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Disruptive Frequencies in Experimental Sound: Black and South Asian Artists in Their Own Words [Kõva köide]

Edited by (University of Greenwich, UK), Edited by (University of Greenwich, UK), Edited by (SOUND/IMAGE Research Group, UK)
  • Formaat: Hardback, 288 pages, kõrgus x laius: 234x156 mm
  • Ilmumisaeg: 18-Sep-2025
  • Kirjastus: Bloomsbury Publishing USA
  • ISBN-13: 9798765105108
  • Kõva köide
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  • Formaat: Hardback, 288 pages, kõrgus x laius: 234x156 mm
  • Ilmumisaeg: 18-Sep-2025
  • Kirjastus: Bloomsbury Publishing USA
  • ISBN-13: 9798765105108

This volume presents the voices of diverse and often marginalized practitioners, celebrating Black and South Asian experimental sound musicians and their underrepresented music practices.

Black and South Asian artists are some of the least represented within the field of experimental sound. Ethnically diverse artists have been excluded from the traditional discourse. Their experiences, therefore, provide a valuable counterpoint to those of the normalized white majority.

Bringing together a diverse array of international artists and practitioners this book challenges the white norm in the field of experimental sound, this book gives underrepresented voices a chance to express their perspectives through a series of case studies and addresses a significant knowledge gap into the field of experimental sound.

1. Introduction: Context, Methods & Rationale
2. Analysis of Artist Backgrounds of Key Participants
3. Case Study: Nikki Sheth
Sound Artist, UK
4. Case Study: Nicole Raymond
Turntablist, Sound Artist, Radio Presenter and DJ, UK
5. Case Study: Poulomi Desai
Multimedia Artist and Activist, UK
6. Case Study: Dhangsha
Sound Artist, UK
7. Case Study: Dushume
Experimental Noise and Sound Artist, UK
8. Case Study: Gary Stewart
Audiovisual Artist, UK
9. Additional Artist Statements
10. Overall Analysis of Practices of Key Participants
11. Conclusion