Documentary film has been an important vehicle to interrogate the world since the inception of film more than a hundred years ago. The Ethics of Documentary Film reformulate some of the foundational notions in documentary films studies and practice, relating to archive and the production of knowledge. Published in a particular moment in time, post pandemic and in the middle of the climate change debates and the traumas of new conflicts in the world, it gives voice to all of the important contemporary debates and offers ideas about different international approaches to documentary. With particular focus on the question of to what extent a documentary film can be defined as an ethical project, the various contributions look at issues of history, the hidden stories, and issues of the ethics of representation to provide new insights into the role documentary film can play within society.
A comprehensive re-examination of the ethics versus history and knowledge debate within documentary film.
Agnieszka Piotrowska, PhD, is an award-winning international creative practice researcher, educator, psychologist and filmmaker known for her dedication to inclusivity. Based in the UK, Professor Piotrowska has presented her work internationally, inspiring others through cross-cultural collaboration. She is a member of the General Council of the Visible Evidence, the most important global network for documentary studies. Formerly Head of the School of Film, Media and Performing Arts at the University for the Creative Arts, she currently supervises PhD students at Staffordshire and Oxford Brookes Universities. From 2018 to 2024, she was Professor of Film and Cultural Studies at the University of Gdansk, directing the Visible Evidence conference there. She has given keynotes internationally, focusing on the links between theory and practice. Her acclaimed documentary Married to the Eiffel Tower and her new award-winning experimental film work in Zimbabwe have received global recognition. Professor Piotrowska's extensive publications on psychoanalysis, culture and cinema include Psychoanalysis and Ethics in Documentary Film (2014, 2023) Black and White: Cinema, Politics, and the Arts in Zimbabwe (2017) and the monograph The Nasty Woman in Cinema and Culture (2019), as well as four edited collections.
