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Elliott Carter: Collected Essays and Lectures, 1937-1995 [Kõva köide]

  • Formaat: Hardback, 390 pages, kõrgus x laius: 229x152 mm
  • Sari: Eastman Studies in Music
  • Ilmumisaeg: 02-Jan-1997
  • Kirjastus: University of Rochester Press
  • ISBN-10: 1878822705
  • ISBN-13: 9781878822703
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  • Formaat: Hardback, 390 pages, kõrgus x laius: 229x152 mm
  • Sari: Eastman Studies in Music
  • Ilmumisaeg: 02-Jan-1997
  • Kirjastus: University of Rochester Press
  • ISBN-10: 1878822705
  • ISBN-13: 9781878822703
Elliott Carter (b.1908) is now generally acknowledged as America's most eminent living composer. This definitive volume of his essays and lectures - many previously unpublished or uncollected -shows his thinking and writing on music and associated issues developing in parallel with his career as a composer; his reputation became established in the 1950s, and the material in this book offers an important and knowledgeable commentary on the course of American and European music in the succeeding decades. Carter's articles on his own music have become classic texts for students of his oeuvre; he also writes on the state of new music in Europe and the United States and the relations between music and the other arts. Other pieces range from a consideration of aspects of music to the work of individual composers. As a whole, the collection is the expression of Carter's musical philosophy, and a valuable record for historians of modern music. JONATHAN BERNARDteaches at the Department of Music, University of Washington.

Arvustused

Carter is a very articulate and entertaining writer on the 20th-century music scene... This collection is a treasure and will be enjoyed by anyone interested in the serious music of the 20th century. Very highly recommended. - * Choice *

Introduction: Essayist Despite Himself vii(6)
Acknowledgments xiii(4)
A Carter Chronology xvii
I Surveying the Compositional Scene
3(42)
The Composer's Viewpoint (1946)
3(2)
A Further Step (1958)
5(6)
The Challenge of the New (1960-62/94)
11(4)
Fallacy of the Mechanistic Approach (1946)
15(2)
"La Musique serielle aujourd'hui" (1965/94)
17(1)
ISCM Festival, Rome (1959)
18(10)
Rasputin's End and Lady Macbeth of Mtsensk (1960)
28(3)
Letter from Europe (1963)
31(9)
ISCM Festival, Amsterdam (1963/94)
40(5)
II American Music
45(42)
Once Again Swing; Also "American Music" (1939)
45(3)
American Music in the New York Scene (1940)
48(5)
The Agony of Modern Music in America, 1955 (1955/94)
53(4)
The Rhythmic Basis of American Music (1955)
57(5)
The European Roots of American Musical Culture (1961/94)
62(10)
Expressionism and American Music (1965/72)
72(11)
"The Composer Is a University Commodity" (1970)
83(4)
III Charles Ives
87(32)
The Case of Mr. Ives (1939)
87(3)
Ives Today: His Vision and Challenge (1944)
90(3)
An American Destiny (1946)
93(5)
Charles Ives Remembered (1974)
98(9)
Documents of a Friendship with Ives (1975)
107(12)
IV Some Other Composers
119(82)
Gabriel Faure (1945)
119(3)
The Three Late Sonatas of Debussy (1959/94)
122(12)
American Figure, with Landscape [ Henry F. Gilbert] (1943)
134(4)
Stravinsky in 1940 (1940)
138(3)
Igor Stravinsky: Two Tributes (1971)
141(5)
On Edgard Varese (1975/79)
146(5)
Edward Steuermann (1966)
151(7)
Walter Piston (1946)
158(17)
Roger Sessions: Violin Concerto (1959)
175(5)
In Memoriam: Roger Sessions, 1896-1985 (1985/95)
180(5)
In Memoriam: Stefan Wolpe, 1902-1972 (1972)
185(2)
Two Essays on Goffredo Petrassi (1960, 1986)
187(10)
To Think of Milton Babbitt (1976)
197(2)
For Pierre Boulez on His Sixtieth (1985)
199(2)
V Life and Work
201(94)
To Be a Composer in America (1953/94)
201(9)
The Composer's Choices (c.1960)
210(4)
Shop Talk by an American Composer (1960)
214(10)
The Time Dimension in Music (1965)
224(4)
Two Sonatas, 1948 and 1952 (1969)
228(3)
String Quartets Nos. 1, 1951, and 2, 1959 (1970)
231(4)
The Orchestral Composer's Point of View (1970)
235(15)
On Saint-John Perse and the Concerto for Orchestra (1974/94)
250(6)
Brass Quintet (1974)
256(2)
Double Concerto, 1961, and Duo, 1974 (1975)
258(4)
Music and the Time Screen (1976)
262(19)
"Elle est la musique en personne": A Reminiscence of Nadia Boulanger (c.1985/95)
281(11)
Reminiscence of Italy (1988)
291(3)
VI Philosophy, Criticism, and the Other Arts
295(48)
More about Balanchine (1937)
295(1)
With the Dancers (1938)
296(3)
Remembering Balanchine (1991/95)
299(5)
Theatre and Films (1943)
304(2)
The Genial Sage [ Paul Rosenfeld] (1948)
306(1)
Introduction to a Poetry Reading by W. H. Auden (1969)
307(2)
Music as a Liberal Art (1944)
309(4)
Time Lecture (1965/94)
313(6)
The Gesamtkunstwerk (1966/94)
319(12)
Soviet Music (1967/94)
331(4)
Music Criticism (1972)
335(8)
Appendix 1: Notes on Sources 343(8)
Appendix 2: Published Writings by Carter Not Included in This Collection 351(4)
Index 355