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Digital Filmmaking Handbook 4th edition [Pehme köide]

  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 231x187x34 mm, kaal: 1110 g, figures, colour plates
  • Ilmumisaeg: 01-Jul-2011
  • Kirjastus: Delmar Cengage Learning
  • ISBN-10: 1435459113
  • ISBN-13: 9781435459113
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  • Formaat: Paperback / softback, 608 pages, kõrgus x laius x paksus: 231x187x34 mm, kaal: 1110 g, figures, colour plates
  • Ilmumisaeg: 01-Jul-2011
  • Kirjastus: Delmar Cengage Learning
  • ISBN-10: 1435459113
  • ISBN-13: 9781435459113
Looks at the digital filmmaking process, covering such topics as choosing a camera, lighting, sound, editing, color correction, and compositing.



THE DIGITAL FILMMAKING HANDBOOK, FOURTH EDITION is a comprehensive digital filmmaking resource for everyone--from beginners to professionals. This book guides you through the modern digital filmmaking workflow from initial concept to finished project and shows you all the tools that will make the process run smoothly and easily. Organized into three parts, just like a film shoot, the book covers preproduction, production, and postproduction. In the preproduction section, you'll go through the decisions necessary to start shooting: writing, technology basics, planning, scheduling, storyboarding, set design, and choosing a camera. Production covers the principal shoot of your project: lighting, using the camera, shooting, and recording production sound. And postproduction wraps up with workstations and equipment, organizing and media management, editing, sound design, color correction, titles, special effects, and delivery of the finished product. Completely revised to cover all the latest digital video technology and innovations, this fourth edition includes information on HD video, shooting with digital SLR cameras, workflows for tapeless recording, and much more. THE DIGITAL FILMMAKING HANDBOOK, FOURTH EDITION will help you navigate the ever-changing developments of new filmmaking technology while keeping the big picture in mind: storytelling.

Arvustused

1. Introduction. 2. Writing and Scheduling. 3. Video Technology Basics. 4. Choosing a Camera. 5. Planning Your Shoot. 6. Lighting. 7. Video Cameras. 8. Digital Still Cameras (DSLRs). 9. Shooting. 10. Production Sound. 11. Workstations and Hardware for Editing. 12. Editing Software. 13. Preparing to Edit. 14. Editing. 15. Sound Editing. 16. Color Correction. 17. Titling and Motion Graphics. 18. Output. About the DVD. Glossary.

Introduction xxiii
1 Getting Started 2(10)
Better, Cheaper, Easier
3(5)
Who This Book Is For
8(1)
What Kind of Digital Film Should You Make?
8(4)
2 Writing and Scheduling 12(22)
Screenwriting
13(13)
Finding a Story
14(1)
Structure
14(2)
Writing Visually
16(2)
Formatting Your Script
18(5)
Writing for Television
23(1)
Writing for "Unscripted"
24(1)
Writing for Corporate Projects
25(1)
Scheduling
26(1)
Breaking Down a Script
27(7)
Choosing a Shooting Order
29(1)
How Much Can You Shoot in a Day?
29(1)
Production Boards
30(2)
Scheduling for Unscripted Projects
32(2)
3 Digital Video Primer 34(26)
What Is HD?
35(1)
Components of Digital Video
36(7)
Tracks
36(1)
Frames
36(1)
Scan Lines
37(1)
Pixels
38(3)
Audio Tracks
41(1)
Audio Sampling
42(1)
Working with Analog or SD Video
43(3)
Digital Image Quality
46(3)
Color Sampling
47(1)
Bit Depth
48(1)
Compression Ratios
49(1)
Data Rate
49(1)
Understanding Digital Media Files
49(6)
Digital Video Container Files
50(1)
Codecs
50(5)
Audio Container Files and Codecs
55(1)
Transcoding
55(2)
Acquisition Formats
57(1)
Unscientific Answers to Highly Technical Questions
58(2)
4 Choosing a Camera 60(32)
Evaluating a Camera
61(1)
image Quality
62(7)
Sensors
62(3)
Compression
65(1)
Sharpening
66(2)
White Balance
68(1)
Image Tweaking
68(1)
Lenses
69(3)
Lens Quality
69(1)
Lens Features
70(1)
Interchangeable Lenses
71(1)
Never Mind the Reasons, How Does It Look?
