Muutke küpsiste eelistusi

Darrel Ellis [Kõva köide]

Contributions by , Text by , Contributions by , Text by , Text by , Contributions by , Contributions by , By (artist) , Contributions by
  • Formaat: Hardback, 208 pages, kõrgus x laius x paksus: 279x241x25 mm, kaal: 1293 g, 210 Illustrations
  • Ilmumisaeg: 21-Apr-2022
  • Kirjastus: Visual Aids for the Arts Inc
  • ISBN-10: 1732641552
  • ISBN-13: 9781732641556
  • Formaat: Hardback, 208 pages, kõrgus x laius x paksus: 279x241x25 mm, kaal: 1293 g, 210 Illustrations
  • Ilmumisaeg: 21-Apr-2022
  • Kirjastus: Visual Aids for the Arts Inc
  • ISBN-10: 1732641552
  • ISBN-13: 9781732641556

The first monograph on Darrel Ellis' expressive transformations of photographic memory

Known for his experimental approach to painting and photography, New York–based mixed-media artist Darrel Ellis (1958–92) explored the psychic terrain between surface, memory and lyric self-representation. Working in part from his late father’s photographs, Ellis projected, deconstructed and reimaged his family history, creating uncanny portraits marked by voids and warps. His commitment to the self-portrait was no less inspired, particularly after his experiences of being photographed by Robert Mapplethorpe and Peter Hujar. Ellis was on the cusp of major recognition when his life was cut short by AIDS in 1992, at the age of 33.
This monograph provides the most comprehensive account of the artist to date, including 80 plates that chart his development from figurative painting to photographic experimentation and his later preoccupation with self-portraiture. Essays and an illustrated chronology featuring previously unseen excerpts from the artist’s journals provide new insights into Ellis’ life and work.

Arvustused

Darrel Ellis is not only the first book devoted to his work since 1996, it is also an indispensable collection of scholarship, history, interviews, and stunning reproductions of the artists oeuvre. The impressive essays by Derek Conrad Murray and Tiana Reid, a description of the artists archive by Steven G. Fullwood, an eye-opening interview with the artist from 1991, and a thought-provoking conversation between contemporary artists will lift the shroud of mystery that has surrounded Elliss life and art. -- Peter Murphy * ASAP/J * Rather than showcasing his best-known works, such as his self-portrait made after a photograph by Mapplethorpe, it instead leans into process, including unfinished works, pages of journals, and a section that considers how to treat the archive he left behind after his 1992 death at age 33 from AIDS complications. -- Megan Liberty * Hyperallergic * Darrel Ellis made a wrenchingly heartfelt body of work based on his late fathers photographs. Theyve remained obscure until now. -- Chris Wiley * New Yorker * Addresses the myriad components of identity through patrimony, race, self-perception, and aesthetic tampering. -- Sarah Moroz * Bookforum *

Foreword 6(4)
Darrel Ellis and the Poetics of Opacity
10(12)
Derek Conrad Murray
The Faces & Forms of Darrel Ellis
22(6)
Tiana Reid
A New Sensibility
28(8)
Darrel Ellis
David Hirsh
Works
36(88)
To Be Remembered / To Have Been Real
124(14)
Sadie Barnette
Alanna Fields
San D. Henry-Smith
Paul Mpagi Sepuya
Ariel Goldberg
Process
138(10)
The Case of the Artist's Archive
148(8)
Steven G. Fullwood
Chronology 156(28)
Exhibition History 184(4)
Bibliography 188(4)
Contributor Biographies 192