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Digital Copyright: Law and Practice 5th edition [Kõva köide]

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(Blake Morgan)
  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 238x162x26 mm, kaal: 700 g
  • Ilmumisaeg: 24-Jan-2019
  • Kirjastus: Hart Publishing
  • ISBN-10: 1509917292
  • ISBN-13: 9781509917297
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Digital Copyright: Law and Practice 5th editionSuurem pilt
  • Formaat: Hardback, 360 pages, kõrgus x laius x paksus: 238x162x26 mm, kaal: 700 g
  • Ilmumisaeg: 24-Jan-2019
  • Kirjastus: Hart Publishing
  • ISBN-10: 1509917292
  • ISBN-13: 9781509917297
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781509917297.html
Märksõnad:
The first edition of this book in 2002 was the first UK text to examine digital copyright together with related areas such as performers rights, moral rights, database rights and competition law as a subject in its own right. Now in its fifth edition, the book has been substantially updated and revised to take account of legal and policy developments in copyright law and related areas, the new UK copyright exceptions, recent CJEU cases, the regulation of Collective Management Organisations, orphan works, and developments in EU copyright legislation and the EUs Digital Single Market Strategy. It also contains new sections on big data and data mining, the impact of artificial intelligence and blockchain on copyright, and the future for UK copyright after Brexit. The book helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology, whether in academia, the software, information, publishing and creative industries, or other areas of the economy. The focus of Digital Copyright is on the specifics of the law in this area together with practical aspects. Both academics and practitioners will find the book an invaluable guide to this ever-expanding field of law.

Review of Previous Edition: Overall, Digital Copyright is well worth the relatively modest price for a book that will be stimulating for anyone who has to think about copyright in the digital realm. Francis Davey, Journal of Intellectual Property Law and Practice

Arvustused

This book provides a concise, introductory guide to digital copyright that also offers practical guidance and further reading for more in-depth analysis. Each chapter concludes with a bullet point summary that helps to make the book accessible and digestible. It would therefore be of interest to those practising, working, researching or studying in the field of digital copyright law. -- Hayleigh Bosher * The IPKat * [ A] well-written, authoritative book, supported by numerous references recommended for legal practitioners and creators and users of digital copyright materials alike. -- Professor Charles Oppenheim * European Intellectual Property Review *

Muu info

New, substantially updated edition of this popular book that helps put digital copyright law and policy into perspective and provides practical guidance for those creating or exploiting digital content or technology.
Preface to the Fifth Edition v
Acknowledgements (Fifth Edition) vii
Acknowledgements (Fourth Edition) vii
Acknowledgements (Third Edition) vii
Acknowledgements (Second Edition) viii
Acknowledgements (First Edition) viii
Glossary xvii
Table of Cases
xxxiii
Table of Legislation
xliii
1 Why Digital Copyright Matters
1(24)
1.1 Overview of this Book
1(1)
1.1.1 This
Chapter and the Book
2(1)
1.2 Copyright: Its Scope and Rationale
2(6)
1.2.1 Why Have Copyright?
2(1)
1.2.2 The Case Against Copyright and Copyright Reform
3(2)
1.2.3 Limits on Copyright
5(1)
1.2.4 Justifying Copyright
5(1)
1.2.5 Originality and Copyright
6(1)
1.2.6 Moral Rights
7(1)
1.2.7 Copyright and Other Intellectual Property (IP) Rights
8(1)
1.3 The International Aspect of Copyright
8(3)
1.3.1 Background
8(1)
1.3.2 An Example
9(1)
1.3.3 The Internet, Communication to the Public and International Copyright
10(1)
1.4 The Digital Challenge to Copyright
11(1)
1.5 Internet Technology and Copyright
12(4)
1.5.1 How the Internet Works
12(4)
1.6 International Legislation
16(4)
1.6.1 Electronic Commerce Directive
17(1)
1.6.2 Information Society Directive
17(2)
1.6.3 The EU's Digital Single Market and EU Copyright Reform
19(1)
1.7 The Future
20(5)
1.7.1 The Death of Copyright
21(1)
1.7.2 A New Future for Copyright
22(1)
1.7.3 Concluding Thoughts
23(2)
2 Digital Copyright: The Basics
25(55)
2.1 Introduction
25(3)
2.1.1 Overview
25(1)
2.1.2 Sources of Law
25(1)
2.1.3 EU Copyright Law
26(1)
2.1.4 Brexit and Digital Copyright
27(1)
2.2 What Digital Copyright Protects
28(17)
2.2.1 UK Law
28(1)
2.2.2 Digital Copyright Works
28(5)
2.2.3 Criteria for Protection -- Work Must be `Original'
33(2)