72(1)
Camera Features
73(14)
Camera Body Types
73(3)
Manual Controls
76(1)
Focus
76(1)
Shutter Speed
77(2)
Aperture Control
79(2)
Image Stabilization
81(1)
Viewfinder
82(1)
Interface
83(1)
Audio
84(1)
Media Type
85(1)
Wireless
86(1)
Batteries and AC Adaptors
86(1)
DSLRs
87(1)
Use Your Director of Photography
88(1)
Accessorizing
89(2)
Tripods
89(1)
Field Monitors
90(1)
Remote Controls
90(1)
Microphones
90(1)
Filters
90(1)
All That Other Stuff
91(1)
What You Should Choose
91(1)
5 Planning Your Shoot 92(28)
Storyboarding
93(11)
Shots and Coverage
95(2)
Camera Angles
97(4)
Computer-Generated Storyboards
101(3)
Less Is More
104(1)
Camera Diagrams and Shot Lists
104(4)
Location Scouting
108(4)
Production Design
112(4)
Art Directing Basics
113(1)
Building a Set
113(1)
Set Dressing and Props
114(1)
DIY Art Direction
114(2)
Visual Planning for Documentaries
116(1)
Effects Planning
117(3)
Creating Rough Effects Shots
119(1)
6 Lighting 120(22)
Film-Style Lighting
121(1)
The Art of Lighting
122(3)
Three-Point Lighting
122(3)
Types of Light
125(4)
Color Temperature
125(1)
Types of Lights
126(1)
Wattage
126(3)
Controlling the Quality of Light
129(3)
Lighting Gels
131(1)
Diffusion
131(1)
Lighting Your Actors
132(3)
Tutorial: Three-Point Lighting
132(3)
Interior Lighting
135(1)
Power Supply
135(1)
Mixing Daylight and Interior Light
135(1)
Using Household Lights
136(1)
Exterior lighting
136(2)
Enhancing Existing Daylight
137(1)
Video Lighting
138(1)
Low-Light Shooting
139(1)
Special Lighting Situations
139(3)
Lighting for Video-to-Film Transfers
140(1)
Lighting for Blue and Green Screen
140(2)
7 Using the Camera 142(34)
Setting Focus
143(4)
Using the Zoom Lens
147(5)
Controlling the Zoom
151(1)
Exposure
152(6)
Aperture
153(1)
Shutter Speed
154(2)
Gain
156(1)
Which One to Adjust?
157(1)
Exposure and Depth of Field
157(1)
White Balancing
158(4)
Composition
162(8)
Headroom
164(1)
Lead Your Subject
164(3)
Following Versus Anticipating
167(1)
Don't Be Afraid to Get Too Close
167(1)
Listen
168(1)
Eyelines
168(1)
Clearing Frame
169(1)
Beware of the Stage Line
169(1)
TV Framing
169(1)
Breaking the Rules
170(1)
Camera Movement
170(4)
Panning and Tilting
170(1)
Zooms and Dolly Shots
171(1)
Tracking Shots
171(1)
Handholding
171(2)
Deciding When to Move
173(1)
Shooting Checklist
174(2)
8 Production Sound 176(24)
What You Want to Record
177(1)
Microphones
178(10)
What a Mic Hears
179(3)
How a Mic Hears
182(1)
Types of Mics
183(2)
Mixing
185(1)
Connecting It All Up
186(1)
Wireless Mics
187(1)
Setting Up
188(9)
Placing Your Mics
188(6)
Getting the Right Sound for the Picture
194(1)
Testing Sound
195(1)
Reference Tone
196(1)
Managing Your Set
196(1)
Recording Your Sound
197(2)
Room Tone
198(1)
Run-and-Gun Audio
198(1)
Gear Checklist
199(1)
9 Shooting and Directing 200(10)
The Shooting Script
201(1)
Updating the Shooting Script
202(1)
Directing
202(1)
Rehearsals
203(1)
Managing the Set
204(1)
Putting Plans into Action
205(3)
Double-Check Your Camera Settings
206(1)
The Protocol of Shooting
206(1)
Respect for Acting
206(2)
Organization on the Set
208(2)
Script Supervising for Scripted Projects
208(1)
Documentary Field Notes
209(1)
10 DSLRs and Other Advanced Shooting Situations 210(30)
What's Different with a DSLR?
211(3)
DSLR Camera Settings for HD Video
214(2)
Working with Interchangeable Lenses
216(2)
What Lenses Do I Need?
