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Eleven Exercises in the Art of Architectural Drawing: Slow Food for the Architect's Imagination [Kõva köide]

(Carleton University, Canada)
  • Formaat: Hardback, 224 pages, kõrgus x laius: 246x189 mm, kaal: 570 g, 119 Illustrations, color
  • Ilmumisaeg: 04-Mar-2011
  • Kirjastus: Routledge
  • ISBN-10: 0415779251
  • ISBN-13: 9780415779258
Teised raamatud teemal:
  • Formaat: Hardback, 224 pages, kõrgus x laius: 246x189 mm, kaal: 570 g, 119 Illustrations, color
  • Ilmumisaeg: 04-Mar-2011
  • Kirjastus: Routledge
  • ISBN-10: 0415779251
  • ISBN-13: 9780415779258
Teised raamatud teemal:
These are not prescriptions, says Frascari (architecture, Carleton U., Canada), there is nothing here to memorize and reproduce, only fuzzy ideas to inspire architects to think with their pencils. There is an uneven rhythm between his chapters and the exercises--some chapters with none and others with two. Among the chapters are drawings as loci for thought, the pregnancy of drawing, architectural consciousness, traces and architecture, and cosmopoiesis and world making. Among the exercises are food colors, improper drawing, scale figures, the mosaic, blind drawing, the single drawing, and verso-recto. Annotation ©2011 Book News, Inc., Portland, OR (booknews.com)

Arvustused

"Profound humanism is vividly evident on the pages of this book, humanism in two senses: a body of ancient and modern learning, and a philosophy of human existence. Each of Frascaris drawings and discussions sparkles with wit, acute insight, and humane wisdom. For architects and other readers who are concerned with our built environment it is a work that should be carefully studied and pleasurably savored."

David Leatherbarrow, University of Pennsylvania

"Woven among the poetic sketches of these eleven lessons is a simple but profound message. Drawing is an embodied act of imagination and a creative way of thinking. It is a metaphoric power that has seduced architects since the first fragment of a design idea was drawn with a stick in the sand. While architecture schools today scurry to add still another software to their visual media, Frascari reminds us that what is being lost is quite possibly the capacity of the architect to think."

Harry Francis Mallgrave, College of Architecture, Illinois Institute of Technology

"Reminding us of the fact that architects (for the most part) make architectural images rather than buildings, Frascari sets about re-establishing the embodied act of drawing as the primary locus of architectural thinking providing an urgent corrective to the too-often uncritical adoption of ever more disembodied digital design technologies. The culinary master-metaphor offers up a rich diet of historical dishes, resulting in an intellectual banquet of almost Bacchanalian proportions."

Jonathan Hale, Reader in Architectural Theory, University of Nottingham, UK

Acknowledgements ix
Preface 1(12)
1 Architectural Iconoclasm 13(8)
2 The Cosmopoiesis of Architectural Drawings 21(8)
Exercise #1: Food Colors
23(6)
3 Festina Lente 29(6)
Exercise #2: Tools
33(2)
4 Drawings as Loci for Thought 35(10)
5 The Pregnancy of Drawings 45(12)
6 Nulio die sine linea 57(8)
Exercise #3: Improper Drawing
60(5)
7 Architectural Consciousness 65(22)
Exercise #4: Spolia
73(11)
Exercise #5: Scale Figures
84(3)
8 Architectural Brouillons: work intended to be recopied 87(6)
9 Cosmopoiesis and Elegant Drawings 93(16)
Exercise #6: The Mosaic
107(2)
10 Traces and Architecture 109(8)
Exercise #7: Hybrids
113(4)
11 Tools for Architectural Thinking 117(12)
12 Disegnare Designare 129(12)
Exercise #8: Blind Drawing
133(8)
13 The Light of Drawing Imagination 141(10)
Exercise #9: The Single Drawing
148(3)
14 Cosmopoiesis and World-Making 151(24)
Exercise #10: Icons
164(5)
Exercise #11: Verso-Recto
169(6)
Postface 175(8)
Appendix: Scamozzi on tools and drawings 183(8)
Notes and References 191(18)
Index 209
Marco Frascari is Professor of Architecture at Carleton University, Canada. He studied and worked with Carlo Scarpa at IUAV and received his PhD in Architecture from the University of Pennsylvania. He taught for several years at the University of Pennsylvania, and as Visiting Professor at Columbia and Harvard. He then became a G. Truman Ward Professor of Architecture at Virginia Tech and is currently director of the David Azrieli School of Architecture and Urbanism in Ottawa, Canada.