|
|
|
|
Select Good Photo Opportunities |
|
|
4 | (2) |
|
It Starts with Four Letters |
|
|
6 | (2) |
|
Master Your Camera to Get Great Photos |
|
|
8 | (2) |
|
Choose the Image File Format to Suit Your Needs |
|
|
10 | (2) |
|
Set the Image Resolution and Compression Level |
|
|
12 | (2) |
|
Control Your Camera's Light Sensitivity with the ISO Setting |
|
|
14 | (2) |
|
Improve Color with the White Balance Setting |
|
|
16 | (2) |
|
Shoot Your Best from the Start |
|
|
18 | (2) |
|
Pack for a Successful Shoot |
|
|
20 | (4) |
|
Consider Light More Than Illumination |
|
|
|
Pick Good Light for Better Photos |
|
|
24 | (2) |
|
Shoot Effectively in Bright Sun |
|
|
26 | (1) |
|
Shoot in the Shade for Gentle Light |
|
|
27 | (1) |
|
Take Advantage of the Golden Hour |
|
|
28 | (1) |
|
Control Light with a Reflector |
|
|
29 | (1) |
|
Control Natural Light with a Diffuser |
|
|
30 | (1) |
|
Open Up Harsh Shadows with Fill Flash |
|
|
31 | (1) |
|
Illuminate Portraits with Window Light |
|
|
32 | (2) |
|
Get Your Flash Off Camera for Directional Light |
|
|
34 | (2) |
|
Use Bounce Flash for Better Indoor Lighting |
|
|
36 | (1) |
|
|
|
37 | (3) |
|
|
|
|
Understanding Exposure to Get the Photos You Want |
|
|
40 | (2) |
|
Know What Meters Really Do |
|
|
42 | (2) |
|
Discover Different Exposure Modes |
|
|
44 | (2) |
|
Choose an Appropriate Program Mode |
|
|
46 | (2) |
|
Using the Histogram to Get the Exposure You Want |
|
|
48 | (2) |
|
Improve Exposure with Exposure Compensation |
|
|
50 | (2) |
|
Avoid Blown-Out Highlights |
|
|
52 | (2) |
|
Shoot Two Photos to Get More Exposure Range |
|
|
54 | (4) |
|
Control Sharpness and Depth of Field |
|
|
|
Use a Tripod for Top Sharpness |
|
|
58 | (1) |
|
Show Action Using a Fast Shutter Speed |
|
|
59 | (1) |
|
Show Action Using a Slow Shutter Speed |
|
|
60 | (1) |
|
Add Drama by Panning with the Subject |
|
|
61 | (1) |
|
Understand Depth of Field |
|
|
62 | (2) |
|
Control Focus Creatively with Deep Depth of Field |
|
|
64 | (2) |
|
Create Cool Effects with Shallow Depth of Field |
|
|
66 | (2) |
|
Understanding Focal Length |
|
|
68 | (2) |
|
Control Perspective with Focal Length |
|
|
70 | (2) |
|
Control Background with Focal Length and Aperture |
|
|
72 | (4) |
|
|
|
|
Look for Photographs, Not Subjects |
|
|
76 | (2) |
|
Consider the Possibilities |
|
|
78 | (2) |
|
Compose for Maximum Effect |
|
|
80 | (2) |
|
|
|
82 | (2) |
|
|
|
84 | (2) |
|
Shoot Details to Create Interest |
|
|
86 | (2) |
|
Bracket Your Compositions |
|
|
88 | (2) |
|
Shoot Better by Studying EXIF Data |
|
|
90 | (2) |
|
Take Better Photos with Patience, Practice, and Effort |
|
|
92 | (4) |
|
Try Creative Photo Techniques |
|
|
|
Focus Attention on Your Subject |
|
|
96 | (2) |
|
Shoot Color for Dramatic Photos |
|
|
98 | (2) |
|
Show Movement with a Neutral Density Filter |
|
|
100 | (1) |
|
Control Color and Reflections with a Polarizer |
|
|
101 | (1) |
|
Shoot Photos for a Panorama |
|
|
102 | (2) |
|
Shoot Photos with a ``Wow!'' Factor |
|
|
104 | (1) |
|
Shoot Scenes with Low Contrast |
|
|
105 | (1) |
|
|
|
106 | (1) |
|
Shoot Patterns and Shapes |
|
|
107 | (1) |
|
Combine Flash and Ambient Light |
|
|
108 | (2) |
|
Experiment to Create Unique Photos |
|
|
110 | (1) |
|
|
|
111 | (3) |
|
Basic Image Workflow with Adobe Photoshop Elements |
|
|
|
|
|
114 | (2) |
|
Protect and Preserve Original Photo Files |
|
|
116 | (2) |
|
Crop and Straighten Your Photos |
|
|
118 | (2) |
|
Process for Strong Blacks and Whites |
|
|
120 | (2) |
|
|
|
122 | (2) |
|
|
|
124 | (2) |
|
Adjust Color with Hue/Saturation |
|
|
126 | (2) |
|
Convert RAW Files with Adobe Camera Raw |
|
|
128 | (2) |
|
Understanding Color Space |
|
|
130 | (2) |
|
Reveal Dark and Light Detail with the Shadows/Highlights Command |
|
|
132 | (2) |
|
|
|
134 | (2) |
|
Keep Track of Your Adjustments |
|
|
136 | (4) |
|
Beyond the Basics with Photoshop Elements |
|
|
|
|
|
140 | (4) |
|
|
|
144 | (2) |
|
Using Adjustment Layers to Gain Flexibility |
|
|
146 | (2) |
|
Use Layer Masks to Isolate Your Changes |
|
|
148 | (2) |
|
Combine Selections with Layer Masks |
|
|
150 | (1) |
|
Lighten or Darken a Portion of an Image |
|
|
151 | (1) |
|
Correct Exposure Problems |
|
|
152 | (2) |
|
Remove Unwanted Elements with the Clone Stamp Tool |
|
|
154 | (1) |
|
Convert Color to Black-and-White ok |
|
|
155 | (1) |
|
Double-Process Raw for More Detail |
|
|
156 | (2) |
|
Combine Two Exposures for a Better Tonal Range |
|
|
158 | (4) |
|
|
|
|
Understanding Color Management |
|
|
162 | (2) |
|
|
|
164 | (2) |
|
|
|
166 | (2) |
|
Crop a Photo to a Specified Size |
|
|
168 | (2) |
|
Precisely Position Photos on a Page |
|
|
170 | (2) |
|
Print Multiple Photos on a Page |
|
|
172 | (2) |
|
|
|
174 | (2) |
|
Create a Photo Book Online |
|
|
176 | (4) |
|
|
|
|
Prepare Photos for Use on the Web |
|
|
180 | (2) |
|
Organize Your Digital Photos |
|
|
182 | (6) |
|
Archive Your Digital Photo Collection to a DVD |
|
|
188 | (4) |
|
|
|
192 | (2) |
|
Create a Digital Photo Album |
|
|
194 | (2) |
|
Create a Web Photo Gallery |
|
|
196 | (4) |
|
|
|
200 | (4) |
|
|
|
204 | (2) |
|
Create a Photo Greeting Card |
|
|
206 | (4) |
|
|
|
210 | |
