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Cultural History of the Sea [Multiple-component retail product]

Edited by (Stanford University, USA), Other
  • Formaat: Multiple-component retail product, kõrgus x laius x paksus: 254x178x118 mm, kaal: 3760 g, 287 bw illus, Contains 6 hardbacks
  • Sari: The Cultural Histories Series
  • Ilmumisaeg: 22-Apr-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1474299105
  • ISBN-13: 9781474299107
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  • Multiple-component retail product
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  • Formaat: Multiple-component retail product, kõrgus x laius x paksus: 254x178x118 mm, kaal: 3760 g, 287 bw illus, Contains 6 hardbacks
  • Sari: The Cultural Histories Series
  • Ilmumisaeg: 22-Apr-2021
  • Kirjastus: Bloomsbury Academic
  • ISBN-10: 1474299105
  • ISBN-13: 9781474299107
Teised raamatud teemal:
Throughout history, how has the sea served as a site for cross-cultural exchange, trade and migration? As historians, how do the fields of naval history, maritime history and oceanic history intersect?

56 experts, 48 chapters and over 1,700 pages explore how representation and understanding of the sea has developed over 2,500 years of cultural and natural history.

Individual volume editors ensure the cohesion of the whole, and to make it as easy as possible to use, chapter titles are identical across each of the volumes. This gives the choice of reading about a specific period in one of the volumes, or following a theme across history by reading the relevant chapter in each of the six.

The six volumes cover: 1. - Antiquity (500 BCE - 800 CE); 2. - Medieval Age (1800 - 1450); 3. - Renaissance (1450 - 1650); 4. - Age of Enlightenment (1650 - 1800); 5. - Age of Empire (1800 - 1920); 6 - Global Age (1920 - 2000+).

Each volumes adopts the same thematic structure, covering: Knowledges, Practices, Networks, Islands and Shores, Travelers, Representation, Imaginary Worlds, and Conflicts, enabling readers to trace one theme throughout history, as well as gaining a thorough overview of each individual period.

A Cultural History of the Sea is part of The Cultural Histories Series. Titles are available as hardcover sets for libraries needing just one subject or preferring a tangible reference for their shelves or as part of a fully-searchable digital library. The digital product is available to institutions by annual subscription or on perpetual access via www.bloomsburyculturalhistory.com . Individual volumes for academics and researchers interested in specific historical periods are also available in print or digitally via www.bloomsburycollections.com .

Muu info

A comprehensive, thematic reference work covering the cultural history of the sea from antiquity through to the 21st century.
List of Illustrations
vii
Abbreviations xi
General Editor's Preface xv
Margaret Cohen
Introduction 1(1)
Marie-Claire Beaulieu
1 Knowledges
19(24)
Georgia L. Irby
2 Practices
43(16)
Mirella Romero Recto
3 Networks
59(20)
Zaraza Friedman
4 Conflicts
79(30)
Jorit Wintjes
5 Islands and Shores
109(20)
Gabriela Cursaru
6 Travelers
129(24)
Raimund Schulz
7 Representations
153(20)
Valerie Toillon
8 Imaginary Worlds
173(20)
Iris Sulimani
Notes 193(16)
Bibliography 209(22)
Notes on Contributors 231(3)
Index 234
List of Illustrations
vii
General Editor's Preface x
Margaret Cohen
Introduction 1(1)
Elizabeth Lambourn
1 Knowledges
27(22)
Eric Staples
2 Practices
49(24)
Stephanie Wynne-Jones
Jennifer Harland
3 Networks
73(22)
Jonathan Shepard
4 Conflicts
95(24)
Elizabeth Lambourn
5 Islands and Shores
119(22)
Roxani Margariti
6 Travelers
141(20)
Sharon Kinoshita
7 Representations
161(34)
Emmanuelle Vagnon
8 Imaginary Worlds
195(26)
James L. Smith
Notes 221(2)
Bibliography 223(34)
Notes on Contributors 257(3)
Index 260
List of Illustrations
vii
General Editor's Preface xii
Margaret Cohen
Introduction 1(1)
Steve Mentz
1 Knowledges
25(28)
Christopher L. Pastore
2 Practices
53(30)
John B. Hattendorf
3 Networks
83(22)
Dan Brayton
4 Conflicts
105(30)
Dyani Johns Taff
5 Islands and Shores
135(22)
Debapriya Sarkar
6 Travelers
157(22)
Josiah Blackmore
7 Representations
179(26)
James Seth
8 Imaginary Worlds
205(21)
Lowell Duckert
Notes 226(9)
Bibliography 235(23)
Notes on Contributors 258(3)
Index 261
List of Illustrations
vii
General Editor's Preface x
Margaret Cohen
Introduction 1(1)
Jonathan Lamb
1 Knowledges
27(16)
Hanna Roman
2 Practices
43(24)
Adam Miller
3 Networks
67(20)
Anne M. Thell
4 Conflicts
87(26)
David Francis Taylor
5 Islands and Shores
113(22)
Killian Quigley
6 Travelers
135(20)
Jonathan D. S. Schroeder
7 Representations
155(22)
Christopher Pinney
8 Imaginary Worlds
177(25)
Margarette Lincoln
Notes 202(7)
Bibliography 209(21)
Notes on Contributors 230(3)
Index 233
List of Illustrations
vii
General Editor's Preface xi
Margaret Cohen
Introduction 1(1)
Margaret Cohen
1 Knowledges
27(28)
Natascha Adamowsky
2 Practices
55(26)
Richard J. King
3 Networks
81(24)
Siobhan Carroll
4 Conflicts
105(26)
William Boelhower
5 Islands and Shores
131(24)
Ian McCalman
6 Travelers
155(22)
Adriana Craciun
7 Representations
177(26)
Chame Lavery
8 Imaginary Worlds
203(26)
Cannon Schmitt
Notes 229(5)
Bibliography 234(19)
Notes on Contributors 253(3)
Index 256
List of Illustrations
vii
General Editor's Preface x
Margaret Cohen
Introduction 1(20)
Franziska Torma
1 Knowledges
21(24)
Sabine Hohler
2 Practices
45(26)
Colin Dewey
3 Networks
71(24)
Johanna Sackel
Anna-Katharina Wobse
4 Conflicts
95(22)
Simone M. Muller
5 Islands and Shores
117(22)
Rebecca Hofmann
6 Travelers
139(22)
Helen M. Rozwadowski
7 Representations
161(20)
Jon Crylen
8 Imaginary Worlds
181(23)
Ariane Tanner
Notes 204(5)
Bibliography 209(30)
Notes on Contributors 239(3)
Index 242
Margaret Cohen is Andrew B. Hammond Professor in French Language, Literature, and Civilization at Stanford University, USA, where she teaches in the Department of English, and by courtesy, in the Departments of French and Italian and of Comparative Literature. Her most recent book is The Novel and the Sea (2010), which was awarded the Louis R. Gottschalk Prize from the American Society for Eighteenth-Century Studies and the George and Barbara Perkins Prize from the International Society for the Study of the Narrative.