| Prix Ars Electronica 2022 |
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8 | (6) |
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Bodyworks and the Rhythms of Worlding |
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14 | (6) |
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Statement of the Computer Animation Jury |
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20 | (4) |
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24 | (2) |
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26 | (2) |
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28 | (2) |
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30 | (2) |
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It was a Roadside Picnic / Beyond Black Orientalism |
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32 | (2) |
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Brandon Covington Sam Sumana |
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34 | (2) |
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36 | (2) |
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38 | (2) |
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40 | (2) |
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42 | (2) |
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44 | (2) |
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46 | (2) |
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When fox and rabbit say goodnight |
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48 | (2) |
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50 | (4) |
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Keiken w/ Obso1337, Ryan Vautier and Sakeema Crook |
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Interactive Art + Interactive Art + Radical consciousness |
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54 | (6) |
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Statement of the Interactive Art + Jury |
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BiOfilm.net: Resist like bacteria |
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60 | (4) |
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The Eternal Return, pre-Hispanic Interactions |
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64 | (2) |
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66 | (2) |
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68 | (2) |
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70 | (2) |
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72 | (2) |
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Blacktransarchive.Com /We Are Here Because Of Those That Are Not |
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74 | (2) |
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Danielle Brathwaite-Shirley |
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76 | (2) |
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78 | (2) |
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80 | (2) |
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Daito Manabe + Shingo Oono + MIKIKO |
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82 | (2) |
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Siempre se tienen 19 anos en un rincon del corazon |
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84 | (2) |
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Technologies of Hope & Fear: 100 Pandemic Technologies |
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86 | (2) |
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88 | (2) |
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90 | (4) |
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(Re)claiming SpacesStatement of the Digital Communities Jury |
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94 | (6) |
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Avatar Robot Cafe DAWN ver.β |
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100 | (4) |
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104 | (2) |
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https://syrianfamilies.org/en |
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106 | (2) |
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All the Stars We Cannot See |
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108 | (2) |
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Allthestarswecannotsee.space |
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110 | (2) |
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https://www.akhbaralsaha.com/archive |
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Atomfa (and other stories) |
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112 | (2) |
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114 | (2) |
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Center for Political Beauty |
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116 | (2) |
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https://politicalbeauty.de |
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118 | (2) |
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Wielebenwir E.V., Commons Cargobike Initiative |
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https://commons-cargobikes.org |
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120 | (2) |
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Internet Freedom Foundation |
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122 | (2) |
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https://www.internetfreedom.in |
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SalvageGarden: Computers Against Covid |
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124 | (2) |
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126 | (2) |
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www.kachi-chan.com/projects/sisyphus |
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128 | (2) |
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pseudo-marxist media guerilla |
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Total Refusal, ZKM Karlsruhe |
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130 | (4) |
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Inspired By A Sustainable Future For Clean Water |
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Lynn Hershman Leeson in collaboration with Dr. Thomas Huber and Richard Novak/The Weiss Institute Harvard |
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Visionary Pioneers of Media Art |
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Visionary Pioneer of Media Art 2022: Laurie Anderson |
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134 | (4) |
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Laurie Anderson: Visionary Pioneer of Media Art |
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138 | (10) |
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Ars Electronica Award for Digital Humanity |
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Ars Electronica Award for Digital Humanity |
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148 | (2) |
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The Data Nutrition Project |
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150 | (5) |
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Digital Research Travelogues through European Archives |
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155 | (3) |
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158 | (6) |
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Statement of the u19-create your world Jury |
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164 | (2) |
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166 | (1) |
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167 | (1) |
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168 | (1) |
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169 | (1) |
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170 | (1) |
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171 | (1) |
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Workshop participants at Medien Kultur Haus Wels |
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172 | (1) |
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Radikalisierung im Netz Wie Extremisten das Internet fur ihre Zwecke missbrauchen |
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173 | (1) |
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174 | (1) |
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175 | (1) |
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176 | (1) |
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177 | (1) |
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178 | (1) |
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u14 Awards of Distinction |
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179 | (1) |
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Students at RGORG 23 antonkriegergasse |
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180 | (1) |
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Students at MS Frohnleiten |
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181 | (1) |
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SNELL -- Die Wahrheit kommt heraus |
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182 | (1) |
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183 | (1) |
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184 | (1) |
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Save the monkeys, save the rainforest |
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185 | (1) |
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186 | (1) |
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187 | (1) |
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Klasse! Lernen. Wir sind digital |
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The education prize of BMBWF, OeAD, and Ars Electronica |
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Klasse! Lernen. Wir sind digital |
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188 | (4) |
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Jury Prix Ars Electronica 2022 |
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192 | (10) |
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STARTS---Science, Technology and the ARTS |
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202 | (3) |
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Technology Without Meaning is Meaningless |
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205 | (7) |
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Statement of the STARTS Prize '22 Jury |
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STARTS Prize '22 Grand Prize Artistic Exploration |
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212 | (4) |
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Holly Herndon, Mathew Dryhurst, Herndon Dryhurst Studio |
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216 | (4) |
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A Sun Architecture---The party is in full swing |
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220 | (2) |
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Stephane Bonnard, KompleX KapharnauM |
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222 | (2) |
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Hosoo Co., Ltd., Yasuaki Kakehi Lab, The University of Tokyo, ZOZO NEXT, Inc. |
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Avatar Robot Cafe DAWN ver.β |
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224 | (2) |
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226 | (2) |
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Digital Violence: How the NSO Group Enables State Terror |
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228 | (2) |
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230 | (2) |
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232 | (2) |
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The Exploded View Beyond Building |
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234 | (2) |
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The Plant Intelligence Plan |
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236 | (2) |
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238 | (2) |
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Starts Prize '22 Nominations |
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240 | (1) |
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Digital SUPERPOWER! · Ling Tan |
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241 | (1) |
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242 | (1) |
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243 | (1) |
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244 | (1) |
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Pete Wurman and the teams at Sony AI, Polyphony Digital and Sony Interactive Entertainment |
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Key Workers. Migrants' contribution to the COVID-19 response |
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245 | (1) |
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Federica Fragapane, Alex Piacentini, Marta Foresti/ODI |
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246 | (1) |
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Ecosystem Services Estimation Experiment |
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247 | (1) |
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248 | (1) |
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249 | (1) |
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MLIT: Ministry of Land, Infrastructure, Transport and Tourism |
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Quorum Sensing: Skin Flora Signal System |
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250 | (1) |
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SolarSoundSystem · Cedric Carles |
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251 | (1) |
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SpreeBerlin---The Voice of a River |
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252 | (1) |
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Susceptible · Anna Dumitriu, Alex May |
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253 | (1) |
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254 | (1) |
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The Glass Room: Misinformation Community Edition |
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255 | (1) |
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Vertical Walking · Rombout Frieling |
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256 | (1) |
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WITHER-A Slice of Rainforest Disappearing at the Rate of Deforestation · Thijs Biersteker |
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257 | (1) |
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258 | (2) |
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260 | |
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