The entanglement of Jihad, political violence, and media has determined the lives of Muslims in Europe and the US over the past 20 years. This book unravels the nexus of these elements to critically examine how their conjunction is perpetuated, reproduced, or disputed. In 16 case studies, the contributors critically reflect on the identification of jihad with political violence, address the academic, legal, political and broader public production of knowledge on this topic, examine the aesthetic formations involved in the mediation and reaffirmation of this narrow understanding, explore the experiential worlds of people whose ideas and actions are labelled as and affected by notions of violent jihad, and illuminate the institutional and media contexts (e.g. of archives) in which an entanglement of jihad and political violence takes effect, with profound consequences. This volume decentres dominant discourses on so-called jihadist actors and deradicalization contexts to offer more nuanced understandings of the political and socio-cultural contexts.
This volume decentres dominant discourses on so-called jihadist actors and deradicalization contexts to offer more nuanced understandings of the political and socio-cultural contexts.
Arvustused
A rich collection of thought-provoking contributions on jihadism and its place in Western discourse. -- Thomas Hegghammer, Oxford University
List of Figures Notes on Contributors Acknowledgements Foreword by
Salman Sayyid Introduction: Disentangling Jihad, Political Violence and Media
Christoph Günther, Robert Dörre and Simone PfeiferPart I Notions of Jihad and
The Production of Knowledge1 The Portrayal of Jihadi-Salafism: The Role of
Knowledge Production in Fabricating a Global EnemyJaan S. Islam2 Jihad Goes
to Court: The Invocation of Islamic Idioms in Terrorism Prosecutions Nicole
Nguyen3 Look a certain way in order to resist: An Analysis of German Short
Videos against Islamism Sindyan Qasem4 Criminalising Critical Scholarship:
Austrias Intelligence Service and Islamophobia Studies Farid Hafez5 Will the
Real Jihadi Please Stand Up? On Jihadism as a Conceptual WeaponDarryl
LiPart II Audiovisual Mediations and Formations of Jihad6 Terrorism Education
in ISISs Use of Childrens Mobile Apps Ahmed Al-Rawi7 From ISIS to the AfD:
Ultraist Rhetoric and Visuality in Alt-Orientalist Concurrence Christiane
Gruber8 The Sound and Sense of Jihad: Revisiting the Notion of Jihad in
Jihadi-themed Arabic Chants Kurstin Gatt9 Documenting the Yazidi Survival of
Genocide: Aesthetics and Politics between Sabaya, the Murad Code and The Last
Girl Sebastian KöthePart III Ethnographic Perspectives on Imaginations and
Materialities10 Talking Jihad: The Interactive Construction of a Racialised
Threat in the Netherlands Martijn de Koning11 Fragments of Utopia: Political
and Religious Emigrations from France to SyriaHamza Esmili12 Acting with God:
Divine Interruption and Practices of Jihad Anja Kublitz13 Secular Normativity
in Anti-jihad Discourse in France Aïcha BounagaPart IV Affective Archives
Enduring Sounds and Images14 An Epilogue of Images: On Theorising and
Archiving Daeshs Videos of Violence Robert Dörre15 Remediating Images of
War: Cultural Practices behind Syrian Digital Archives after 2011 Enrico De
Angelis and Yazan Badran16 Critical Spectatorship, Violent Care Kevin B.
LeeAfterword: One Persons Terrorist Is Another Persons Freedom Fighter, One
Persons Jihad Is Anothers Crusade: Reflections on the Tokyo Reels Film
Festival by Subversive Film at the Documenta 15, 2022 Wendy M. K. ShawIndex
Simone Pfeifer is a postdoctoral researcher at the Research Training Group anschließen-ausschließen: Cultural Dynamics Beyond Globalized Networks at the University of Cologne. She is a social and cultural anthropologist with a focus on visual, digital and media anthropology. Her research interests include transnational migration and mobility in postmigrant contexts, political violence, religion, and artistic practices, and ethics in (digital) ethnographic research. Her recent publications include Social Media im transnationalen Alltag (2020, transcript), the co-edited volume Jihadi Audiovisuality and its Entanglements: Meanings, Aesthetics, Appropriations (Edinburgh University Press, 2020) with Christoph Günther, and the co-edited special section Dark Ethnographies? (ZfE 2021: 146). Christoph Günther is the Principal Investigator of the junior research group Jihadism on the Internet: Images and Videos, their Dissemination and Appropriation in the Department of Anthropology and African Studies at Johannes Gutenberg University of Mainz. Having a background in Islamic Studies, his research interests include religio-political movements in the modern Middle East, visual cultures and iconography, and the sociology of religion. He is the author of Entrepreneurs of Identity: The Islamic States Symbolic Repertoire (Berghahn Books, 2022) and has co-edited Jihadi Audiovisuality and its Entanglements: Meanings, Aesthetics, Appropriations (Edinburgh University Press, 2020) with Simone Pfeifer. Robert Dörre is a Postdoctoral Researcher in the field of media cultural studies at the department for Theory, Aesthetics and Politics of Digital Media at Ruhr University Bochum. His research interests comprise digital culture and social media, media relations between visibility and violence, affect theory, media as intervening agencies and VR films. In his PhD thesis, he addressed forms of audiovisual self-documentation in social media. The resulting book was published by Büchner-Verlag in 2022 under the title Mediale Entwürfe des Selbst.
