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Digital Poetics: An Open Theory of Design-Research in Architecture [Pehme köide]

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  • Formaat: Paperback / softback, 366 pages, kõrgus x laius: 240x220 mm, kaal: 997 g
  • Sari: Design Research in Architecture
  • Ilmumisaeg: 28-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 1409445232
  • ISBN-13: 9781409445234
Teised raamatud teemal:
Digital Poetics: An Open Theory of Design-Research in ArchitectureSuurem pilt
  • Formaat: Paperback / softback, 366 pages, kõrgus x laius: 240x220 mm, kaal: 997 g
  • Sari: Design Research in Architecture
  • Ilmumisaeg: 28-Dec-2013
  • Kirjastus: Routledge
  • ISBN-10: 1409445232
  • ISBN-13: 9781409445234
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9781409445234.html
Digital Poetics celebrates the architectural design exuberance made possible by new digital modelling techniques and fabrication technologies. By presenting an unconventional and original ’humanistic’ theory of CAD (computer-aided design), the author suggests that beyond the generation of innovative engineering forms, digital design has the potential to affect the wider complex cultural landscape of today in profound ways. The book is linked to a website, which contains a larger selection of images of some featured projects.

Arvustused

Recently in many architectural schools efforts intensified to further develop architectural research. Exciting new avenues are being explored, relying upon the design skills of architects and urban designers, combining them with intellectual rigor and in-depth thinking, in order to imagine new spatialities and to unfold hitherto unknown spatial experiences. This series highlights the innovative results of these explorations, opening up a new world of path-breaking research. Hilde Heynen, University of Leuven, Belgium

List of Illustrations
ix
Acknowledgements xxiii
Introduction: Advolution 1(32)
0.1 Why and What Theory?
2(10)
0.1.1 An experimental theory of design-research
4(4)
0.1.2 A speculative theory of volution(s)
8(3)
0.1.3 A propositional theory of convolution
11(1)
0.2 Why and What Digital?
12(9)
0.2.1 The postcyber, postvirtual paradigm
12(2)
0.2.2 The postliquid paradigm
14(3)
0.2.3 The postdigital paradigm
17(4)
0.3 Why and What Poetics?
21(12)
0.3.1 Poetics, not poetry
22(2)
0.3.2 Academic poetics
24(1)
0.3.3 The poetic image and poetic capacity
25(8)
1 Devolution
33(40)
1.1 The Authoritarian Architect
34(8)
1.1.1 Child of practice and theory
35(2)
1.1.2 Armed at all points
37(1)
1.1.3 Doing the thinking vs. thinking the doing
38(4)
1.2 The Modern Model
42(12)
1.2.1 Character, composition
43(2)
1.2.2 Durand's doctrine
45(4)
1.2.3 Engineering the architect
49(5)
1.3 The Authored Model
54(19)
1.3.1 The grid in the loop
54(6)
1.3.2 Morphing away from the constructive diagram
60(4)
1.3.3 Typology, volution, properties
64(9)
2 Evolution
73(34)
2.1 Utensil
73(5)
2.1.1 Phenomenal thing
73(2)
2.1.2 Irrational tool analogy
75(1)
2.1.3 `Philosophical toy'
76(2)
2.2 Machine
78(9)
2.2.1 Passion, deception
78(1)
2.2.2 Automata, robots
79(2)
2.2.3 The modern machine
81(6)
2.3 Computer
87(20)
2.3.1 Postfunctional computing
87(5)
2.3.2 Postpersonal computing
92(1)
2.3.3 Postorganic computing
93(14)
3 Involution
107(36)
3.1 Involvement/Mediation
107(10)
3.1.1 Interfaces/intrafaces
108(1)
3.1.2 Software agency
109(5)
3.1.3 Contemplation/poetic distance
114(3)
3.2 Penetration
117(12)
3.2.1 Photopoetics
117(7)
3.2.2 Magic/surgery
124(2)
3.2.3 Protodigitality
126(3)
3.3 Domestication
129(14)
3.3.1 Gendered other
129(3)
3.3.2 Castrated pet
132(2)
3.3.3 Acquiescent soft toy
134(9)
4 Revolution
143(68)
4.1 Performance
143(13)
4.1.1 Digital mimesis
143(4)
4.1.2 Deception/fantasy
147(4)
4.1.3 Meaning/information
151(5)
4.2 Production
156(44)
4.2.1 Metareproduction
156(4)
4.2.2 CADemiurgy
160(4)
4.2.3 Interdimensionality
164(36)
4.3 Reflections
200(11)
4.3.1 Reflection (mirror image)
200(3)
4.3.2 Reflections (contemplation)
203(1)
4.3.3 Reflex (poetic automatism/digital bliss)
204(7)
Conclusion: Deconvolution 211(6)
Bibliography 217(16)
Index 233
Dr Marjan Colletti is a practising architect, educator, researcher and author on digital architecture. He is a Senior Lecturer at the Bartlett School of Architecture, UCL, UK and University Professor at the University of Innsbruck, Germany, where he co-directs (with Prof. Patrik Schumacher) the Institute for Experimental Architecture.Hochbau. He is the co-founder of the London-based architecture studio marcosandmarjan.