Muutke küpsiste eelistusi

Culture of Connectivity: A Critical History of Social Media [Kõva köide]

(Professor of Media Studies, University of Amsterdam, Amsterdam, Netherlands)
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 157x239x18 mm, kaal: 530 g, 1 b/w figure
  • Ilmumisaeg: 30-Jan-2013
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199970777
  • ISBN-13: 9780199970773
Teised raamatud teemal:
  • Formaat: Hardback, 240 pages, kõrgus x laius x paksus: 157x239x18 mm, kaal: 530 g, 1 b/w figure
  • Ilmumisaeg: 30-Jan-2013
  • Kirjastus: Oxford University Press Inc
  • ISBN-10: 0199970777
  • ISBN-13: 9780199970773
Teised raamatud teemal:
Social media has come to deeply penetrate our lives: Facebook, YouTube, Twitter and many other platforms define many of our daily habits of communication and creative production. The Culture of Connectivity studies the rise of social media in the first decade of the twenty-first century up until 2012, providing both a historical and a critical analysis of the emergence of major platforms in the context of a rapidly changing ecosystem of connective media. Such history is needed to understand how these media have come to profoundly affect our experience of online sociality. The first stage of their development shows a fundamental shift. While most sites started out as amateur-driven community platforms, half a decade later they have turned into large corporations that do not just facilitate user connectedness, but have become global information and data mining companies extracting and exploiting user connectivity.

Author and media scholar José van Dijck offers an analytical prism to examine techno-cultural as well as socio-economic aspects of this transformation. She dissects five major platforms: Facebook, Twitter, Flickr, YouTube, and Wikipedia. Each of these microsystems occupies a distinct position in the larger ecology of connective media, and yet, their underlying mechanisms for coding interfaces, steering users, and filtering content rely on shared ideological principles. At the level of management and organization, we can also observe striking similarities between these platforms' shifting ownership status, governance strategies, and business models.

Reconstructing the premises on which these platforms are built, this study highlights how norms for online interaction and communication gradually changed. "Sharing," "friending," "liking," "following," "trending," and "favoriting" have come to denote online practices imbued with specific technological and economic meanings. This process of normalization, the author argues, is part of a larger political and ideological battle over information control in an online world where everything is bound to become social. Crossing lines of technological, historical, sociological, and cultural inquiry, The Culture of Connectivity will reshape the way we think about interpersonal connection in the digital age.

Arvustused

a timely and very much needed analysis of our contemporary digitalmedia scenario. * Suen de Andrade e Silva, First Monday, *

Acknowledgments vii
1 Engineering Sociality in a Culture of Connectivity
3(21)
1.1 Introduction
3(2)
1.2 From Networked Communication to Platformed Sociality
5(4)
1.3 Making the Web Social: Coding Human Connections
9(5)
1.4 Making Sociality Salable: Connectivity as Resource
14(4)
1.5 The Ecosystem of Connective Media in a Culture of Connectivity
18(6)
2 Disassembling Platforms, Reassembling Sociality
24(21)
2.1 Introduction
24(2)
2.2 Combining Two Approaches
26(3)
2.3 Platforms as Techno-cultural Constructs
29(7)
2.4 Platforms as Socioeconomic Structures
36(5)
2.5 Connecting Platforms, Reassembling Sociality
41(4)
3 Facebook and the Imperative of Sharing
45(23)
3.1 Introduction
45(1)
3.2 Coding Facebook: The Devil Is in the Default
46(11)
3.3 Branding Facebook: What You Share Is What You Get
57(8)
3.4 Shared Norms in the Ecosystem of Connective Media
65(3)
4 Twitter and the Paradox of Following and Trending
68(21)
4.1 Introduction
68(2)
4.2 Asking the Existential Question: What Is Twitter?
70(8)
4.3 Asking the Strategic Question: What Does Twitter Want?
78(8)
4.4 Asking the Ecological Question: How Will Twitter Evolve?
86(3)
5 Flickr between Communities and Commerce
89(21)
5.1 Introduction
89(2)
5.2 Flickr between Connectedness and Connectivity
91(9)
5.3 Flickr between Commons and Commerce
100(6)
5.4 Flickr between Participatory and Connective Culture
106(4)
6 YouTube: The Intimate Connection between Television and Video Sharing
110(22)
6.1 Introduction
110(2)
6.2 Out of the Box: Video Sharing Challenges Television
112(8)
6.3 Boxed In: Channeling Television into the Connective Flow
120(7)
6.4 YouTube as the Gateway to Connective Culture
127(5)
7 Wikipedia and the Neutrality Principle
132(22)
7.1 Introduction
132(2)
7.2 The Techno-cultural Construction of Consensus
134(9)
7.3 A Consensual Apparatus between Democracy and Bureaucracy
143(6)
7.4 A Nonmarket Space in the Ecosystem?
149(5)
8 The Ecosystem of Connective Media: Lock In, Fence Off, Opt Out?
154(23)
8.1 Introduction
154(1)
8.2 Lock In: The Algorithmic Basis of Sociality
155(8)
8.3 Fence Off: Vertical Integration and Interoperability
163(9)
8.4 Opt Out? Connectivity as Ideology
172(5)
Notes 177(30)
Bibliography 207(14)
Index 221
José van Dijck is a professor of Comparative Media Studies at the University of Amsterdam, where she also served as the Dean of Humanities. She has a PhD from the University of California, San Diego (UCSD) and previously taught at the Universities of Groningen and Maastricht. Her work covers a wide range of topics in media theory, media technologies, social media, television and culture. She is the author of five books, three co-edited volumes and many journal articles.