2.2.4 Who is the Author (Including for Computer-generated Works)?
35(1)
2.2.5 The Need for Fixation/Permanence of the Work
36(1)
2.2.6 Qualifying Factors for Protection and Digital Copyright Formalities
36(1)
2.2.7 Duration of Protection
37(1)
2.2.8 Other Digital Rights Neighbouring Copyright or Related to it
38(7)
2.3 How Digital Copyright can be Infringed
45(5)
2.3.1 Digital Aspects
48(1)
2.3.2 Remedies for Copyright Infringement
49(1)
2.4 Exceptions and Defences to Digital Copyright Infringement
50(9)
2.4.1 Statutory Exceptions
50(8)
2.4.2 Licences
58(1)
2.4.3 Public Policy Defences
58(1)
2.5 Who Owns the Digital Copyright?
59(3)
2.5.1 Employees, Directors and Commissioned Works
59(1)
2.5.2 Authorship and Joint Ownership
60(1)
2.5.3 Collecting Societies/Collective Management Organisations
61(1)
2.6 The Implementation of the Electronic Commerce and Information Society Directives into UK Law
62(8)
2.6.1 Implementation of the Electronic Commerce Directive
62(4)
2.6.2 Implementation and Effect of the Information Society Directive
66(4)
2.7 The Modernisation of EU Copyright Law in Light of the Digital Single Market
70(10)
2.7.1 Portability Regulation
71(1)
2.7.2 Geo-Blocking Regulation
72(1)
2.7.3 Proposal for a Regulation on the Exercise of Copyright and Related Rights
73(1)
2.7.4 Proposal for a Directive on Copyright in the Digital Single Market
74(3)
2.7.5 An Updated Audiovisual Media Services Directive
77(1)
2.7.6 I PR Enforcement Initiatives
77(3)
3 Digital Database Law and the Internet
80(17)
3.1 The Relationship Between Copyright and Database Right
80(2)
3.1.1 Position Before 1 January 1998
80(1)
3.1.2 Position from 1 January 1998
81(1)
3.2 Digital Copyright Protection for Databases
82(1)
3.3 Database Right Protection
83(11)
3.3.1 British Horseracing Board Limited v William Hill (2001)
86(2)
3.3.2 The ECJ Decision
88(1)
3.3.3 Impact of the ECJ Decision in the UK Courts
89(2)
3.3.4 Future Development of the Database Directive
91(2)
3.3.5 Metasearch Engines and Website Scraping
93(1)
3.4 Some Practical Suggestions
94(3)
4 Digital Moral Rights: The Basics
97(12)
4.1 What are Digital Moral Rights?
97(3)
4.1.1 Background
97(2)
4.1.2 UK Law
99(1)
4.2 How are Digital Moral Rights Infringed?
100(7)
4.2.1 Right of Paternity
100(1)
4.2.2 Derogatory Treatment
101(2)
4.2.3 Moral Rights in the USA
103(1)
4.2.4 Performers' Moral Rights
104(2)
4.2.5 Implications of Moral Rights for the Digital Environment
106(1)
4.3 Dealing with Moral Rights in Practice
107(2)
5 Digital Rights and Competition Law
109(26)
5.1 Overview: Competition Law and Digital Copyright
109(1)
5.2 UK Competition Law
110(4)
5.2.1 The Competition Act 1998
110(4)
5.2.2 Restraint of Trade Doctrine
114(1)
5.3 EU Law
114(1)
5.4 Penalties for Breaching Competition Law
115(1)
5.5 Implications for Digital Copyright Businesses
115(18)
5.5.1 E-commerce Generally
116(1)
5.5.2 Software and Other Digital Copyright Licences
116(1)
5.5.3 Digital Copyright Distribution Agreements and Geo-blocking
117(2)
5.5.4 Unfair Prices or Predatory Pricing
119(1)
5.5.5 Maintenance
119(1)
5.5.6 End User Sales
120(1)
5.5.7 Refusal to License Digital Copyright to Competitors
121(5)
5.5.8 Excessive Pricing
126(1)
5.5.9 Content Bundling
126(1)
5.5.10 Exhaustion of Rights in Digital Copyright Products
126(3)
5.5.11 E-books
129(1)
5.5.12 Collecting Societies
130(1)
5.5.13 Data Dominance -- Facebook
131(1)
5.5.14 Google
131(2)
5.5.15 Platforms
133(1)
5.6 Concluding Comments
133(2)
6 Software Copyright
135(26)
6.1 Code and Copyright: The Basics
135(2)
6.2 The Software Directive
137(3)
