| Introduction |
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xvii | |
| Sharing Secrets |
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xviii | |
| The Learning Process |
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xix | |
| Basic People Photography Tips |
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xx | |
| Place the Subject Off Center |
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xxi | |
| Master Studio-Style Lighting |
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xxii | |
| Watch the Hands |
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xxiii | |
| Work Close for an Intimate Portrait |
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xxiv | |
| Expose for the Highlights |
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xxv | |
| Envision the End-Result |
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xxvi | |
| Make Pictures; Don't Simply Take Pictures |
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xxvii | |
| Always Consider Digital Noise and ISO Setting |
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xxviii | |
| Use---Don't Overuse---the Disequilibrium Effect |
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xxix | |
| The Camera Looks Both Ways |
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xxx | |
| People Photography Tidbits |
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xxxi | |
| Make the Time |
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xxxii | |
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1 | (14) |
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2 | (1) |
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3 | (1) |
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4 | (1) |
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5 | (1) |
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Point and Shoot in the Studio |
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6 | (1) |
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Practice Studio Lighting with a Dummy |
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7 | (1) |
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Cover the Excitement at the Bride's House |
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8 | (1) |
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Don't Miss the Key Ceremony Shots |
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9 | (1) |
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10 | (1) |
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Be Creative with Group Photographs |
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11 | (1) |
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Utilize Nice Natural Backgrounds |
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12 | (1) |
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Shoot from Creative Angles |
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13 | (1) |
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Learn Digital Darkroom Enhancements |
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14 | (1) |
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Part 2: Lights, Camera, Computers ... Action |
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15 | (20) |
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16 | (1) |
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17 | (1) |
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Professional Portrait Lenses |
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18 | (1) |
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19 | (1) |
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20 | (1) |
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21 | (1) |
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22 | (1) |
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23 | (1) |
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Basic Hot Light and Strobe Light Kits |
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24 | (1) |
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25 | (1) |
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26 | (1) |
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27 | (1) |
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28 | (1) |
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My On-Location Light Controller and Tote |
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29 | (1) |
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30 | (1) |
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31 | (1) |
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32 | (1) |
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Behind-the-Scenes with Diffusers and Reflectors |
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33 | (2) |
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35 | (10) |
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36 | (1) |
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37 | (1) |
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Change the Color of the Background |
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38 | (1) |
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39 | (1) |
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Begin with the End in Mind |
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40 | (1) |
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Experiment with Creative Poses |
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41 | (1) |
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Behind the Scenes: Painting with Light |
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42 | (1) |
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Behind the Scenes: Three-Light Set-Up |
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43 | (1) |
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44 | (1) |
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Part 4: Weekend Wedding Photographer |
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45 | (62) |
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Shoot Candid and Formal Photographs |
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46 | (1) |
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47 | (1) |
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Envision the Black-and-White Image |
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48 | (1) |
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49 | (1) |
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Get the Three-Quarters Shot |
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50 | (1) |
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Brides Love the Full-Length Shot |
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51 | (1) |
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52 | (1) |
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Choose the Best Background |
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53 | (1) |
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Blur and Blowout the Background |
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54 | (1) |
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Consider the Bride's Feelings |
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55 | (1) |
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56 | (1) |
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57 | (1) |
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58 | (1) |
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59 | (1) |
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Go for Rembrandt Lighting |
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60 | (1) |
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Capture that Beautiful Catch Light |
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61 | (1) |
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62 | (1) |
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Photograph What's Important to the Bride |
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63 | (1) |
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64 | (1) |
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Create an Intimate Portrait |
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65 | (1) |
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The Head-and-Shoulders Shot |
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66 | (1) |
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Getting the Standard Limo Shots |
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67 | (1) |
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68 | (1) |
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69 | (1) |
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Respect the Subjects and Situation |
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70 | (1) |
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71 | (1) |
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72 | (1) |
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73 | (1) |
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Don't Overlook the Details |
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74 | (1) |
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75 | (1) |
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Use the Disequilibrium Effect |
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76 | (1) |
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Master the Art of Walking Backward |
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77 | (1) |
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Compress the Brightness Range |
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78 | (1) |
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79 | (1) |
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80 | (1) |
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Take Advantage of the Situation |
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81 | (1) |
