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Darwin's Plots: Evolutionary Narrative in Darwin, George Eliot and Nineteenth-Century Fiction 3rd Revised edition [Pehme köide]

(University of Cambridge)
  • Formaat: Paperback / softback, 330 pages, kõrgus x laius x paksus: 229x152x18 mm, kaal: 440 g, Worked examples or Exercises
  • Ilmumisaeg: 28-May-2009
  • Kirjastus: Cambridge University Press
  • ISBN-10: 0521743613
  • ISBN-13: 9780521743617
  • Formaat: Paperback / softback, 330 pages, kõrgus x laius x paksus: 229x152x18 mm, kaal: 440 g, Worked examples or Exercises
  • Ilmumisaeg: 28-May-2009
  • Kirjastus: Cambridge University Press
  • ISBN-10: 0521743613
  • ISBN-13: 9780521743617
A new edition of the classic study, featuring a new essay and an updated bibliography.

Gillian Beer's classic Darwin's Plots, one of the most influential works of literary criticism and cultural history of the last quarter century, is here reissued in an updated edition to coincide with the anniversary of Darwin's birth and of the publication of The Origin of Species. Its focus on how writers, including George Eliot, Charles Kingsley and Thomas Hardy, responded to Darwin's discoveries and to his innovations in scientific language continues to open up new approaches to Darwin's thought and to its effects in the culture of his contemporaries. This third edition includes an important new essay that investigates Darwin's concern with consciousness across all forms of organic life. It demonstrates how this fascination persisted throughout his career and affected his methods and discoveries. With an updated bibliography reflecting recent work in the field, this book will retain its place at the heart of Victorian studies.

Arvustused

'Gillian Beer's superb study [ is] a work of criticism that takes its modest place among the other 'cloudy triumphs' of English genius.' Michael Neve, Sunday Times 'Offers fresh insights into familiar themes in the history of science by dealing with them in quite a new way.' John Durant, The Times Literary Supplement 'The only problem with this book is deciding what to praise first. It draws on a breadth of knowledge in many fields, its literary readings are alert and original, it has a profound grasp of idea and form. It must be read by the scientist, the student of Victorian thought and art and the educated person in the street. The book is so exciting as a work of literary criticism - among much else - that it must provoke and disturb old interpretations and judgements.' Barbara Hardy, New Statesman

Muu info

This book is the third edition of the classic study, featuring a new essay and an updated bibliography.
Foreword by George Levine ix
Preface to the first edition xv
Preface to the second edition xvii
Preface to the third edition xxxiii
Introduction 1
I The remnant of the mythical
1
II 'The second blow'
8
III Problems of knowledge
14
Part I. Darwin's language 23
1. 'Pleasure like a tragedy': imagination and the material world
25
2. Fit and misfitting: anthropomorphism and the natural order
44
Part II. Darwin's plots 71
3. Analogy, metaphor and narrative in The Origin
73
4. Darwinian myths
97
I Growth and its myths
97
II Growth and transformation
99
III Transformation, retrogression, extinction: Darwinian romance
114
Part III. Responses: George Eliot and Thomas Hardy 137
5. George Eliot: Middlemarch
139
I The vital influence
139
II Structure and hypothesis
148
III The web of affinities
156
6. George Eliot: Daniel Deronda and the idea of a future life
169
7. Descent and sexual selection: women in narrative
196
8. Finding a scale for the human: plot and writing in Hardy's novels
220
9. Darwin and the consciousness of others
242
Notes 256
Select bibliography of primary works 282
Further reading related to Charles Darwin 288
Index 290
Gillian Beer is Emeritus Professor of English Literature at the University of Cambridge.