| Listening Guides |
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xiii | |
| Listening Activities |
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xv | |
| Here & There, Then & Now |
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xvi | |
| Online Video and iMusic Examples |
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xvii | |
| Videos |
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xvii | |
| iMusic |
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xvii | |
| Preface: The Enjoyment of Music Package |
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xix | |
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Part 1 Materials of Music |
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3 | (66) |
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Prelude 1 Listening to Music Today |
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4 | (5) |
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Listening Activity: A Preview |
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Meet The Performers: Wynton Marsalis |
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Meet The Performers: Lang Lang |
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Chapter 1 Melody: Musical Line |
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9 | (4) |
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Listening Activity: Melody |
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Chapter 2 Rhythm and Meter: Musical Time |
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13 | (4) |
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Listening Activity: Rhythm |
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Chapter 3 Harmony: Musical Space |
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17 | (3) |
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The Organization of Harmony |
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Consonance and Dissonance |
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Listening Activity: Harmony |
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Chapter 4 The Organization of Musical Sounds |
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20 | (6) |
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The Formation of Major and Minor Scales |
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Diatonic and Chromatic Scales |
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The Key as a Form-Building Element |
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Listening Activity: Musical Scales and Key |
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Chapter 5 Musical Texture |
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26 | (4) |
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Musical Texture and the Listener |
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Listening Activity: Texture |
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30 | (5) |
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Structure and Design in Music |
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Two-Part and Three-Part Form |
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The Building Blocks of Form |
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Listening Activity: Musical Form |
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Chapter 7 Musical Expression: Tempo and Dynamics |
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35 | (4) |
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Tempo and Dynamics as Elements of Musical Expression |
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Listening Activity: Tempo and Dynamics |
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Chapter 8 Voices and Musical Instrument Families |
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39 | (4) |
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Meet the Performers: Luciano Pavarotti |
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The World of Musical Instruments |
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Meet the Performers: Anoushka Shankar |
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Listening Activity: Voices |
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Chapter 9 Western Musical Instruments |
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43 | (10) |
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Meet The Performers: Yo-Yo Ma |
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Meet The Performers: James Galway |
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Meet The Performers: Carol Jantsch |
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Meet The Performers: Evelyn Glennie |
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Listening Activity: Western Instruments |
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Chapter 10 Musical Ensembles |
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53 | (10) |
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Meet The Performers: The King's Singers |
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Instrumental Chamber Ensembles |
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Meet The Performers: The Ying Quartet |
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Meet The Performers: The Silk Road Ensemble |
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Concert, Jazz, and Rock Bands |
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The Role of the Conductor |
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Meet The Performers: Gustavo Dudamel |
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LG 1 Britten: The Young Person's Guide to the Orchestra |
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Listening Activity: Reviewing Ensembles |
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Chapter 11 Style and Function of Music in Society |
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63 | (6) |
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HTTN 1 The Role of Music in Society |
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Musical Styles in History |
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Listening Activity: Comparing Styles 1 Historical Periods |
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Part 2 Medieval and Renaissance Music |
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69 | (36) |
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Timeline: Medieval/Renaisance |
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Prelude 2 The Culture of the Middle Ages and Renaissance |
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70 | (5) |
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The Arts in the Renaissance |
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Musicians in Medieval and Renaissance Society |
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Chapter 12 Sacred Music in the Middle Ages |
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75 | (7) |
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Life in the Medieval Cloister |
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The Music of Hildegard of Bingen |
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LG 2 Hildegard of Bingen: Alleluia, O virga mediatrix |
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LG 3 Notre Dame School: Gaude Maria virgo |
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Listening Activity: Comparing Styles of Sacred Music |
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Chapter 13 Secular Music in the Middle Ages |
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82 | (7) |
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LG 4 Anonymous: Sumer is icumen in |
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LG 5 Machaut: Puis qu'en oubli |
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HTTN 2 Opening Doors to the East |