216(2)
How to Get a Shallow Depth of Field
218(1)
Measuring and Pulling Focus
219(2)
Measuring Focus
220(1)
Pulling Focus
220(1)
Advanced Camera Rigging and Supports
221(3)
Viewing Video on the Set
224(3)
Double-System Audio Recording
227(3)
How to Record Double-System Audio
229(1)
Multi-Cam Shooting
230(3)
Multi-Cam Basics
231(1)
Challenges of Multi-Cam Shoots
232(1)
Going Tapeless
233(4)
On-set Media Workstations
234(1)
Media Cards and Workflow
234(1)
Organizing Media on the Set
235(2)
Audio Media Workflow
237(1)
Shooting Blue-Screen Effects
237(3)
11 Editing Gear 240(14)
Setting Up a Workstation
241(6)
CPU
242(1)
RAM
242(1)
Storage
242(1)
Monitors
243(1)
Videotape Interface
244(2)
Custom Keyboards and Controllers
246(1)
Backing Up
246(1)
Networked Systems
247(2)
Storage Area Networks (SANs) and Network-Attached Storage (NAS)
247(1)
Cloud Storage
248(1)
Render Farms
248(1)
Audio Equipment
249(1)
Digital Video Cables and Connectors
250(2)
FireWire
250(1)
HDMI
250(1)
SDI and HD-SDI
250(1)
Fibre Channel
251(1)
Thunderbolt
251(1)
RS-422
251(1)
Audio Interfaces
251(1)
Know What You Need
252(2)
12 Editing Software 254(16)
The Interface
255(1)
Editing Tools
256(5)
Drag-and-Drop Editing
256(1)
Three-Point Editing
256(1)
JKL Editing
257(1)
Insert and Overwrite Editing
257(1)
Trimming
258(1)
Ripple and Roll, Slip and Slide
258(1)
Multi-Camera Editing
259(1)
Advanced Features
260(1)
Organizational Tools
261(1)
Importing Media
262(2)
Effects and Titles
264(2)
Types of Effects
264(2)
Titles
266(1)
Audio Tools
266(2)
Equalization
267(1)
Audio Effects and Filters
267(1)
Audio Plug-In Formats
267(1)
Mixing
267(1)
OMF Export
268(1)
Finishing Tools
268(1)
Our Software Recommendations
268(1)
Know What You Need
269(1)
13 Preparing to Edit 270(20)
Organizing Your Media
272(4)
Create a Naming System
273(1)
Setting Up Your Project
274(2)
Importing and Transcoding
276(4)
Capturing Tape-based Media
280(2)
Logging
280(2)
Capturing
282(1)
Importing Audio
282(1)
Importing Still Images
283(1)
Moving Media
284(1)
Sorting Media After Ingest
285(1)
How to Sort by Content
286(1)
Synchronizing Double-System Sound and Picture
286(2)
Preparing Multi-Camera Media
288(1)
Troubleshooting
288(2)
14 Editing 290(26)
Editing Basics
291(2)
Applied Three-Act Structure
293(1)
Building a Rough Cut
293(12)
Watch Everything
294(1)
Radio Cuts
294(1)
Master Shot—Style Coverage
294(1)
Tutorial: Creating a First Cut
295(10)
Editing Techniques
305(6)
Cutaways and Reaction Shots
305(1)
Matching Action
306(1)
Matching Screen Position
307(1)
Overlapping Edits
307(1)
Matching Emotion and Tone
308(1)
Pauses and Pull-Ups
308(1)
Hard Sound Effects and Music
309(1)
Tutorial: Refining Your Cut
309(2)
Transitions Between Scenes
311(1)
Hard Cuts
311(1)
Dissolves, Fades, and Wipes
311(1)
Establishing Shots
311(1)
Clearing Frame and Natural "Wipes"
312(1)
Solving Technical Problems
312(1)
Missing Elements
312(1)
Temporary Elements
312(1)
Multi-Cam Editing
313(1)
Fine Cutting
314(2)
Editing for Style
314(1)
Duration
315(1)
The Big Picture
315(1)
15 Sound Editing 316(28)
Sounding Off
317(1)
Setting Up
318(1)
Temp Mixes
319(1)
Audio Levels Metering
320(1)
Clipping and Distortion
321(1)
Using Your Editing App for Sound
321(4)
Dedicated Sound Editing Apps
325(2)
Moving Your Audio
327(1)
Editing Sound
328(3)
Unintelligible Dialogue
328(1)
Changes in Tone
329(1)
Is There Extraneous Noise in the Shot?
329(1)
Are There Bad Video Edits That Can Be Reinforced with Audio?
330(1)
Is There Bad Audio?
330(1)
Are There Vocal Problems You Need to Correct?
