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Digital Curation in the Digital Humanities: Preserving and Promoting Archival and Special Collections [Pehme köide]

(Assistant Professor and Digital Initiatives Librarian, University of Toledo Library, University of Toledo, Ohio, USA.)
  • Formaat: Paperback / softback, 182 pages, kõrgus x laius: 229x152 mm, kaal: 270 g
  • Ilmumisaeg: 14-Apr-2015
  • Kirjastus: Chandos Publishing (Oxford) Ltd
  • ISBN-10: 0081001436
  • ISBN-13: 9780081001431
  • Formaat: Paperback / softback, 182 pages, kõrgus x laius: 229x152 mm, kaal: 270 g
  • Ilmumisaeg: 14-Apr-2015
  • Kirjastus: Chandos Publishing (Oxford) Ltd
  • ISBN-10: 0081001436
  • ISBN-13: 9780081001431

Archives and special collections departments have a long history of preserving and providing long-term access to organizational records, rare books, and other unique primary sources including manuscripts, photographs, recordings, and artifacts in various formats. The careful curatorial attention to such records has also ensured that such records remain available to researchers and the public as sources of knowledge, memory, and identity. Digital curation presents an important framework for the continued preservation of digitized and born-digital collections, given the ephemeral and device-dependent nature of digital content. With the emergence of analog and digital media formats in close succession (compared to earlier paper- and film-based formats) came new standards, technologies, methods, documentation, and workflows to ensure safe storage and access to content and associated metadata. Researchers in the digital humanities have extensively applied computing to research; for them, continued access to primary data and cultural heritage means both the continuation of humanities scholarship and new methodologies not possible without digital technology.Digital Curation in the Digital Humanities, therefore, comprises a joint framework for preserving, promoting, and accessing digital collections. This book explores at great length the conceptualization of digital curation projects with interdisciplinary approaches that combine the digital humanities and history, information architecture, social networking, and other themes for such a framework. The individual chapters focus on the specifics of each area, but the relationships holding the knowledge architecture and the digital curation lifecycle model together remain an overarching theme throughout the book; thus, each chapter connects to others on a conceptual, theoretical, or practical level.

  • theoretical and practical perspectives on digital curation in the digital humanities and history
  • in-depth study of the role of social media and a social curation ecosystem
  • the role of hypertextuality and information architecture in digital curation
  • study of collaboration and organizational dimensions in digital curation
  • reviews of important web tools in digital humanities

Muu info

Provides a joint framework for preserving, promoting, and accessing digital collections
List of figures and tables
vii
About the author ix
Preface and Acknowledgments xi
Introduction 1(10)
Conceptualizing the framework for digital curation
1(10)
1 Defining digital curation in the digital humanities context
11(16)
Foundational definitions for curation
12(1)
Digital curation
13(1)
Digital preservation
14(1)
Lifecycle of digital contents
15(1)
Levels of curation
16(3)
Digital humanities data curation
19(4)
Using linked open data in digital curation
23(2)
Conclusion
25(2)
2 Archives and special collections in the digital humanities
27(22)
Defining the digital humanities
27(3)
Characteristics of Digital Humanities
30(1)
Discursive concerns in the digital humanities
31(1)
The role of archives in the digital humanities
32(3)
Archives and the linguistic turn
35(1)
Digital humanities projects involving archives and libraries
36(2)
Digital humanities project descriptions
38(6)
Digital humanities curation in the classroom
44(3)
Conclusion
47(2)
3 Digital history, archives, and curating digital cultural heritage
49(20)
Defining digital history
50(1)
Paradigm shifts in archival curation
51(4)
Digital historiography and archives
55(1)
Digital historical representations
56(2)
Historical hypertext
58(2)
Digital history data curation
60(2)
Digital historiography and digital curation
62(4)
Conclusion
66(3)
4 Information architecture and hypertextuality: concerns for digital curation
69(26)
Defining information architecture
70(1)
Digital curation of hypertextual content
71(2)
Information architecture and hypertextuality
73(11)
Spatial, temporal, and ontological dimensions in information architecture
84(1)
Localized approaches at the Ward M. Canaday Center for special collections
85(6)
Information architecture for online and hybrid courses in digital humanities
91(2)
Conclusion
93(2)
5 Digital curation lifecycle in practice
95(14)
Overview of the DCC curation lifecycle model
96(1)
Conceptualization and the master plan
97(1)
Curation of data sets and digital objects
98(1)
Full lifecycle actions
99(1)
Preservation planning
99(1)
Preservation and conservation in the curation lifecycle
100(1)
Description and representation information
101(1)
Community watch and participation
102(1)
Sequential actions
103(5)
Occasional actions
108(1)
Conclusion
108(1)
6 Organizational dimensions of digital curation
109(16)
Knowledge management in digital curation
110(1)
Knowledge architectures for digital curation
111(1)
Knowledge transfer in digital curation
112(1)
Organizational contexts for knowledge architectures
113(10)
Conclusion
123(2)
7 Social networks' impact on digital curation
125(22)
Cross-curation, social curation ecosystems, and cultural heritage
126(1)
Hypertextuality and ontologies in social media
127(1)
Social network theory, hypertextuality, and cross-curation
128(5)
Social networking and Web 2.0 tools in archives
133(10)
The social curation ecosystem in Toledo's Attic
143(3)
Conclusion
146(1)
Afterword 147(4)
References 151(10)
Index 161
Arjun Sabharwal joined the University of Toledo Library faculty in January 2009 as Assistant Professor and Digital Initiatives Librarian. He holds a Master of Library and Information Science and a Graduate Certificate in Archival Administration in addition to previously earned graduate degrees. He oversees the digital preservation of archival collections, manages the Toledo's Attic virtual museum web site, designs virtual exhibitions, leads the planning and implementation of UTOPIA (The University of Toledo OPen Institutional Archive) and the University of Toledo Digital Repository at the university, and manages digitization projects. Current professional interests include archiving, digital humanities, digital history, and developing thematic research collections. He has authored several research articles and reviews, and presented at conferences on work related to archives and digital libraries. Since 2010, he has engaged in digital scholarship via his international blog on ResearchGate titled Digital Humanities and Archives.