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Ecology and Chinese-Language Cinema: Reimagining a Field [Kõva köide]

Edited by , Edited by
  • Formaat: Hardback, 244 pages, kõrgus x laius: 234x156 mm, kaal: 566 g, 3 Tables, black and white; 36 Halftones, black and white; 36 Illustrations, black and white
  • Sari: Routledge Contemporary China Series
  • Ilmumisaeg: 17-Oct-2019
  • Kirjastus: Routledge
  • ISBN-10: 0367281082
  • ISBN-13: 9780367281083
Teised raamatud teemal:
  • Formaat: Hardback, 244 pages, kõrgus x laius: 234x156 mm, kaal: 566 g, 3 Tables, black and white; 36 Halftones, black and white; 36 Illustrations, black and white
  • Sari: Routledge Contemporary China Series
  • Ilmumisaeg: 17-Oct-2019
  • Kirjastus: Routledge
  • ISBN-10: 0367281082
  • ISBN-13: 9780367281083
Teised raamatud teemal:
"This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present. The ten chapters examine films with ecological significance in mainland China, Hong Kong, and Taiwan, including documentaries, feature films, blockbusters and independent productions. Covering not only well-known works, such as Under the Dome, Wolf Totem, Tie Xi Qu: West of the Tracts, and Mermaid, this book also provides analysis of less well-known but critically important works, such as Anchorage Prohibited, Luzon, and Three Flower/Tri-Color. The unique perspectives this book provides, along with the comprehensive engagement with existing Chinese and English scholarship, not only extend the scope of the growing field of ecocinematic studies, but also seeks to reform the means through which Chinese-language eco-films are understood in the years to come. Ecology and Chinese-Language Ecocinema will be of huge interest to students and scholars in the fields of Chinese cinema, environmental studies, media and communication studies"--

This edited collection explores new developments in the burgeoning field of Chinese ecocinema, examining a variety of works from local productions to global market films, spanning the Maoist era to the present.

The ten chapters examine films with ecological significance in mainland China, Hong Kong, and Taiwan, including documentaries, feature films, blockbusters and independent productions. Covering not only well-known works, such as Under the Dome, Wolf Totem, Tie Xi Qu: West of the Tracts, and Mermaid, this book also provides analysis of less well-known but critically important works, such as Anchorage Prohibited, Luzon, and Three Flower/Tri-Color. The unique perspectives this book provides, along with the comprehensive engagement with existing Chinese and English scholarship, not only extend the scope of the growing field of ecocinematic studies, but also seeks to reform the means through which Chinese-language eco-films are understood in the years to come.

Ecology and Chinese-Language Ecocinema

will be of huge interest to students and scholars in the fields of Chinese cinema, environmental studies, media and communication studies.

List of figures
vii
Notes on contributors ix
Acknowledgments xii
Introduction: revisiting the field of Chinese ecocinema 1(28)
Haomin Gong
Sheldon H. Lu
PART I Ecodocumentaries and eco-festivals
29(36)
1 Mapping Taiwanese ecodocumentary landscape: politics of aesthetics and environmental ethics in Taiwanese ecodocumentaries
31(17)
Kuei-Fen Chiu
2 Nature in the city: a study of Hong Kong's independent eco-film festival
48(17)
Winnie L. M. Yee
PART II Contemporary ecologies
65(54)
3 Three ecologies of cinema, migration, and the sea: Anchorage Prohibited and Luzon
67(16)
Elizabeth Wijaya
4 Tracing extraction in contemporary Chinese cinema: Tie Xi Qu and the politics of the resource image
83(19)
Pietari Kaapa
5 Chai Jing's Under the Dome: a multimedia documentary in the digital age
102(17)
Shuqin Cui
PART III Humans and animals
119(78)
6 Global animal capital and animal garbage: documentary redemption and hope
121(20)
Chia-Ju Chang
7 Transcendence and transgression: reading Wolf Totem as environmental world literature/cinema?
141(25)
Haomin Gong
8 Fabulating animals-human affinity: towards an ethics of care in Monster Hunt and Mermaid
166(31)
Fiona Yuk-Wa Law
PART IV Landscape and nation
197(42)
9 Sinification by greening: politics, nature, and ethnic borderlands in Maoist ecocinema
199(24)
Cheng Li
10 No Man's Land: eco-Western in contemporary Chinese cinema
223(16)
Kun Qian
Index 239
Sheldon Lu is Professor of Comparative Literature at the University of California, Davis, USA. He is the author, editor and co-editor of a dozen books in English and Chinese, including Chinese Ecocinema in the Age of Environmental Challenge (2009, co-editor with Jiayan Mi).

Haomin Gong is Associate Professor of Chinese at Lingnan University, Hong Kong. He is the author of Uneven Modernity: Literature, Film, and Intellectual Discourse in Postsocialist China (2012) and Reconfiguring Class, Gender, Ethnicity and Ethics in Chinese Internet Culture (2017).