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Dance as Intermedial Translation: Moving Across Page, Stage, Canvas [Pehme köide]

  • Formaat: Paperback / softback, 320 pages, kõrgus x laius x paksus: 233x155x17 mm, kaal: 454 g, Not illustrated
  • Sari: Translation, Interpreting and Transfer
  • Ilmumisaeg: 16-Sep-2024
  • Kirjastus: Leuven University Press
  • ISBN-10: 9462704392
  • ISBN-13: 9789462704398
Teised raamatud teemal:
  • Formaat: Paperback / softback, 320 pages, kõrgus x laius x paksus: 233x155x17 mm, kaal: 454 g, Not illustrated
  • Sari: Translation, Interpreting and Transfer
  • Ilmumisaeg: 16-Sep-2024
  • Kirjastus: Leuven University Press
  • ISBN-10: 9462704392
  • ISBN-13: 9789462704398
Teised raamatud teemal:
Innovative perspective to the meaningful import of body and materiality in the translation process, a focal point of recent literature in Translation Studies

This book is situated in the breach opened up by recent debates on inherited notions of text, language, and translation that followed the emergence of new technologies. It examines two works of contemporary dance, Marie Chouinards Jérôme Bosch: Le Jardin des Délices (2016) and Mathieu Geffrés Froth on the Daydream (2018), as examples of intermedial translation. Conceptualising translation through the lens of theatrical dance allows us to see the translation process as a creative, corporeal, and political practice of negotiating human and non-human agencies, deeply intertwined with issues of memory and struggles over representation. Drawing on a wide range of theoretical debates from translation theory, dance studies, cultural theory, gender studies, postcolonialism, art history, cognitive linguistics, multimodality, film studies, and memory studies, as well as on concrete examples of performative works, the book charts a course for the development of dance translation as a legitimate, if still under-researched, subfield of translation studies.

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Arvustused

"A very original and daring work, which grapples with some of the most complex theoretical questions currently animating Translation Studies, and applies them, in a compelling way, to the study of theatrical dance." - Karen Bennett, NOVA University of Lisbon School of Social Sciences and Humanities (NOVA FCSH) "Dance as Intermedial Translation is a truly transdisciplinary achievement and a compelling reading. Mobilizing a carefully orchestrated corps-à-corps with intermedial theatrical dance, the book refigures the concepts of translation, text and language as situated embodied practices, showing how they matter, materialize and create in ways that can contribute to foster socio-political agency. Structured as a choreo-dramatization of research, Montesis writing style embodies a methodological choice that corresponds to a strong epistemological stance, one of increasing relevance in many contemporary research fields in the human and social sciences: the commitment to assert the complicated affective social and material economies of research-making, research-writing, research-performing and research-sharing." - Paula Caspão, Centre for Theatre Studies, Lisbon University "This book is a welcome addition to the field, further expanding translation studies into the realm of the stage. The literature is copious, enabling Montesi to challenge the founding questions of the field of translation studies. Focussing on case studies, Montesi is able to illustrate your aims with passion, enthusiasm and detail, rightly encouraging the field to expand, to consider all the art forms and all forms of communication, here asserting the need to consider the movements between page, stage and canvas." - Helen Julia Minors, York St John University "An original and very meaningful contribution to translation studies by setting up a mutually enhancing cross-disciplinary dialogue with the field of dance studies." - Dirk Delabastita, University of Namur "Vanessa Montesis book Moving Across Page, Stage, Canvas: Theatrical dance as a form of intermedial translation addresses the fascinating topic of transfer of creative meaning from a multimodal variety of texts into the medium of theatrical dance. As such it fits into an increasing number of recent publications on embodiment in general and the embodied nature of translation in particular. This text, therefore, is a timely addition to the field, offering as it does a rich variety of case studies." - Mary Wardle, Sapienza University of Rome

List of Figures
List of Text Boxes
List of Tables
Acknowledgements

Prelude: Setting Words in Motion
Three Anecdotes
and an Introduction

OFFSTAGE

1.Stretching
Ways of Stretching
What about Dance?
Theoretical Grounding: Multimodal Social Semiotics and Intermediality

2.Rehearsing
Dance and the Visual Arts
Dance and Language
Dance and Literature
Dance and Translation
Transition

TROIS COUPS

3.Whats in a Name?
O, Be Some Other Name!
Tis but thy Name that is my Enemy!
Whats in a Name?
Deny thy Father, and Refuse thy Name

4.Words Written in the Air: Dance as Ephemeral Writing
How Can We Know the Dancer from the Dance?
We Need to Know the Dancer from the Dance
Can We Know the Dancer from the Dance?
Why Should We Know the Dancer from the Dance?

5.Translated/Translating Bodies and the Translators Embodied Dramaturgy
The Dancers Embodied Dramaturgy
Translated Bodies
The Translators Embodied Dramaturgy
Interlude
Methodology and Methods
Embodied Ethnography and Embodied Writing

PERFORMING

6.Translational Agency in Jérôme Bosch: Le Jardin des Délices
Jérôme Bosch: Le Jardin des Délices (2016)
Political Agency in Dance and Translation

7.Distributed Agency in Jérôme Bosch: Le Jardin des Délices
Translating the Painting into Somatic Sensations
Distributed Agency
Spatial and Discursive Framings: The Garden of Earthly Delights at the
Gallery of Nassau
Spatial and Discursive Framings: Jérôme Bosch: Le Jardin des Délices at the
CCB

8.Translation and Memory in Froth on the Daydream (2018)
Translation and Memory Studies
Boris Vian: Living and Writing in the Translation Zone
Translation History of LÉcume des Jours
Froth on the Daydream (2018): Offstage
Froth on the Daydream (2018): Performing

9.Translations and Memories of LÉcume des Jours
Cracks in the color-blind image of Paris: Belmonts LÉcume des Jours (1967)

Performing the Imaginative West in Late Soviet Russia: Denisovs Chloé
(1981)
From Surrealism to Magic(al) Realism: Gô Rijûs Kuroe (2001)
Performing the Materiality of Bodies and Graphic Line: Preteseilles LÉcume
dÉcume des Jours (2005)
Inheriting French Surrealist Cinema: Michel Gondrys Mood Indigo (2013)
After the Tide Has Gone, What Remains? Translation and/as Memory

Postlude: Unwinding
Three Anecdotes
and a Conclusion

Appendixes
Notes
References
Vanessa Montesi is a HE Lecturer in Dance Studies at Dance City/University of Sunderland, a member of the Centre for Comparative Studies (University of Lisbon), and a trustee at Company of Others.