6.3 What Does Software Copyright Protect?
140(18)
6.3.1 John Richardson Computers Ltd v Flanders
141(1)
6.3.2 Ibcos Computers Ltd v Barclays Mercantile Highland Finance Ltd
142(1)
6.3.3 Cantor Fitzgerald v Tradition
143(2)
6.3.4 Navitaire Inc v EasyJet Airline Co. & Anor
145(5)
6.3.5 Nova Productions v Mazooma Games; Nova Productions v Bell Fruit Games
150(1)
6.3.6 SAS Institute Inc v World Programming Ltd
151(5)
6.3.7 Software Copyright Following Cantor Fitzgerald, Navitaire, Nova Productions and SAS Institute
156(2)
6.4 The Challenge of the Free and Open Source Software (FOSS) Movement to Software Copyright
158(3)
6.4.1 Some Issues
159(2)
7 Digital Copyright and E-Commerce
161(54)
7.1 Content Re-Use
162(4)
7.1.1 Specific Issues for Audio-visual Content
163(1)
7.1.2 Some Examples from the Case Law
164(1)
7.1.3 Lessons to be Learned
165(1)
7.2 Licensing and Linking
166(12)
7.2.1 Licensing Digital Copyright Works
167(4)
7.2.2 Linking
171(7)
7.3 Digital Image Protection
178(3)
7.3.1 Copyright in Digital Images
178(1)
7.3.2 Infringing Image Rights
179(1)
7.3.3 Protecting Digital Images
180(1)
7.4 Lawful Use of Search Engines
181(4)
7.4.1 Background
181(1)
7.4.2 The US Experience
182(2)
7.4.3 Practical Issues
184(1)
7.5 Napster to the Pirate Bay: Online Copyright Infringement
185(8)
7.5.1 The US Background
185(1)
7.5.2 The UK. Position: Legal Overview
186(3)
7.5.3 The UK Experience
189(3)
7.5.4 The C J EU and The Pirate Bay
192(1)
7.5.5 Where to Next?
193(1)
7.6 Service Provider Liability, Platforms and the `Value Gap'
193(3)
7.6.1 Background
193(1)
7.6.2 Clarifying the Position and the `Value Gap'
194(2)
7.7 Standards and Web Content
196(1)
7.8 Streaming Media and Digital Copyright
197(4)
7.8.1 Piracy and Streaming
198(1)
7.8.2 Defences Against Piracy
199(2)
7.8.3 Concluding Thoughts
201(1)
7.9 Technical Protection Measures and Fair Use: The End of Copyright?
201(12)
7.9.1 Background
201(1)
7.9.2 The Position in the USA
202(2)
7.9.3 The UK Position Prior to 31 October 2003
204(1)
7.9.4 The European Dimension
205(3)
7.9.5 UK Implementation of Effective Technological Measures and ERMI
208(3)
7.9.6 Technological Measures and Permitted Acts, Fair Use and Fair Dealing
211(1)
7.9.7 The Future of Digital Rights Management (DRM)
212(1)
7.10 The Digital Single Market
213(2)
8 Digital Copyright: From Web 2.0 to Blockchain
215(28)
8.1 Web 2.0 and Copyright
215(5)
8.1.1 Web 2.0 Legal Issues: Background
216(1)
8.1.2 Dealing with the Issues: The Importance of Contractual and/or Licence Terms
217(1)
8.1.3 Some Specific Issues
218(2)
8.2 Fair Dealing and Web 2.0
220(4)
8.2.1 Google Book Search
220(1)
8.2.2 Google News
221(1)
8.2.3 Copiepresse v Google
222(1)
8.2.4 The UK Position
223(1)
8.3 Liability for Hosting and/or Distributing Infringing Content
224(4)
8.3.1 Viacom v Google
224(1)
