This is an essential book, discussing democratization of music from a historical perspective, as well as looking at its likely future effects on production and consumption of music. Written in a clear, simple language, it should find itself on a shelf of everybody interested in music and its interface with technology and social life. * Ewa Mazierska, Professor of Film Studies, University of Central Lancashire, UK * Many musicians are afeard of the encroachment of new distribution patterns and technologies (AI in particular) into our art, but Ben Neill strides into the future boldly, contextualizing them as extensions of historical processes that have been going on for centuries. He notices the pitfalls and dangers, but his stellar career as a postclassical/ambient crossover artist gives him the vantage point to weave the current cacophony of musical practices into a joyous free-for-all in which anyone can participate. * Kyle Gann, Professor of Music, Bard College, US, and author of Charles Ivess Concord: Essays after a Sonata *