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Chapter 14 Renaissance Sacred Music |
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89 | (7) |
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Josquin des Prez and the Motet |
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LG 6 Josquin: Ave Maria...virgo serena |
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LG 7 Palestrina: Pope Marcellus Mass, Gloria |
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Chapter 15 Renaissance Secular Music |
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96 | (9) |
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Music in Court and City Life |
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LG 8 Arcadelt: II bianco e dolce cigno |
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LG 9 Farmer: Fair Phyllis |
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LG 10 Susato: Three Dances |
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Listening Activity: Comparing Styles 2 Medieval, Renaissance, and Baroque |
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105 | (44) |
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Prelude 3 The Baroque Spirit |
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106 | (7) |
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Main Currents in Baroque Music |
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The Rise of the Virtuoso Musician |
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HTTN 3 The Rise of the Professional Female Singer |
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Chapter 16 Baroque Opera and Its Components |
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113 | (7) |
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LG 11 Purcell: Dido and Aeneas |
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Barbara Strozzi and the Baroque Aria |
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LG 12 Strozzi: Amor dormiglione |
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Chapter 17 The Baroque Cantata and Oratorio |
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120 | (10) |
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Bach and the Church Cantata |
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LG 13 Bach: Cantata No. 140, Wachet auf |
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Listening Activity: Reviewing Baroque Vocal Genres |
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Chapter 18 Baroque Instruments and the Suite |
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130 | (6) |
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The Rise of Instrumental Music |
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Handel and the Orchestral Suite |
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LG 15 Handel: Water Music |
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Music at the French Royal Court |
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LG 16 Mouret: Rondeau, from Suite de symphonies |
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Chapter 19 The Baroque Concerto |
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136 | (4) |
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Antonio Vivaldi and the Solo Concerto |
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LG 17 Vivaldi: The Four Seasons |
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Chapter 20 Other Baroque Instrumental Music |
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140 | (9) |
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Baroque Keyboard Instruments |
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The Fugue and Its Devices |
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LG 18 Bach: Contrapunctus 1, from The Art of Fugue |
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Looking Ahead to the Classical Era |
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Listening Activity: Comparing Styles 3 Baroque to Classical |
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Part 4 Eighteenth-Century Classicism |
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149 | (54) |
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Prelude 4 Classicism in the Arts |
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150 | (5) |
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Elements of Classical Style |
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Chapter 21 The Development of Classical Forms |
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155 | (8) |
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Listening Activity: Thematic Development |
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The Multimovement Cycle as a Whole |
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Listening Activity: Hearing Larger Forms |
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Chapter 22 Classical Chamber Music |
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163 | (7) |
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LG 19 Haydn: String Quartet, Op. 76, No. 3 (Emperor) |
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LG 20 Mozart: Eine Kleine Nachtmusik |
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Chapter 23 The Classical Symphony |
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170 | (12) |
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The Movements of the Symphony |
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LG 21 Haydn: Symphony No. 100 in G major (Military) |
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Beethoven and the Symphony in Transition |
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LG 22 Beethoven: Symphony No. 5 in C minor |
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HTTN 4 Beethoven and the Politics of Music |
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Chapter 24 The Classical Concerto |
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182 | (4) |
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The Movements of the Concerto |
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LG 23 Mozart: Piano Concerto in G major, K. 453 |
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Listening Activity: Mozart and the Concerto |
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Chapter 25 The Sonata in the Classical Era |
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186 | (3) |
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The Movements of the Sonata |
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LG 24 Beethoven: Piano Sonata in C-sharp minor, Op. 27, No. 2 (Moonlight) |
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Chapter 26 Classical Choral Music and Opera |
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189 | (14) |
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Mass, Requiem, and Oratorio |
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HTTN 5 Mozart and the World of Opera |
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LG 25 Mozart: Don Giovanni |
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From Classicism to Romanticism |
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Listening Activity: Comparing Styles 4 Classical to Romantic |
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Part 5 The Nineteenth Century |
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203 | (80) |
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Prelude 5 The Spirit of Romanticism |
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204 | (7) |
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Romantic Writers and Artists |
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Chapter 27 Song in the Romantic Era |
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211 | (8) |
