adding Equalization
389(8)
Understanding Equalization
389(2)
Frequency
390(1)
Gain
390(1)
Q
390(1)
Adding EQ
391(2)
EQ in the Channel Settings Window
391(2)
EQ in the Track Inspector
393(1)
EQ in the Extended Mixer
393(1)
Applying Filter Types
393(2)
Using EQ Presets
395(1)
Carving EQ Holes
395(2)
Chapter 35 Working with Group Channel Tracks
397(4)
Anatomy of a Group Track
397(1)
Using Group Channels
398(3)
Chapter 36 Writing and Reading Automation
401(12)
Using the Read and Write Buttons
402(1)
Writing Channel Track Automation
403(1)
Writing Parameter Automation
404(1)
About Automation Modes
405(1)
Managing Automation with the Automation Panel
406(1)
Drawing Automation
407(2)
Adding Additional Automation Events
408(1)
Drawing Shapes
409(1)
Hiding and Removing Automation Subtracks
409(1)
Editing Automation
410(3)
Using Write Automation
410(1)
Using Automation Subtracks
411(2)
Chapter 37 Mixing for Surround Sound
413(8)
Multichannel Configurations
413(2)
Creating a Surround Bus
415(1)
Surround Routing Options
416(1)
SurroundPanner V5
417(1)
Routing Effects in Surround Outputs
418(2)
Exporting a Surround Mix
420(1)
Chapter 38 Mastering and Exporting the Final Mix
421(14)
Audio Exporting Options
421(3)
Choosing an Audio Format
424(1)
Adding Metadata
425(1)
About Mastering
426(3)
About Dithering
429(2)
Backing Up Your Work
431(1)
OMF Export Options
432(3)
PART VII MANAGING
435(22)
Chapter 39 Customizing Your Project
437(12)
Creating and Organizing Workspaces
437(2)
Creating Templates
439(2)
Customizing Key Commands
441(1)
Using Cubase Macros
442(2)
Customizing Toolbars
444(1)
Customizing Your Transport Panel
445(1)
Customizing Track Controls
445(4)
Chapter 40 Optimizing Your Project
449(8)
Disabling Audio Tracks
449(1)
Processing VST Plug-Ins Offline
450(1)
Using the Freeze Function
451(3)
Freezing an Audio Channel
451(1)
Freezing Edits
452(1)
Freezing VSTi
452(2)
Using Folder Tracks
454(3)
Index 457
A composer for the past 18 years and a music enthusiast since 1976, Robert Guerin has worked on different personal and professional projects, such as feature and short films, television themes, and educational and corporate videos. As a professor, Robert has put together several courses covering a wide range of topics, such as computer software for musicians, digital audio technologies, sound on the Web, sound in multimedia productions, hard disk recording, and many more. He has been program coordinator at Trebas Institute in Montreal and a part-time professor at Vanier College, also in Montreal. Robert has developed online courses on sound integration in Web pages and has written several articles, tutorials, and software reviews for audio and music related online magazines. Robert has authored five editions of CUBASE POWER! He has also written two editions of MIDI POWER! and co-wrote NUENDO POWER! Michael Miller has written more than 100 non-fiction books over the past two decades. Collectively, his books have sold more than one million copies. Many of his books build on his experience as a musician, which includes a stint at the Indiana University School of Music's prestigious Jazz Studies program, as well as many years as a working musician. Learn more about Michael and his books at www.molehillgroup.com. He can be contacted via email at cubase@molehillgroup.com.