330(1)
Dialogue Editing
331(2)
ADR
332(1)
Non-Dialogue Voice Recordings
332(1)
EQ Is Your Friend
333(3)
Sound Effects
336(1)
Sound Effect Sources
337(1)
Music
337(5)
Editing Music
338(1)
License to Play
339(1)
Finding a Composer
340(1)
Do It Yourself
341(1)
Fix It in the Mix
342(2)
16 Color Correction 344(22)
Color Correction
346(4)
Advanced Color Controls
349(1)
Seeing Color
350(5)
A Less Scientific Approach
353(1)
Too Much of a Good Thing
354(1)
Brightening Dark Video
355(3)
Compensating for Overexposure
358(2)
Correcting Bad White Balance
360(1)
Matching Footage from Different Cameras and Shoots
361(1)
Using Tracks and Layers to Adjust Color
362(1)
Black-and-White Effects
362(1)
Correcting Color for Film
363(1)
Making Your Video Look Like Film
363(2)
One More Thing
365(1)
17 Titles and Effects 366(44)
Titles
367(10)
Choosing Your Typeface and Size
368(1)
Ordering Your Titles
369(1)
Coloring Your Titles
370(1)
Placing Your Titles
370(1)
Safe Titles
371(1)
Tutorial: Create Your Main Title
372(5)
Motion Effects
377(2)
Keyframes and Interpolating
377(2)
Slow-Mo and Speed Ramps
379(1)
Integrating Still Images and Video
379(1)
Special Effects Workflow
380(3)
Corn positing 101
383(21)
Keys
384(1)
Tutorial: Creating a Luminance Key
385(5)
Tutorial: Using a Chroma Key
390(4)
Keying Tips
394(2)
Mattes
396(2)
Mixing SD and HD Footage
398(3)
Tutorial: Adding Camera Shake
401(3)
Using Effects to Fix Problems
404(5)
Eliminating Camera Shake
404(1)
Getting Rid of Things
405(4)
Moving On
409(1)
18 Finishing 410(33)
What Do You Need?
412(2)
Start Early
412(1)
What Is Mastering?
413(1)
What to Do Now
414(1)
Preparing for Film Festivals
414(1)
DIY File-Based Masters
415(5)
Preparing Your Sequence
415(3)
Color Grading
418(1)
Create a Mix
419(1)
Make a Textless Master
420(2)
Export Your Masters
420(1)
Watch Your Export
421(1)
Web Video and Video-on-Demand
422(4)
Streaming or Download?
422(1)
Compressing for the Web
423(2)
Choosing a Data Rate
425(1)
Choosing a Keyframe Interval
425(1)
DVD and Blu-Ray Discs
426(6)
DVD and Blu-Ray Compression
428(2)
DVD and Blu-Ray Disc Authoring
430(2)
High-End Finishing
432(3)
Reel Changes
432(1)
Preparing for a Professional Audio Mix
433(1)
Preparing for Professional Color Grading
434(1)
Putting Audio and Video Back Together
435(1)
Digital Videotape Masters
435(2)
35mm Film Prints
437(3)
The Film Printing Process
438(1)
Printing from a Negative
438(1)
Direct-to-Print
439(1)
Optical Soundtracks
439(1)
Digital Cinema Masters
440(1)
Archiving Your Project
441(2)
Glossary 443(28)
Index 471
Ben Long is a San Francisco-based photographer, writer, and teacher. The author of more than two dozen books on digital photography and digital video, he is also a senior contributing editor to Macworld magazine, a contributing editor at CreativePro.com, and the author of several best-selling Lynda.com photography courses. His photography clients have included 20th Century Fox, Blue Note Records, Global Business Network, the San Francisco Jazz Festival, the Pickle Family Circus, and Grammy-nominated jazz musicians Don Byron and Dafnis Prieto. He has taught and lectured on photography around the world, including workshops at the Santa Reparata International School of the Arts in Florence and a class for imaging engineers at Apple, Inc. He occasionally dabbles in computer programming and has written image editing utilities that are used by National Geographic, the British Museum, and the White House. Sonja Schenk is a director, producer, and writer based in Los Angeles. She directed the comedic feature film "The Olivia Experiment," which will be released in theaters in 2014. She has been an executive producer of several popular television shows including "The Bachelor," "The Bachelorette," and "High School Reunion." She began her career as a video artist and exhibited early works at the AFI Festival, Artists Space in New York, and New Langton Arts in San Francisco. After completing her MFA at USC in film, she edited documentaries for HBO, the BBC, Channel 4, Canal Plus and FX and also the indie feature "Britney Baby One More Time," which screened at the Sundance Film Festival, the Rotterdam Film Festival, Outfest, Frameline and many others. She is currently developing a second narrative feature film and is also in preproduction on a documentary feature. She is also the author of Digital Non-Linear Desktop Editing and co-author of the earlier editions of The Digital Filmmaking Handbook.