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Robert Schumann and the Song Cycle |
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LG 27 Schumann: "In the lovely month of May," from A Poet's Love |
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Chapter 28 Romantic Piano Music |
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219 | (8) |
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The Short Lyric Piano Piece |
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LG 28 Chopin: Mazurka in B-flat minor, Op. 24, No. 4 |
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HTTN 6 Chopin and the Salon |
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Fanny Mendelssohn Hensel and the Piano Miniature |
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LG 29 Fanny Mendelssohn Hensel: September: At the River, from the Year |
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Chapter 29 Music in Nineteenth-Century America |
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227 | (3) |
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Stephen Foster and American Popular Music |
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LG 30 Foster: Jeanie with the Light Brown Hair |
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Chapter 30 Romantic Program Music |
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230 | (14) |
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Varieties of Program Music |
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Berlioz and the Program Symphony |
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LG 31 Berlioz: Symphonie fantastique |
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HTTN 7 Music, Folklore, and Nationalism |
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A Czech Nationalist: Bedrich Smetana |
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LG 32 Smetana: The Moldau |
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A Scandinavian Nationalist: Edvard Grieg |
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LG 33 Grieg: Peer Gynt, Suite No. 1, Op. 46 |
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Chapter 31 Absolute Music in the Nineteenth Century |
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244 | (8) |
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Brahms and the Late Romantic Symphony |
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LG 34 Brahms: Symphony No. 3 in F major |
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HTTN 8 Dvorak, the Symphony, and African-American Music |
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Listening Activity: Romantic-Era Orchestral Music |
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Chapter 32 National Schools of Romantic Opera |
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252 | (15) |
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Wagner and the Music Drama in Germany |
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LG 36 Wagner: Die Walkure |
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Chapter 33 Late Romantic and Post-Romantic Music |
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267 | (16) |
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LG 37 Verdi: Requiem, Libera me |
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HTTN 9 Verdi and the Power of Music |
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Tchaikovsky and the Ballet |
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Meet The Performers: Mikhail Baryshnikov |
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LG 38 Tchaikovsky: The Nutcracker |
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Puccini and Verismo Opera |
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LG 39 Puccini: Madame Butterfly |
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Listening Activity: Opera in China and the West |
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Looking Ahead to Modernist Trends |
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Listening Activity: Comparing Styles 5 Romantic to Twentieth Century |
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Part 6 Impressionism and the Early Twentieth Century |
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283 | (58) |
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Timeline: Impressionism and Early 20th Century |
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Prelude 6 Modernism in the Arts |
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284 | (4) |
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The Reaction against Romanticism |
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Chapter 34 Impressionism and Post-Impressionism |
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288 | (7) |
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HTTN 10 The Paris World Exhibition of 1889: A Cultural Awakening |
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LG 40 Debussy: Prelude to "The Afternoon of a Faun" |
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Listening Activity: Music at the 1889 World's Fair |
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Chapter 35 Early Modern Musical Style |
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295 | (5) |
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The New Rhythmic Complexity |
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Listening Activity: Previewing Early-20th-Century Styles |
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Chapter 36 Music of the Early Modernists |
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300 | (13) |
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Stravinsky and the Revitalization of Rhythm |
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LG 41 Stravinsky: The Rite of Spring |
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Schoenberg and the Second Viennese School |
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LG 42 Schoenberg: Pierrot Iunaire |
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Berg and Early-Twentieth-Century Opera |
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Chapter 37 European National Schools |
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313 | (8) |
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Bela Bartok and the Eastern European Tradition |
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LG 44 Bartok: Concerto for Orchestra |
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HTTN 11 Bartok---A Folk-Song Collector |
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The German Composer Carl Orff |
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LG 45 ORFF: Carmina burana |
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Chapter 38 American Modernism in Music |
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321 | (5) |
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Meet the Performers: The United States Marine Band |
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The Modernist Charles lves and New England Culture |
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LG 46 IVES: Country Band March |
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Chapter 39 Nationalism in the Americas |
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326 | (15) |
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William Grant Still: African-American Composer |
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LG 47 Still: Suite for Violin and Piano |
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Aaron Copland: American Nationalist |
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LG 48 Copland: Appalachian Spring |
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Meet The Performers: Martha Graham |
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Art Music Traditions in Mexico |
