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Designing the Seaside: Architecture, Society and Nature [Kõva köide]

  • Formaat: Hardback, 336 pages, kõrgus x laius: 250x210 mm, kaal: 1470 g, 439 illustrations, 246 in colour
  • Ilmumisaeg: 01-May-2006
  • Kirjastus: Reaktion Books
  • ISBN-10: 1861892748
  • ISBN-13: 9781861892744
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  • Formaat: Hardback, 336 pages, kõrgus x laius: 250x210 mm, kaal: 1470 g, 439 illustrations, 246 in colour
  • Ilmumisaeg: 01-May-2006
  • Kirjastus: Reaktion Books
  • ISBN-10: 1861892748
  • ISBN-13: 9781861892744
Teised raamatud teemal:
In Alfred Hitchcock’s To Catch a Thief, a seaside resort was the setting for thievery and intrigue. Fred Astaire and Ginger Rogers tap-danced their way to fame at a Brighton resort in The Gay Divorcee. The seaside resort has always held a special fascination, a place of containment and leisure that has a unique form in the physical landscape: towering hotels, shop-lined boardwalks, and sprawling beaches. Fred Gray delves into the history of seaside architecture here in Designing the Seaside, writing the rich and international story of the seaside resort’s diverse structures from the eighteenth century through today.

Gray is interested not only in the physical structures but also the cultural mores they represent—the “yearly holiday,” and our attitudes about leisure. The coastal landscape has been transformed by this geography of relaxation, and Gray considers the physical and cultural shifts that occurred when shops, boardwalks, and hotels buried sand dunes and marshes beneath their beams. He examines the design processes that went into creating the diverse buildings and spaces within a seaside resort, giving full attention to ephemeral structures such as pavilions and summer gift shops as well as the trademark hotel buildings, fairgrounds, and open spaces. Designing the Seaside also reveals how events such as beauty pageants made seaside resorts into sites of debate over conflicted issues of sexuality and morality.

Drawing on a diverse array of historical material—photographs, guidebooks, postcards, and posters—Fred Gray offers a fascinating account of the cultural and social symbolism of the seaside resort and its role in the modern landscape.


In Alfred Hitchcock’s To Catch a Thief, a seaside resort was the setting for thievery and intrigue. Fred Astaire and Ginger Rogers tap-danced their way to fame at a Brighton resort in The Gay Divorcee. The seaside resort has always held a special fascination, a place of containment and leisure that has a unique form in the physical landscape: towering hotels, shop-lined boardwalks, and sprawling beaches. Fred Gray delves into the history of seaside architecture here in Designing the Seaside, writing the rich and international story of the seaside resort’s diverse structures from the eighteenth century through today.

Gray is interested not only in the physical structures but also the cultural mores they represent—the “yearly holiday,” and our attitudes about leisure. The coastal landscape has been transformed by this geography of relaxation, and Gray considers the physical and cultural shifts that occurred when shops, boardwalks, and hotels buried sand dunes and marshes beneath their beams. He examines the design processes that went into creating the diverse buildings and spaces within a seaside resort, giving full attention to ephemeral structures such as pavilions and summer gift shops as well as the trademark hotel buildings, fairgrounds, and open spaces. Designing the Seaside also reveals how events such as beauty pageants made seaside resorts into sites of debate over conflicted issues of sexuality and morality.

Drawing on a diverse array of historical material—photographs, guidebooks, postcards, and posters—Fred Gray offers a fascinating account of the cultural and social symbolism of the seaside resort and its role in the modern landscape.

Arvustused

Shortlisted for the Sir Banister Fletcher Award 2007 * Award * From pavilions and piers (including the scandalous demise of Brightons West Pier), to bungalows, beach huts and bathing machines (the first purpose-designed form of seaside architecture), this is a fine celebration of a very English invention. * The Guardian * Filled with photographs, architectural drawings, guidebooks, postcards and posters, this book explores changing attitudes to holidays and their settings. Taste, fashion and class make an appearance and there is an exploration of how the seaside became a hotbed for issues of morality, where people took their sauce on a postcard as often as with their fish and chips. * Daily Telegraph * This colourful sweep through the history of seaside art and architecture is a perfect blend of the scholarly and the entertaining . . . illustrated with great archive images. * Coast * Fred Grays illuminating study of the history of seaside architecture shows what a profound influence many of the innovations born on British coasts have had on Western holiday ideals . . . his account is enlivened by the wealth of pictorial evidence he has gathered. The fascinating photos of past and present resorts . . . show changing attitudes to holidaymaking and reveal the class and gender splits at work (or play) through the ages. * Metro London * manages to be both scholarly and colourful and offers a timely history of seaside art and architecture, from Brighton Pier and beach huts in Nice to a derelict resort complex in the Baltic, to the bizarre Palm islands of Dubai. * London Evening Standard * an entertaining, thought-provoking book . . . gloriously illustrated book . . . a pleasure both to read and to handle. * Brighton Evening Argus * a fascinating, well written and lavishly illustrated history of seaside architecture taking on board the influence of society and nature from the origins of the seaside holiday in the eighteenth century, to the present day . . . There are so many enthralling nuggets in this book . . . a most thought-provoking, informative and enjoyable read. * Journal of Design History * This is a splendid book, solid, substantial, and beautfully illustrated in a variety of idioms, and a delight to read and peruse . . . It examines what is distinctively seaside about the architecture, design, and ambience of the Western beach resorts, and it does so through themed historical analyses covering the two centuries and half since the invention of the modern seaside holiday. * Annals of Tourism Research * Designing the Seaside is beautifully illustrated, with many of the plates in colour . . . The calibre of the visual material and its variety is striking but it should not be allowed to overshadow the text, which is deeply informed and fluently written . . . Grays book is a tonic, to read and enjoy for pleasure. * Tourism Management Journal * This instructive, enjoyable, and beautifully presented book is a must for anyone interested in the evolution of the material fabric of the seaside resort. The focus is the authors own stamping ground of Brighton and the English south coast, but he uses this as a base from which to explore other resorts in Britain, and to make much more than passing allusions to the development of the seaside throughout the western world. * Modernism/Modernity *

Introduction 7(10)
Nature and Seaside Architecture
17(28)
Building the Seaside
45(20)
Representing the Edge
65(26)
The Seaside as Another Place
91(24)
Designing Resort Open Spaces
115(32)
Architecture for Sea and Beach
147(30)
From Bath House to Water Park
177(24)
Walking on Water
201(44)
Pavilions and Amusement Parks
245(34)
Sleeping by the Sea
279(30)
References 309(16)
Select Bibliography 325(4)
Acknowledgements 329(1)
Photo Acknowledgements 330(2)
Index 332
Fred Gray is Emeritus Professor of Continuing Education at the University of Sussex. He is the author of Designing the Seaside: Architecture, Society and Nature (Reaktion, 2006).