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Watch and Fix the Background |
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82 | (1) |
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83 | (1) |
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84 | (1) |
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85 | (1) |
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86 | (1) |
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Getting a Good Flash Exposure |
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87 | (1) |
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88 | (1) |
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89 | (1) |
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90 | (1) |
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91 | (1) |
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92 | (1) |
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93 | (1) |
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Using Fill Flash Creatively |
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94 | (1) |
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Take Advantage of Lens Flare |
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95 | (1) |
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Look for Pictures within Pictures |
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96 | (1) |
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97 | (1) |
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Choose a Creative Background |
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98 | (1) |
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99 | (1) |
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Fun Group vs. Posed Group Shots |
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100 | (1) |
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101 | (1) |
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102 | (1) |
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103 | (1) |
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104 | (1) |
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105 | (2) |
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Part 5: Pros Share Their Shooting Secrets |
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107 | (18) |
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108 | (1) |
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109 | (1) |
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110 | (1) |
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The Little Things Really Do Matter |
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111 | (1) |
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Make Your Vision a Reality |
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112 | (1) |
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113 | (1) |
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Master Low-Light Photography |
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114 | (1) |
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115 | (1) |
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116 | (1) |
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117 | (1) |
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118 | (1) |
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119 | (1) |
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120 | (1) |
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121 | (1) |
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Follow Your Heart and Have Fun |
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122 | (1) |
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123 | (2) |
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Part 6: The Woman's Touch |
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125 | (8) |
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Be Cool, Calm and Collected |
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126 | (1) |
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127 | (1) |
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With a Little Help From Friends |
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128 | (1) |
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129 | (1) |
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130 | (1) |
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131 | (1) |
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132 | (1) |
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Part 7: The Creative Touch |
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133 | (14) |
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134 | (1) |
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Focus on the Attendants, Too |
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135 | (1) |
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136 | (1) |
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137 | (1) |
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Use Natural Light when it Feels Right |
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138 | (1) |
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139 | (1) |
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140 | (1) |
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Think Outside the Rectangle |
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141 | (1) |
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142 | (1) |
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143 | (1) |
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144 | (1) |
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145 | (1) |
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146 | (1) |
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Part 8: Photoshop Must-Know Info |
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147 | (14) |
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Never Work on the Original Image |
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148 | (1) |
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149 | (1) |
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150 | (1) |
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Understand Image Resolution |
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151 | (1) |
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152 | (1) |
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153 | (1) |
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Think and Work Selectively |
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154 | (1) |
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155 | (1) |
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Master All the Adjustments |
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156 | (1) |
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157 | (1) |
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158 | (1) |
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Expand Your Horizons with Plug-ins |
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159 | (2) |
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Part 9: Photoshop Enhancements |
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161 | (41) |
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162 | (2) |
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164 | (2) |
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Draw More Attention to the Subject |
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166 | (2) |
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Change the Direction of the Light |
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168 | (2) |
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Don't Overlook Basic Enhancements |
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170 | (2) |
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Blur Reality for An Artistic Image |
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172 | (2) |
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Easy Selective Color Adjustments |
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174 | (2) |
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Save Time! Use the Image Processor |
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176 | (2) |
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178 | (2) |
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Make the Bride Glow ... More |
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180 | (2) |
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Create the Disequilibrium Effect |
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182 | (2) |
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Create Dramatic Shadows in the Studio |
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184 | (2) |
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Soften Skin in an Instant |
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186 | (2) |
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188 | (2) |
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Dress Up your Web Site with Drop Shadows |
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190 | (2) |
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Create a Thank You e-Card Template |
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192 | (2) |
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Create the Best Black-and-White Image Ever |
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194 | (2) |
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Create a Beautiful Vignette |
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196 | (2) |
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Add a Sense of Motion to a Still Image |
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198 | (2) |
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PhotoTools and PhotoFrame Totally Rock |
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200 | (2) |
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202 | |