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Silvestre Revueltas: Mexican Nationalist |
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LG 49 Revueltas: Homage to Federico Garcia Lorca |
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Music from the Mariachi Tradition |
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HTTN 12 Preserving Mexico's Musical Traditions |
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Listening Activity: The Sounds of the Mariachi Tradition |
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Listening Activity: Comparing Styles 6 Early to Later Twentieth-Century |
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Part 7 Music beyond the Concert Hall |
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341 | (44) |
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Timeline: Music beyond the Concert Hall |
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Prelude 7 The Rise of American Popular Styles |
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342 | (4) |
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Chapter 40 Ragtime, Blues, and Jazz |
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346 | (11) |
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LG 50 Joplin: Maple Leaf Rag |
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Blues and New Orleans Jazz |
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HTTN 13 The Roots of Jazz |
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The Jazz Singer Billie Holiday |
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Meet The Performers: Billie Holiday |
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LG 51 Holiday: Billie's Blues |
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Meet The Performers: Duke Ellington |
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LG 52 Strayhorn/Ellington: Take the A Train |
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Bebop and Later Jazz Styles |
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Chapter 41 Musical Theater |
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357 | (10) |
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The Development of American Musical Theater |
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George Gershwin and the Merger of Classical and Jazz Styles |
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LG 53 Gershwin: Porgy and Bess |
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Meet The Performers: Leontyne Price |
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Leonard Bernstein and the Broadway Musical |
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LG 54 Bernstein: West Side Story |
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Chapter 42 Music for Films |
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367 | (5) |
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LG 55 Williams: Raiders March |
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Chapter 43 The Many Voices of Rock |
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372 | (13) |
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Meet The Performers: Mick Jagger |
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Meet The Performers: Bob Dylan |
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Listening Activity: The Influence of Bob Dylan |
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The Eclecticism of the 1970s |
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Meet The Performers: Nirvana |
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Listening Activity: Comparing Styels 7 Pop Rock to Grunge |
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Part 8 World War II and Beyond |
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385 | (43) |
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Timeline: World War II and Beyond |
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Prelude 8 New Directions in the Arts |
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386 | (6) |
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Meet The Performers: Laurie Anderson |
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Chapter 44 The New Virtuosity of the Modern Age |
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392 | (4) |
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George Crumb and Avant-Garde Virtuosity |
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LG 56 Crumb: Caballito negro |
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HTTN 14 Modern Performers Say "Yes, We Can!" |
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Chapter 45 Contemporary Composers Look to World Music |
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396 | (11) |
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LG 57 Cage: Sonatas and Interludes |
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Listening Activity: Exploring the Javanese Gamelon |
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Multicultural Influences in Contemporary Society |
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HTTN 15 Improvisation as Compositional Process |
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Bright Sheng and the Meeting of Musical Cultures |
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LG 58 Sheng: China Dreams, Prelude |
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Chinese Traditional Music and Instruments |
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Listening Activity: The Sounds of Traditional Chinese Music |
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Chapter 46 Technology and Music |
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407 | (6) |
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The Technological Revolution |
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Important Figures in Electronic Music |
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Meet The Performers: Tod Machover |
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Listening Activity: Hyperinstruments and Musical Interactivity |
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Chapter 47 Some Current Trends |
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413 | (15) |
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Jennifer Higdon and Romantic Ideals |
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LG 59 Higdon: blue cathedral |
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John Corigliano and the Contemporary Song Cycle |
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LG 60 Corigliano: Prelude, from Mr. Tambourine Man: Seven Poems of Bob Dylan |
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Minimalism and Post Minimalism |
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Arvo Part and Spiritual Minimalism |
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LG 61 Part: Cantate Domino Canticum novum |
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HTTN 16 Murders, Monsters, and Mayhem in Modern Opera |
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John Adams and Post-Minimalism |
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LG 62 Adams: Doctor Atomic |
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Listening Activity: Comparing Styles 8 Contemporary Choral Music |
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428 | |
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1 | (4) |
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5 | (18) |
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III Answers to Listening Activities |
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23 | (2) |
| Credits |
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25 | (4) |
| Index |
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29 | (31) |
| World Map |
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60 | |
