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Directing the Documentary 8th edition [Pehme köide]

, (Professor Emeritus, Columbia College, Chicago, IL, USA)
  • Formaat: Paperback / softback, 482 pages, kõrgus x laius: 254x178 mm, 29 Tables, black and white; 278 Halftones, black and white; 278 Illustrations, black and white
  • Ilmumisaeg: 15-Jun-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032789271
  • ISBN-13: 9781032789279
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  • Formaat: Paperback / softback, 482 pages, kõrgus x laius: 254x178 mm, 29 Tables, black and white; 278 Halftones, black and white; 278 Illustrations, black and white
  • Ilmumisaeg: 15-Jun-2026
  • Kirjastus: Routledge
  • ISBN-10: 1032789271
  • ISBN-13: 9781032789279
Teised raamatud teemal:
Directing the Documentary is the definitive book on the documentary form. Focusing on the hands-on work needed to make your concept a reality, it covers the filmmaking process from top to bottom, providing in-depth lessons on every stage of production from idea development, pre-production, production, and post-production, while also addressing the nuances of documentary aesthetics, ethics, and career-building.

The 8th editions new, user-friendly structure integrates what were previously divided introductory and advanced concepts into a single, unified volume that supports both comprehensive study and selective reference. It moves fluidly from context and concept to planning, production, editing, aesthetics, and professional practiceforming an organized and comprehensive guide that mirrors the filmmakers own evolution of process, understanding, and vocation. This edition features a wider diversity of films and directors, inclusive language and terminology, an expanded discussion of documentary ethics, and updated coverage of documentary distribution practices.

By combining expert advice on the storytelling process, the technical aspects of filmmaking, and commentary on the philosophical underpinnings of the art, this book provides the practical and holistic understanding you need to become a highly regarded, original, and ethical contributor to the genre. Ideal for both aspiring and established filmmakers, this book has it all.

Arvustused

Praise for the previous edition:

"The USC documentary faculty has required this excellent book in all our documentary courses since its 1st edition. Rabiger has added to his in-depth analysis of the creative and practical implications of documentary production in this latest edition, with new sections on grant writing, technology, and case studies. The book is essential for students and its also one that every professional documentary filmmaker can constantly refer to and be inspired by."

Doe Mayer, Professor, Mary Pickford Chair of Film and Television Production, School of Cinematic Arts, University of Southern California

"This book is a time-proof classic, a one-of-a kind roadmap to reaching excellence in documentary making that reads like good, inspiring literature. I have collected and read all of its editions avidly, and can already see that this new edition will serve as an invaluable companion for any documentary filmmaker."

Juan Francisco Urrusti, Professor, Centro de Capacitación Cinematográfica (Mexico); Documentary Filmmaker, A Long Journey to Guadalupe

"Rabiger's 'two-stage' approach to documentary filmmaking takes the reader on a comprehensive journey from concept development to finished documentary and distribution! His sixth edition of Directing the Documentary is a must-have in any serious documentary filmmaker's library."

Gene F., Digital Filmmaking Instructor, The Art Institute of CA - Silicon Valley

0. Preface to the Eighth Edition PART 1: YOU AND YOUR IDEAS
1. You and
Film Authorship
2. The Nature of Documentary PART 2: DOCUMENTARIES AND FILM
LANGUAGE
3. How the Documentary Developed
4. Contemporary Documentary
5.
Constructing Reality
6. Story Elements and Film Grammar PART 3:
PRE-PRODUCTION
7. Developing Story Ideas
8. Research and Pre-Visualization
9.
Shaping the Story
10. Production Planning PART 4: PRODUCTION
11.
Partnerships
12. Sound
13. Lighting
14. Camera
15. Optics and Perception
16.
Camera, Coverage, and Point of View
17. Directing Participants
18.
Interviewing PART 5: POST-PRODUCTION
19. Getting Started on the Edit
20.
Developing the Edit
21. Refining and Delivering the Film
22. Narration
23.
Music PART 6: DOCUMENTARY AESTHETICS
24. Dramatic Development
25. Time and
Story Structure
26. Point of View and Storytelling
27. Form, Style, and
Creativity
28. Reconstruction in Documentary PART 7: PROFESSIONAL PRACTICE
29. Values and Ethics
30. Developing a Career
Michael Rabiger began in the cutting rooms of Englands Pinewood and Shepperton Studios, became an editor and BBC director of documentaries, and then specialized for many years in the US as a production and aesthetics educator. At Columbia College Chicago he was co-founder, then chair of the Film/Video Department and founded the Michael Rabiger Center for Documentary. He directed or edited more than 35 films, gave workshops in many countries, designed and led a multinational European documentary workshop for CILECT, won the International Documentary Associations Scholarship and Preservation Award, and was also awarded the Genius/Career Achievement Award by the Chicago International Documentary Festival. He is the author of Developing Story Ideas and co-author of the enormously successful Directing: Film Techniques and Aesthetics.

Courtney Hermann is an award-winning documentary filmmaker and Associate Professor of Film at Portland State University. Her films are distributed by the Public Broadcasting Service and its affiliates, through educational film catalogs, at film festivals, and via impact distribution to community partners. Her filmmaking centers ethical collaboration and amplifies stories and communities underrepresented in mainstream media. Her documentaries include Standing Silent Nation (2007), Exotic World and the Burlesque Revival (2012), Crying Earth Rise Up (2015), Burton Before and After (2018), and Outliers and Outlaws (2024).