"Demonstrates how women writers, especially Shirley Jackson, Patricia Highsmith, and Leigh Brackett, made significant contributions via genre writing to the postwar American literary marketplace, merging literary realism with fantastical or exaggerated elements in order to respond to the big questions of their era, the 'Age of Anxiety'"--
Ashley Lawson’s On Edge presents a new picture of postwar American literature, arguing that biases against genre fiction have unfairly disadvantaged the legacies of authors like Shirley Jackson, Patricia Highsmith, and Leigh Brackett. Each of these women navigated a male-dominated postwar publishing world without compromising their values. Their category-defying treatment of gender roles and genre classifications created suspense in their work that spoke to the tensions of the “Age of Anxiety.” Lawson engages with foundational voices in American literature, genre theory, and feminism to argue that, by merging the dominant mode of literary realism with fantastical or heightened elements, Brackett, Jackson, and Highsmith responded to the big questions of their era with startling and unnerving answers. By elevating genre play to a marker of literary skill, Lawson contends, we can secure these writers a more prominent place within the canon of midcentury American literature and open the door for the recovery of their similarly innovative peers.
Reframes postwar American literary fiction through the work of Leigh Brackett, Shirley Jackson, and Patricia Highsmith, arguing that recognizing genre play as literary skill is essential for a more inclusive canon.
