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Leaning Out of Windows: An Art and Physics Collaboration [Pehme köide]

  • Formaat: Paperback / softback, 208 pages, kõrgus x laius x paksus: 228x304x25 mm, diagrams and color photos
  • Ilmumisaeg: 27-Jul-2023
  • Kirjastus: Figure 1 Publishing
  • ISBN-10: 1773272179
  • ISBN-13: 9781773272177
Teised raamatud teemal:
  • Formaat: Paperback / softback, 208 pages, kõrgus x laius x paksus: 228x304x25 mm, diagrams and color photos
  • Ilmumisaeg: 27-Jul-2023
  • Kirjastus: Figure 1 Publishing
  • ISBN-10: 1773272179
  • ISBN-13: 9781773272177
Teised raamatud teemal:
Art and physics collide in this expansive exploration of how knowledge can be translated across disciplinary communities to activate new aesthetic and scientific perspectives.

Leaning Out of Windows shares findings from a six-year collaboration by a group of artists and physicists exploring the connections and differences between the language they use, the means by which they develop knowledge, how that knowledge is visualized, and, ultimately, how they seek to understand the universe. Physicists from TRIUMF, Canada's particle physics accelerator, presented key concepts in the physics of Antimatter, Emergence, and In/visible Forces to artists convened by Emily Carr University of Art + Design; the participants then generated conversations, process drawings, diagrams, field notes, and works of art. The "wondrous back-and-forth" of this process allowed both scientists and artists to, as Koenig and Cutler describe, "lean out of our respective fields of inquiry and inhabit the infinite spaces of not knowing."

From this leaning into uncertainty comes a rich array of work towards furthering the shared project of artists and scientists in shaping cultural understandings of the universe: Otoniya J. Okot Bitek reflects on the invisible forces of power; Jess H. Brewer contemplates emergence, free will, and magic; Mimi Gellman looks at the resonances between Indigenous Knowledge and physics; Jeff Derksen finds Hegelian dialectics within the matterantimatter process; Sanem Güvenç considers the possibilities of the void; Nirmal Raj ponders the universe's "special moment of light and visibility" we happen to inhabit; Sadira Rodrigues eschews the artificiality of the lab for a boring berm of dirt; and Marina Roy metaphorically turns beams of stable and radioactive gold particles into art of pigments, oils, liquid plastic, and wood. Combined with additional essays, diagrams, and artworks, these texts and artworks live in the intersection of disparate fields that nonetheless share a deep curiosity of the world and our place within it, and a dedication to building and sharing knowledges.

Arvustused

"A publication that is as fascinating as it is ambitious...Leaning Out of Windows is beautifully illustrated." The British Columbia Review

"The Leaning Out of Windows art and science collaborators undertake crucial cultural work in which we all have a significant stake." BC Studies

Muu info

Pitch to national art media, e.g. ArtForum, Art Review.
Part 1
Nigel Smith, TRIUMF Director's Foreword
3(2)
Randy Lee Cutler and Ingrid Koenig, Introduction
5(2)
Randy Lee Cutler and Ingrid Koenig, Research and Contexts
7(4)
Triumf overview
11(2)
Randy Lee Cutler and Ingrid Koenig, Collaborative Research between Artists and Physicists
13(18)
Mimi Gellman, Crossing No Divide: Mapping Affinities in Art and Science
31(10)
Part 2
Experimental Phases for Interactions
41(1)
Antimatter
Process Design
42(4)
Science Seminar
46(2)
David Morrissey, Antimatter Science Description
48(3)
Selection of Exhibition Images with Exhibition Labels
51(34)
Marina Roy, Dirty Clouds (Much within you is still worm)
85(4)
Jeff Derksen, From Two to Another: The Anti-Matter Series
89(6)
Randy Lee Cutler and Ingrid Koenig, Searching for the Language of the Universe
95(5)
Post Exhibition Networked Map
100(3)
Emergence
Process Design
103(5)
Science Seminar
108(2)
David Morrissey, Emergence Science Description
110(3)
Selection of Exhibition Images with Exhibition Labels
113(25)
Post Exhibition Networked Maps
138(3)
Sadira Rodrigues, A Boring Berm of Dirt
141(7)
Jess Brewer, Emergence, Free Will and Magic / An extremely brief history of one universe
148(2)
Jacqueline Turner, Limiting Infinities
150(1)
Sanem Guvenc, Emergence, Invisible Forces and the Void
151(4)
In/visible Forces
Process Design
155(4)
Science Seminar
159(1)
David Morrissey, In/visible Forces Science Description
160(1)
Jess Brewer, Unfamiliar Forces 4-163 Selection of Exhibition Images with Exhibition Labels
161(28)
Otoniya J Okot Bitek, Invisible to Who?
189(2)
Nirmal Raj, tumble in the dark
191(2)
Ingrid Koenig, Wandering through In/visible Forces with Team 1
193(3)
Post Exhibition Networked Maps
196(5)
Part 3
Randy Lee Cutler, Ode to Beauty
201(4)
Randy Lee Cutler and Ingrid Koenig, Leaning into Language or the Universe is Made of Stories
205(4)
Appendix / Timeline of LOoW TRIUMF events 209(1)
Acknowledgements 210
Contributors
Ingrid Koenig is the inaugural Artist in Residence (2011 to 2021) at TRIUMF, Canada's particle accelerator centre, where she co-organizes processes of collaboration between artists and physicists, integrated with curriculum, research, and exhibitions. Her studio practice traverses the fields of physics, social history, feminist theory, and narratives of science through visual art and participatory projects. She is inspired by the possibilities of navigating complex phenomena to hold different ways of knowing in relationship to each other. Ingrid is an Associate Professor at Emily Carr University, on the unceded, traditional and ancestral xmkym (Musqueam), Skwxwú7mesh Úxwumixw (Squamish Nation), and slilwta (Tsleil-Waututh) territories. Randy Lee Cutler's practice weaves together themes of collaboration, materiality, and intuition, in the form of audio walks, collage, performance, printed matter, and creative and critical writing. Working with geopolitics and deep time, she is fascinated with the intersection of matter and metaphor. Randy is a Professor at Emily Carr University, on the unceded, traditional, and ancestral territories of the xmkym (Musqueam), Skwxwú7mesh Úxwumixw (Squamish Nation), and slilwta (Tsleil-Waututh).