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Digital Art Fourth edition [Pehme köide]

  • Formaat: Paperback / softback, 360 pages, kõrgus x laius: 210x150 mm, kaal: 760 g, 363 Illustrations, color
  • Sari: World of Art
  • Ilmumisaeg: 02-Mar-2023
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 0500204802
  • ISBN-13: 9780500204801
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  • Formaat: Paperback / softback, 360 pages, kõrgus x laius: 210x150 mm, kaal: 760 g, 363 Illustrations, color
  • Sari: World of Art
  • Ilmumisaeg: 02-Mar-2023
  • Kirjastus: Thames & Hudson Ltd
  • ISBN-10: 0500204802
  • ISBN-13: 9780500204801
Teised raamatud teemal:
Digital art, along with the technological developments of its medium, has rapidly evolved from the “digital revolution” into the social media era and then to the postdigital and post-Internet landscape. This new, expanded edition of Christiane Paul’s acclaimed book traces the emergence of artificial intelligence, augmented and mixed realities, and non-fungible tokens (NFTs) and surveys themes explored by digital artworks in the areas of activism, networks and telepresence, and ecological art andthe Anthropocene. It also examines issues surrounding the collection, presentation, and preservation of digital art. It looks at the impact of digital techniques and media on traditional forms of art, such as printing, painting, photography, and sculpture, as well as exploring the ways in which the Internet and software art, digital installation, and virtual reality have emerged as recognized artistic practices.Digital Art

The fourth edition of the essential introduction to digital art, one of contemporary art’s most exciting and dynamic forms of practice.

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'Excellent' - Art Monthly

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The fourth edition of the essential introduction to digital art, one of contemporary arts most exciting and dynamic forms of practice
Introduction 6(19)
A Short History of Technology and Art
7(14)
The Presentation, Collection, and Preservation of Digital Art
21(4)
Chapter 1 Digital Technologies as a Medium
25(152)
Forms of Digital Art
35(1)
Installation
36(29)
Film, Video, and Animation
65(23)
Internet Art from Web 1.0 to Social Media
88(23)
Software Art
111(3)
Virtual Reality
114(15)
Augmented and Mixed Reality
129(11)
Site-specific and Public Art
140(24)
Sound and Music
164(13)
Chapter 2 From Digital to Post-digital
177(28)
Precursors of the Post-digital
178(4)
Sculpture
182(5)
The New Aesthetic
187(3)
Crossing Boundaries: Networks and Materials
190(15)
Chapter 3 Themes in Digital Art
205(121)
Artificial Life
205(9)
Artificial Intelligence
214(37)
Telepresence and Telerobotics
251
Body and Identity
244(14)
Data Visualization: From Database Aesthetics to Big Data
258(17)
Beyond the Book: Narrative Environments
275(8)
Gaming
283(9)
Tactical Media, Activism, and Hacktivism
292(9)
Ecological Art and the Anthropocene
301(5)
Technologies of the Future: Art and Science, Web3, and NFTs
306(20)
Glossary 326(2)
Artists' Websites and Online Art Projects 328(4)
Digital Arts Organizations and Networks, Galleries, and Archives 332(1)
Digital Art Festivals 333(1)
Select New Media Art Exhibitions 333(4)
Select Bibliography 337(4)
List of Illustrations 341(10)
Index 351
Christiane Paul is chief curator/director of the Sheila C. Johnson Design Center at Parsons School of Design and an associate professor in the School of Media Studies at The New School, and Adjunct Curator of New Media Arts at the Whitney Museum of American Art in New York City.