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27 Essential Principles of Story: Master the Secrets of Great Storytelling, from Shakespeare to South Park [Pehme köide]

  • Formaat: Paperback / softback, 384 pages, kõrgus x laius x paksus: 226x152x22 mm, kaal: 540 g
  • Ilmumisaeg: 18-Aug-2020
  • Kirjastus: Workman Adult
  • ISBN-10: 1523507160
  • ISBN-13: 9781523507160
Teised raamatud teemal:
  • Formaat: Paperback / softback, 384 pages, kõrgus x laius x paksus: 226x152x22 mm, kaal: 540 g
  • Ilmumisaeg: 18-Aug-2020
  • Kirjastus: Workman Adult
  • ISBN-10: 1523507160
  • ISBN-13: 9781523507160
Teised raamatud teemal:
&;So often people ask me if there&;s a book on story I can recommend. This is the one. I can&;t recommend it highly enough.&;&;&;Alexa Junge, writer/producer, Friends, Sex and the City, The West Wing
 
A master class of 27 lessons, drawn from 27 diverse narratives, for novelists, storytellers, filmmakers, graphic designers, and more. Author Daniel Joshua Rubin unlocks the secrets of what makes a story work, and then shows how to understand and use these principles in your own writing. The result is &;an invaluable resource&; (Publishers Weekly, starred review), offering priceless advice like escalate risk, with an example from Pulp Fiction. Write characters to the top of their intelligence, from the Eminem song &;Stan.&; Earn transformations, from Alison Bechdel&;s Fun Home. Attack your theme, from The Brothers Karamazov. Insightful, encouraging, filled with attitude, and, as Booklist puts it, &;perfect for any writer looking to ensure their stories operate and resonate at the top of their potential,&; this book gives contemporary storytellers of all kinds a lifeline of inspiration and relatable instruction.
 
&;[ The] new bible of lessons and practices for creators.&;&;&;Library Journal
 

&;Not a &;how-to,&; thank God, but a &;here&;s why.&; Writers of all levels of experience will benefit from reading&;&;and then rereading&;&;this elegant exploration of the principles of storytelling.&;&;&;Traci Letts, Pulitzer and Tony Award-winning playwright
 
&;A godsend for storytellers in all media. It will help you decide what to write and then show you, step by step, how to tackle virtually any problem you face.&;&;&;Anna D. Shapiro, Tony Award-winning director, August: Osage County

 
 

A modern and actionable guide to the fundamentals of writing compelling, well-crafted, authentic stories in any medium, with lessons illustrated by novels, plays, films, music, video games, and TV, and writers from Shakespeare and Dostoevsky to Quentin Tarantino and Eminem.

Arvustused

"Rubin, a playwright and TV scriptwriter, aims with this manual to give writers "enough direction to avoid getting lost, but not so much that it strangles your creativity," and succeeds in creating an invaluable resource... This is a no-brainer for both pro and would-be novelists." --Publishers Weekly, Starred Review "Seasoned multimedia writer Rubin (NBC, the WB) injects the traditional writing manual with an overdue fix of dash and utility... This new bible of lessons and practices for creators across media will likely appeal to readers curious about behind-the-scenes realities of those who bring to life today's most popular and intelligent entertainment." --Library Journal

"Perfect for any writer looking to ensure their stories operate and resonate at the top of their potential." --Booklist

Introduction: Old School, New Adrenaline vii
PART ONE ESSENTIAL PRINCIPLES OF PLOT
1 Drop the hammer. (Hamlet)
2(15)
2 Ask dramatic questions. (.Finding Nemo)
17(15)
3 Explore all endings. (The Night Of)
32(16)
4 Connect with "therefore," not "and." (South Park, "Breast Cancer Show Ever")
48(10)
5 Escalate risk. (Pulp Fiction)
58(13)
6 Clash expectation with reality. (Breaking Bad, "Dead Freight")
71(13)
7 Max out the middle. (If Beale Street Could Talk)
84(12)
8 Begin the end with a critical decision. (Frankenstein)
96(12)
9 Confirm the decision. (The Godfather, Part II)
108(14)
10 Wrap up fast. (Late Spring)
122(10)
PART TWO ESSENTIAL PRINCIPLES OF CHARACTER
11 Make your hero active and decisive. (Red Dead Redemption)
132(10)
12 Provoke dilemma. ("The Best of Times, the Worst of Times")
142(9)
13 Layer conflict. (Ms. Marvel: No Normal)
151(15)
14 Peel the onion. ("Interpreter of Maladies")
166(14)
15 Write characters to the top of their intelligence. ("Stan")
180(15)
16 Mask everyone. (Harry Potter and the Prisoner of Azkaban)
195(15)
17 Earn transformations. (Fun Home)
210(15)
18 Motivate fierce antagonists. (The Piano Lesson)
225(13)
19 Confront evil. ("The Lottery")
238(12)
PART THREE ESSENTIAL PRINCIPLES OF SETTING, DIALOGUE, AND THEME
20 Link inextricably to your setting. (The Brief Wondrous Life of Oscar Woo)
250(16)
21 Exceed expectations. (30 Rock, "Jack-tor")
266(16)
22 Craft actionable dialogue. (Death of a Salesman)
282(14)
23 Hide meaning. (The Remains of the Day)
296(12)
24 Hunt big game. (Beloved)
308(13)
25 Amplify your theme. (Double Indemnity)
321(12)
26 Attack your theme. (The Brothers Karamazov)
333(15)
27 Transcend thought. (Fever Dream)
348(15)
Conclusion: The Necessity of Story 363(3)
Acknowledgments 366(1)
Index 367
Daniel Joshua Rubin is a multimedia writer and founder of Story 27 in Evanston, Illinois, a writing studio that provides consulting and education to storytellers in all media. He has taught dramatic writing at Loyola University in Chicago, and at the University of California, San Diego, and has written for television (NBC, the WB); new media (The Motley Fool, National Lampoon); and theater (with plays produced at Steppenwolf in Chicago, off-Broadway in NYC, and on the West End of London). He is a dedicated story scholar with a deep interest the role narrative plays in personal development, business, investing and politics. Rubin has an MFA in Playwriting from the Yale School of Drama, and a BS in Drama Studies from the State University of New York at Purchase. Born and raised in Brooklyn, he now lives in Evanston, IL.