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Embodying Revolution: Figure of the Poet in Shelley [Kõva köide]

  • Formaat: Hardback, 310 pages, kõrgus x laius: 210x130 mm, kaal: 540 g, bibliography, index
  • Sari: Oxford English Monographs
  • Ilmumisaeg: 01-Apr-1989
  • Kirjastus: Clarendon Press
  • ISBN-10: 0198129815
  • ISBN-13: 9780198129813
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Embodying Revolution: Figure of the Poet in Shelley
  • Formaat: Hardback, 310 pages, kõrgus x laius: 210x130 mm, kaal: 540 g, bibliography, index
  • Sari: Oxford English Monographs
  • Ilmumisaeg: 01-Apr-1989
  • Kirjastus: Clarendon Press
  • ISBN-10: 0198129815
  • ISBN-13: 9780198129813
Teised raamatud teemal:
A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of the social forces tearing Europe apart in the Romantic age.

A strange figure recurs throughout Shelley's work, a solitary young poet hounded by passion or madness to the grave. This study reveals the figure to be an allegory of a violent revolutionary age. Seen in the context of a largely forgotten ideal that connected introspection with radical
politics, Clark demonstrates that Shelley's self-analyses and metaphysical speculations are related to a notion of the poet as an explorer in previously unchartered regions of the human mind. He shows that ultimately, the curiously weak Shelleyan poet is really an ambivalent fictional embodiment of
the social forces tearing Europe apart in the Romantic age.
Abbreviations and conventions; Introduction; PART I: Introspection: A
theory of poetry; Shelley in 1815: Self- analysis and sensibility; The
literary context of sensibility; Active power: Questions of personal
identity; PART II: Ashes and sparks: Destructive creativity; Alastor (1815);
The poet as the embodiment of revolution: Byron and 'Prince Athanase' (1817);
The emergence of a creative-destructive aesthetic: Julian and Maddalo (1818)
and Adonais (1820), stanzas xxxi-xxxiv; The triumph of life (1822)