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Erotic Comics in Japan: An Introduction to Eromanga [Kõva köide]

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Translated by , Translated by ,
  • Formaat: Hardback, 290 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 30 Illustrations, black and white
  • Sari: Asian Visual Cultures
  • Ilmumisaeg: 24-Nov-2020
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9463727124
  • ISBN-13: 9789463727129
Teised raamatud teemal:
Erotic Comics in Japan: An Introduction to EromangaSuurem pilt
  • Formaat: Hardback, 290 pages, kõrgus x laius: 234x156 mm, kaal: 700 g, 30 Illustrations, black and white
  • Sari: Asian Visual Cultures
  • Ilmumisaeg: 24-Nov-2020
  • Kirjastus: Amsterdam University Press
  • ISBN-10: 9463727124
  • ISBN-13: 9789463727129
Teised raamatud teemal:
Püsilink: https://www.kriso.ee/db/9789463727129.html
Comics and cartoons from Japan, or manga and anime, are an increasingly common feature of visual and popular culture around the world. While it is often observed that these media forms appeal to broad and diverse demographics, including many adults, eroticism continues to unsettle critics and has even triggered legal action in some jurisdictions. It is more urgent than ever to engage in productive discussion, which begins with being informed about content that is still scarcely understood outside small industry and fan circles. Erotic Comics in Japan: An Introduction to Eromanga is the most comprehensive introduction in English to erotic comics in Japan, or eromanga. Divided into three parts, it provides a history of eroticism in Japanese comics and cartoons generally leading to the emergence of eromanga specifically, an overview of seven themes running across works with close analysis of outstanding examples and a window onto ongoing debates surrounding regulation and freedom of expression in Japan.

Arvustused

"Packed with dense on-the-ground knowledge and experience, this book illustrates how erotic manga and eroticism per se interleaves with manga for children and globally recognized works. A valuable resource for students of postwar sexuality and comics." - Sharon Kinsella, University of Manchester

"This path-breaking English-language resource on eromanga is eye opening. It not only undermines assumptions about the gender identity of creators and readers, but also exposes that manga is not fully manga without its mediations of sexuality." - Jaqueline Berndt, Stockholm University

"Nagayama presents a history of the development of erotic manga, and run-down of its many variant niches, sure to prove eye-poppingly illuminating to contemporary scholars." - Jonathan Clements, author of Anime: A History

