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Envisioning Others: Race, Color, and the Visual in Iberia and Latin America [Kõva köide]

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  • Formaat: Hardback, 368 pages, kõrgus x laius: 235x155 mm, kaal: 715 g
  • Sari: Medieval and Early Modern Iberian World 62
  • Ilmumisaeg: 15-Oct-2015
  • Kirjastus: Brill
  • ISBN-10: 9004269177
  • ISBN-13: 9789004269170
Teised raamatud teemal:
  • Formaat: Hardback, 368 pages, kõrgus x laius: 235x155 mm, kaal: 715 g
  • Sari: Medieval and Early Modern Iberian World 62
  • Ilmumisaeg: 15-Oct-2015
  • Kirjastus: Brill
  • ISBN-10: 9004269177
  • ISBN-13: 9789004269170
Teised raamatud teemal:
This work gathers papers from a panel at the 2013 College Art Association Conference. The panel, titled “Representations of ‘Race’ in Iberia and the Ibero-American World,” was sponsored by the American Society for Hispanic Art Historical Studies. Contributors are US-based scholars in history, Christian art, art history, and Chicano studies. Some specific topics discussed include the Black Madonna of Montserrat, early modern Spanish polychrome sculpture, albinism and spotted blacks in the 18th-century Atlantic world, promoting Brazil in 19th-century US media, and race and the historiography of colonial art. The book includes a wealth of black and white historical and contemporary photos, illustrations, and art. Annotation ©2016 Ringgold, Inc., Portland, OR (protoview.com)

Envisioning Others offers a multidisciplinary view of the relationship between race and visual culture in the Spanish- and Portuguese-speaking world, from the kingdoms of Spain and Portugal to colonial Peru and Colombia, post-Independence Mexico, and the pre-Emancipation United States.

Arvustused

"...All of which is to say that the parts I found especially interesting in Envisioning Others were those that delved into or at least made the reader aware of strange and surprising categories and concepts that attempted to name and control difference. Byron Ellsworth Hamann (Ohio State University) in The Medieval Review 16.11.31 "Quem se dedica à cultura visual religiosa e seu impacto no cotidiano, inclusive a relação entre a religião proposta e praticada e o sistema de racismo, vai beneficiar-se significativamente e, eventualmente, encontrar inspiração para novos projetos de pesquisa, inclusive, em relação à escolha da metodologia... Em sua totalidade, a obra é um convite ao/à cientista da religião para investigar não somente o aspecto religioso nas representações da cultura material e visual brasileira, mas também as relações entre imagem, religião e gênero ou imagem, religião e trabalho ou imagem, religião e política e outras. Helmut Renders in Horizonte, Belo Horizonte, v. 14, n. 42, p. 670-679, abr./jun. 2016

Acknowledgements vii
List of Illustrations
11
List of Contributors
xii
Introduction: Race, Color, and the Visual in Iberia and Latin America 1(17)
Pamela A. Patton
1 The Black Madonna of Montserrat: An Exception to Concepts of Dark Skin in Medieval and Early Modern Iberia?
18(33)
Elisa A. Foster
2 Visualizing Black Sanctity in Early Modern Spanish Polychrome Sculpture
51(32)
Erin Kathleen Rowe
3 The Color of Salvation: The Materiality of Blackness in Alonso de Sandoval's De instauranda Aethiopum salute
83(28)
Grace Harpster
4 Imagined Transformations: Color, Beauty, and Black Christian Conversion in Seventeenth-Century Spanish America
111(31)
Larissa Brewer-Garcia
5 White or Black? Albinism and Spotted Blacks in the Eighteenth-Century Atlantic World
142(45)
Ilona Katzew
6 Making Race Visible in the Colonial Andes
187(26)
Ananda Cohen Suarez
7 From Casta to Costumbrismo: Representations of Racialized Social Spaces
213(28)
Mey-Yen Moriuchi
8 Tropical Dreams: Promoting Brazil in Nineteenth-Century us Media
241(25)
Beatriz E. Balanta
9 The Form of Race: Architecture, Epistemology, and National Identity in Fernando Chueca Goitia's Invariantes castizos de la arquitectura espanola (1947)
266(37)
Matilde Mateo
10 Race and the Historiography of Colonial Art
303(20)
Charlene Villasenor Black
Selected Bibliography 323(39)
Index 362
Pamela A. Patton (PhD 1994, Boston University) is Director of the Index of Christian Art at Princeton University and the author of two books and multiple articles on medieval Iberian art, including Art of Estrangement: Redefining Jews in Reconquest Spain (Penn State, 2012).