8.3.2 Co-regulation: A Future Approach to Illicit P2P Copying of Material?
225(1)
8.3.3 Online Infringement, the Digital Economy Act and Industry Initiatives
226(1)
8.3.4 Injunctions Against Service Providers
227(1)
8.4 E-Publishing
228(5)
8.4.1 Introduction
228(1)
8.4.2 E-books
228(3)
8.4.3 Open Access
231(2)
8.5 App Development and Licensing
233(1)
8.5.1 Introduction
233(1)
8.5.2 App Development and Licensing
234(1)
8.6 Big Data
234(3)
8.6.1 Introduction
234(1)
8.6.2 Big Data and the Law
235(1)
8.6.3 Copyright and Big Data
236(1)
8.6.4 Database Right and Big Data
236(1)
8.6.5 Data Scraping and Text and Data Mining
237(1)
8.7 Artificial Intelligence, Virtual Reality and Copyright
237(3)
8.7.1 Introduction
237(1)
8.7.2 AI and VR: Copyright Issues
238(1)
8.7.3 Infringement: Robonotices and Algorithmic Enforcement of Copyright
239(1)
8.8 Blockchain and Copyright
240(3)
8.8.1 What is Blockchain?
240(1)
8.8.2 Blockchain and Copyright
240(1)
8.8.3 Blockchain and the Future of Copyright
241(2)
9 Protecting and Managing Your Digital Copyright Assets
243(46)
9.1 General
243(2)
9.1.1 Acquiring Rights: Ownership of Digital Copyright
244(1)
9.1.2 Acquiring Rights: Licensing Digital Copyrights
244(1)
9.1.3 Protecting and Exploiting Digital Copyrights
245(1)
9.2 Issues for Specific Industries
245(10)
9.2.1 General Industrial
245(1)
9.2.2 Financial and Professional Services
246(1)
9.2.3 Telecommunications and ISPs
247(1)
9.2.4 Software and Computer Games
248(1)
9.2.5 Publishing and Information Providers
249(1)
9.2.6 Broadcasting, Entertainment and Music
249(1)
9.2.7 Gaming and Betting
250(1)
9.2.8 Auction Houses and Collectibles Sites
251(1)
9.2.9 Museums, Galleries and Picture Libraries
252(1)
9.2.10 Pharmaceutical, Biotechnology and Bio-information/Bio-informatics Industries
253(1)
9.2.11 Universities/Higher Education Sector
254(1)
9.3 The Role of Collecting Societies/Collective Management Organisations in the Digital Environment
255(4)
9.3.1 The Future of Collecting Societies/CMOs in the Digital Environment
256(2)
9.3.2 The Regulation of Collecting Societies/CMOs and the 2014 Collective Management Directive
258(1)
9.3.3 CMOs and Copyright Licensing Bodies in the UK
258(1)
9.4 Orphan Works, Extended Collective Licensing and Digital Copyright Exchanges/Hubs
259(4)
9.4.1 Introduction
259(1)
9.4.2 Orphan Works Directive
260(1)
9.4.3 Additional UK Legislation Relating to Orphan Works-The UK's Orphan Works Licensing Scheme
261(1)
9.4.4 Extended Collective Licensing in the UK
262(1)
9.4.5 The Copyright Hub
262(1)
9.5 Precedent Checklists and Precedents
263(23)
9.5.1 Checklist: Acquiring Software (Digital Copyright User Focus)
263(2)
9.5.2 Checklist: Acquiring Internet Content (Digital Copyright User Focus)
265(2)
9.5.3 Checklist: Digital Copyright Distribution and Licensing (Digital Copyright Licensor Focus)
267(3)
9.5.4 Open Source Licences: Checklist of Licensing Options
270(4)
9.5.5 Creative Commons
274(2)
9.5.6 Cloud Computing/Software as a Service (SaaS)
276(1)
9.5.7 Linking Agreement
277(3)
9.5.8 Website Terms
280(4)
9.5.9 App Terms/EULA
284(1)
9.5.10 Sample Assignment of Copyright, Moral Rights Waiver/Assertion and Licence
284(2)
9.6 Consumers and Copyright Agreements
286(3)
Index 289
Simon Stokes is a solicitor and a partner with Blake Morgan in London.