Translators' Introduction: Eromanga in the Global Now 13(32)
Eromanga, Japan and Translation
13(5)
A Roadmap to Regulation and Resistance
18(5)
The Manga Industry, Diversity and Eroticism
23(5)
Positioning Eromanga in Debates about Pornography
28(6)
Toward an Expanded Eromanga Studies
34(5)
Introduction: The Invisible Realm
39(6)
Part 1 A History of Eromanga Memes Spread
45(70)
1 The Gene Pool of Manga and Gekiga
49(14)
The 1940s to the 1950s: The Genome King, Tezuka Osamu
49(4)
Gekiga as a Counter Response
53(1)
The 1960s: Garo, COM and Gekiga for Young Men
54(2)
Shameless Boys Manga
56(3)
The Early 1970s: Beginning with Ishii Takashi and Sakaki Masaru
59(4)
2 The Rise and Fall of Third-Rate Gekiga and the Eve of Bishqjo-Style Eromanga
63(22)
The Mid-1970s: The Third-Rate Gekiga Boom
63(5)
The Magnificent 49ers and the Golden Age of Shop Manga
68(5)
The Source of Erotic Comedy is Love Comedy, Darling!
73(4)
The Alternative Circuit called Dojinshi
77(4)
The End of the 1970s: The Decline of Third-Rate Gekiga and Arrival of Bishojo
81(4)
3 Bishojo-Style Eromanga Takes the Stage
85(30)
The First Half of the 1980s: The Revolutionary Outbreak of Lolicon
85(5)
Early Lolicon Manga
90(1)
The Second Half of the 1980s: Two Key Figures
91(3)
The Golden Age of Eromanga
94(1)
The First Half of the 1990s: The Winter Years of Eromanga
95(4)
The Second Half of the 1990s: The Adult Comics Label and Bubble Period
99(1)
Shota and the Rise of Female Artists
100(3)
The Wave of Refinement and High-End Style
103(1)
New Expressions and Recurring Expressions
104(1)
The Age of "Moe"
105(4)
The 2000s: Permeation, Diffusion and Waning Fortunes
109(6)
Part 2 The Various Forms of Love and Sex Subdividing Desire
115(122)
4 Lolicon Manga
117(20)
Introduction
117(1)
What is Lolicon Manga?
117(3)
Early Lolicon Manga
120(1)
The Additional Line by the Name of Sin
121(2)
The Excuse is for the Sake of the Reader
123(1)
Fiction is Fiction
124(3)
The Pleasure of Sin
127(1)
Inner Demons
128(3)
I am I
131(1)
The World of Children
132(2)
Lolicon Manga Once More
134(3)
5 Big Breasts and Manga
137(14)
Introduction
137(1)
From Lolicon to Baby-Faced and Big-Breasted
137(2)
Breasts, Symbolic from the Start: Thumping Heart, Ms. Minako!
139(2)
The Big-Breasted of Big-Breasted: Blue Eyes
141(3)
Big Breasts and Added Value
144(3)
The Expression of Big Breasts
147(4)
6 Little Sisters and Incest
151(18)
Introduction
151(1)
If There is Love, Even Close Relatives Cannot Stop It
152(5)
Ideal Mothers, Real Mothers and Slutty Mothers in Law
157(2)
Without Love and Without Morals
159(3)
Sweet Role-Play with an Imaginary Little Sister
162(7)
7 Disgrace and Training
169(18)
Introduction
169(2)
Disgrace, Gekiga and Neo-Gekiga
171(2)
Resentment and Communication
173(3)
Rape Fantasies
176(3)
Training and Brainwashing
179(4)
Brutes and Vulnerability
183(4)
8 Love Stories
187(16)
Introduction
187(1)
A Genealogy of Romantic Eromanga
188(3)
Girly Style and the Lum Type
191(5)
Pure Love Love
196(3)
Conservative Romantic Values
199(2)
The Abyss of Love
201(2)
9 Sadomasochism and Sexual Minorities
203(12)
Introduction
203(1)
Sadomasochism and the Performing Body
204(4)
Sadomasochism, Absolute Devotion to the System
208(2)
Desire Deviating from the Sexual Organs and Polymorphous Perversity
210(5)
10 Gender Mayhem
215(22)
Introduction
215(6)
"Shemales:" The Meaning of Breasts and a Penis
221(1)
"Shemales" and Related Territory
222(2)
Real Male Sexual Organs and Fantasy Female Sexual Organs
224(4)
Shota, or Autoeroticism
228(9)
Part 3 Addition to the Expanded Edition (2014)
Eromanga in the Twenty-First Century
237(1)
Deterioration of the Market and Restructuring of the Industry
237(3)
Maneuvers Surrounding "Non-Existent Youth"
240(9)
Youth Become the Focal Point of Regulating Expression
249(5)
Is the Internet the Enemy of Eromanga?
254(6)
Diversifying Representations and Desires
260(7)
Conclusion: Permeation, Diffusion and What Comes After
267(18)
Pornography Without Sex
267(6)
Afterword (2006)
273(1)
Afterword to the Expanded Edition (2014)
274(11)
Index of Artists and Individuals 285
Patrick W. Galbraith is a Lecturer in the School of Law at Senshu University in Tokyo. He holds a Ph.D. in Information Studies from the University of Tokyo and a Ph.D. in Cultural Anthropology from Duke University. His recent publications include Otaku and the Struggle for Imagination in Japan (Duke University Press, 2019) and AKB48 (Bloomsbury, 2019). Jessica Bauwens-Sugimoto is an Associate Professor in the Faculty of International Studies at Ryukoku University in Kyoto. She holds an M.A. in Japanese Studies and an M.A. in Social and Cultural Anthropology from the Catholic University of Leuven, and an M.A. in Sociology and a Ph.D. in Human Sciences from Osaka University. Her research focus is sequential art made by and for girls and women. Nagayama Kaoru is a manga critic and activist based in Tokyo.